Windmills were ubiquitous in seventeenth-century Holland and they remain the best-known symbol of the Dutch landscape. Jacob van Ruisdael first depicted them as a precocious teenager and continued to represent all types in various settings until his very last years. Water mills, in contrast, were scarce in the new Dutch Republic, found mainly in the eastern provinces, particularly near the border with Germany. Ruisdael discovered them in the early 1650s and was the first artist to make water mills the principal subject of a landscape.
His most celebrated painting, Windmill at Wijk bij Duurstede at the Rijksmuseum, and the J. Paul Getty Museum's Two Undershot Water Mills with an Open Sluice are the centerpieces of this overview of the artist's depictions of windmills and water mills. Both depended upon forces of nature for their operation, but their use in the Netherlands and their place in seventeenth-century Dutch art differed considerably. This book examines their role in Holland and introduces readers to the pleasure of studying Ruisdael's images of them, a joy conveyed by the English landscapist John Constable in a letter written to his dearest friend after seeing a Ruisdael painting of a water mill in a London shop: "It haunts my mind and clings to my heart."
Seymour Slive (1920-2014) was an expert on seventeenth-century Dutch art and was Gleason Professor of Fine Arts Emeritus at Harvard University and former director of the Fogg Museum there. He authored Rembrandt Drawings (Getty Publications, 2009), Dutch Painting 1600–1800 (Yale University Press, 1995), Jacob van Ruisdael: A Complete Catalogue of His Paintings, Drawings, and Etchings (Yale University Press, 2001), and numerous other publications.
8 1/2 x 8 1/2 inches
48 color and 21 b/w illustrations
Imprint: J. Paul Getty Museum