{"title":"2026 Mother's Day Gift Guide - Book Nook","description":"\u003cstyle\u003e\na {\n    text-decoration: none;\n    color: #464feb;\n}\ntr th, tr td {\n    border: 1px solid #e6e6e6;\n}\ntr th {\n    background-color: #f5f5f5;\n}\n\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eInspired by quiet corners filled with stories, this collection celebrates the ritual of slowing down with a good book.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"artists-and-their-books-books-and-their-artists-978-1606065730","title":"Artists and Their Books \/ Books and Their Artists","description":"\u003cp\u003e\u003cstrong\u003eMarcia Reed and Glenn Phillips\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis stunning volume illuminates the current moment of artists’ engagement with books, revealing them as an essential medium in contemporary art. Ever innovative and predictably diverse in their physical formats, artists’ books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn’s Coracle Press or Harry and Sandra Reese’s Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists’ books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. \u003cem\u003eArtists and Their Books \/ Books and Their Artists \u003c\/em\u003eincludes over one hundred important examples selected from the Getty Research Institute’s Special Collections of more than six thousand editions and unique artists’ books.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume also presents precursors to the artist’s book, such as Joris Hoefnagel’s sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht Dürer’s \u003cem\u003eLife of Mary\u003c\/em\u003e, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists’ books on Pop Art, Fluxus, Conceptualism, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume accompanied an exhibition on view at the Getty Research Institute at the Getty Center June 26 to October 28, 2018.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcia Reed is the former chief curator and associate director for special collections and exhibitions at the Getty Research Institute,\u003c\/span\u003e where Glenn Phillips is curator and head of modern and contemporary collections. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2019 Honorable Mention for Katharine Kyes Leab and Daniel J. Leab American Book Prices Current Exhibition Catalogue Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinner, Excellence in the 2019 University and College Design Association (UCDA) Design Competition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the long-term fertile relationship of art and books in contemporary culture.”\u003cbr\u003e—\u003cem\u003eFine Books and Collections\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Ideal for art history, the history of the book post–World War II, and interactive art buffs, with a wealth of creative inspiration for artists and students as well.”\u003cbr\u003e—\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This new account [. . .] offers an excellent overview of a strange and stimulating medium.”\u003cbr\u003e—\u003cem\u003eTimes Higher Education\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Fans of books-as-art will be enthralled . . . This is a thought-provoking, imaginative and thrilling art book.”\u003cbr\u003e—\u003cem\u003eShelf Awareness\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e220 pages \u003cbr\u003e10 x 10 inches\u003cbr\u003e184 color illustrations\u003cbr\u003eISBN 978-1-60606-573-0\u003cbr\u003ehardcover \u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2018\u003cbr\u003e\u003cbr\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/vCokrwWwPLk?rel=0\u0026amp;showinfo=0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2312037990409,"sku":"9781606065730","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606065730.jpg?v=1747863640"},{"product_id":"the-art-of-reading-an-illustrated-history-of-books-in-paint-9781606065860","title":"The Art of Reading: An Illustrated History of Books in Paint","description":"\u003cp\u003e\u003cstrong\u003eJamie Camplin and Maria Ranauro\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, \u003cem\u003eThe Art of Reading\u003c\/em\u003e appraises works by the many great masters who took inspiration from the printed word.\u003c\/p\u003e\n\u003cp\u003eAuthors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society.\u003c\/p\u003e\n\u003cp\u003eFeaturing over one hundred works by artists from across Europe and the United States and all painting genres, \u003cem\u003eThe Art of Reading\u003c\/em\u003e explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.\u003c\/p\u003e\n\u003cp\u003eJamie Camplin is a Cambridge-educated historian who retired in 2013 from a distinguished career as Thames \u0026amp; Hudson’s editorial and then managing director. He is the author of \u003cem\u003eThe Rise of the Plutocrats: Wealth and Power in Edwardian England\u003c\/em\u003e and the historical novel \u003cem\u003e1914 The King Must Die\u003c\/em\u003e. Maria Ranauro studied art history at the Courtauld Institute of Art before joining the publishing department at the National Gallery, London, where she was responsible for the visual content of a number of seminal exhibition catalogues. She is now a senior picture researcher at Thames \u0026amp; Hudson.\u003c\/p\u003e\n\u003cp\u003e“There is no shortage of writings on the subject of books and reading but this volume in color . . . combines both reading and art and is mesmerizing.”\u003cbr\u003e—\u003cem\u003eThe Florida Times-Union\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Beautifully produced, impressively informative, as thoughtful and it is thought-provoking, \u003cem\u003eThe Art of Reading: An Illustrated History of Books in Paint\u003c\/em\u003e is a unique and extraordinary study that is unreservedly recommended for the personal reading lists of all dedicated bibliophiles and will prove to be an enduringly popular addition to community, college, and academic library collections.