Anne T. Woollett, Yvonne Szafran, and Alan Phenix
Maerten van Heemskerck (1498–1574) was one of the most active and inventive Dutch painters of the sixteenth century. Over the course of his long career, he created lively mythological scenes, dramatic altarpieces for guilds, and smaller works for wealthy individuals. Several of his religious paintings were destroyed by Protestant iconoclasts in 1566.
One of his extant masterpieces, the Ecce Homo triptych of 1544, once graced the family chapel of Jan van Drenckwaerdt, a wealthy merchant and sheriff, in Dordrecht's Augustinian church. This unusually complete triptych, with its original decorated frame, was brought from the National Museum in Warsaw, Poland, for treatment and study at the J. Paul Getty Museum as part of the Conservation Partnership program.
This richly illustrated book documents the dramatic process of revealing the brilliance of a sixteenth-century masterpiece and sheds light on the artist's technique, iconography, and the role of the altarpiece in the turbulent history of the era. Drama and Devotion accompanied an exhibition at the J. Paul Getty Museum that opened on June 5, 2012.
Anne T. Woollett is curator of paintings at the J. Paul Getty Museum and author of Rembrandt in Southern California (Getty Publications, 2009). Yvonne Szafran is senior conservator of paintings at the J. Paul Getty Museum. Alan Phenix is a scientist at the Getty Conservation Institute.
“[This book] make[s] a significant contribution to the growing scholarship of this important northern master. . . . this succinct catalogue models the kind of exciting insights that can result from the collaboration between conservators and historians.”
—Renaissance and Reformation
“Nothing short of revelatory. . . . This publication succeeds beautifully at situating a magnificent artifact within its historical and discursive milieu. Any scholar of early Netherlandish art will benefit from reading it.”112 pages
“Large color illustrations compare the artistry in the triptych to Heemskerck’s other known works and to works by other northern European artists. Detail shots of the triptych accompany text that thoroughly describes the technical examination and chemical analysis that was performed.”
—Maine Antique Digest
“Informative and generously illustrated.”
9 x 10 inches
68 color and 21 b/w illustrations
Imprint: J. Paul Getty Museum