The young Michelangelo Merisi da Caravaggio (1571–1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. One might think, given the vast number of books that have been written about him, that everything that could possibly be said about the artist has been said. However, as the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist's life and work.
Sybille Ebert-Schifferer subjects the available sources to a critical reevaluation, uncovering evidence that the efforts of Caravaggio's contemporaries to disparage his character and his artwork often sprang from their own cultural biases or a desire to promote the artistic achievements of his rivals. Contrary to repeated claims in the literature, the painter lacked neither education nor piety, but was an extremely accomplished technician who developed a successful marketing strategy. He enjoyed great respect and earned high fees from his prestigious clients while he also inspired a large circle of imitators. Even his brushes with the law conformed to the behavioral norms of the aristocratic Romans he sought to emulate.
The beautiful reproductions of Caravaggio's paintings in this volume make clear why he captivated the imagination of his contemporaries, a reaction that echoes today in the ongoing popularity of his work and the fierce debate that it continues to provoke among art historians.
Sybille Ebert-Schifferer is the director of the Bibliotheca Hertziana at the Max Planck Institute for Art History in Rome. She is the author of Still Life: A History (Abrams, 1999) and coeditor of Sacred Possessions: Collecting Italian Religious Art, 1500–1900 (Getty Publications, 2010).
“A perceptive and readable scholarly volume."
The Burlington Magazine
“Richly illustrated with numerous fine color plates.”
“[Caravaggio] accomplishes the seemingly impossible by offering readers a fresh take on the issues of market, reception, and knowledge that informed Caravaggio’s artistic production.”
“This is a rigorous and scrupulous reexamination of Caravaggio’s works by the standards of art. . . . The narrative is clear and well-reasoned, and the translation from the original German is exemplary. . . . And then there are the works themselves! Gorgeously reproduced and exceptionally well integrated into the text, this is a book that should be particularly sought after by those new to the works of this incomparable master.”