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Bridging the gap between book and art lover perfectly, this work presents relevant information with stunning paintings to satisfy experts of both fields.”\u003cbr\u003e\u003cem\u003e—Library Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Charming.”\u003cbr\u003e—\u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“ . . . a thoroughly delightful book . . . “\u003cbr\u003e\u003cem\u003e—Tulsa Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“ . . . [a] handsome, absorbing walkthrough of art history as seen through its paintings of books . . . ”\u003cbr\u003e—\u003cem\u003eChicago Tribune\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Although there is no shortage of books about books, \u003cem\u003eThe Art of Reading\u003c\/em\u003e offers a welcome new perspective on the age-old tradition of reader as artist’s muse.”\u003cbr\u003e—\u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e256 pages \u003cbr\u003e6 1\/2 x 9 1\/2 inches\u003cbr\u003e165 color illustrations\u003cbr\u003eISBN 978-1-60606-586-0 \u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003e\u003cbr\u003e2018\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":12493358497869,"sku":"9781606065860","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/Art_of_Reading.jpg?v=1600797326"},{"product_id":"illuminated-letter-sketcbook","title":"Illuminated Letter Sketchbook","description":"In this guide you can learn how to illustrate your writing like the scribes in the past, bringing letters to life with plant and animal motifs, swirling vines and fantastical imagery. Draw mythical beasts and other creatures cavorting across the page of Gothic illuminations. Includes step-by-step tutorials, tips for creating striking effects, and blank letterforms you can illuminate yourself. The sketchbook has full color examples of letters for you to trace and color and sample letters and space on graph paper to create your own illuminated letters. A pointed nib using India ink or a waterproof fine-line pen along with a drawing pencil work best. Colored pencils, fine-tip markers, or watercolors can also be used. \u003cbr\u003e\u003cbr\u003e- 6 inches x 8.25 inches\u003cbr\u003e- 127 pages \u003cbr\u003e- Item #: 978-1441319494","brand":"PETER PAUPER PRESS INC","offers":[{"title":"Default Title","offer_id":28166495207501,"sku":"9781441319494","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781441319494_1.jpg?v=1571438682"},{"product_id":"getty-central-garden-paper-bookmark","title":"Getty Central Garden Paper Bookmark","description":"This artful bookmark depicts a detail of the Getty Center's Central garden. \u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches x 6.75 inches \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM55","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062067277,"sku":"GBM55","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM55_a.jpg?v=1603233265"},{"product_id":"khnopff-jeanne-kefer-paper-bookmark","title":"Khnopff Jeanne Kéfer Paper Bookmark","description":"This artful bookmark depicts a detail of one of the J. Paul Getty Museum's most popular paintings, \u003cem\u003eJeanne Kéfer\u003c\/em\u003e, by Fernand Khnopff. \u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches x 6.75 inches \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM57 \u003cbr\u003e\u003cbr\u003eFernand Khnopff depicted the daughter of a composer friend on a porch before a closed door, with her tiny thumb catching the edge of her bow as she reaches into her coat. With this small gesture, Khnopff captured the child's vulnerability and uncertainty in facing the outside world. To further evoke a child's perception of a world scaled for grown-ups, he framed Jeanne Kéfer's tiny body against the adult-sized door and tilted the floor ever so slightly. Jeanne is further isolated by the free, abstract brushwork in the reflective door window behind her. Typical for Khnopff, Jeanne is not warm and inviting but cut off in the shallow background, a fixed haunting gaze on her face. Khnopff became a popular society portrait painter in the 1880s, using elements that served him well as an avant-garde Symbolist painter: visual realism and a mood of silence, isolation, and reverie. He frequently posed his models leaning against a closed door, flattening the space and resulting in a meditative, hermetically sealed image. \u003cbr\u003e\u003cbr\u003eFernand Khnopff (Belgian, 1858 - 1921) \u003cbr\u003e\u003cem\u003eJeanne Kéfer\u003c\/em\u003e, 1885, \u003cbr\u003eOil on canvas \u003cbr\u003e80 x 80 cm (31 1\/2 x 31 1\/2 inches) \u003cbr\u003eThe J. Paul Getty Museum, Los Angeles","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062263885,"sku":"GBM57","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM57_a.jpg?v=1603221136"},{"product_id":"manet-jeanne-spring-paper-bookmark","title":"Manet Jeanne (Spring) Paper Bookmark","description":"This artful bookmark depicts a detail of one of the J. Paul Getty Museum's most popular paintings, \u003cem\u003eJeanne (Spring)\u003c\/em\u003e, by Édouard Manet.\u003cbr\u003e\u003cbr\u003e- Dimensions: 2 in x 6.75 in \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM58 \u003cbr\u003e\u003cbr\u003eA chic young woman in a day dress with floral accents holds a parasol against a background of exuberant foliage. She looks straight ahead, a picture of poise and detachment even as she seems fully aware of the viewer's admiring gaze. Representing aspiring Parisian actress Jeanne Demarsy as the embodiment of Spring, this portrait debuted at the last major public exhibition of Manet's life, the Paris Salon of 1882. For more than two decades, Manet's paintings were rejected by the Salon or met with controversy; Spring was the most unalloyed success of the artist's Salon career, a career that ended tragically a year later when Manet died of causes related to syphilis. Appealing to critics primarily on account of Jeanne's charm, Spring also showcased Manet's mastery of his medium. The painting exhibits a marvelous range of brushwork, from the thin, delicate floral touches on the dress to the smooth handling of Jeanne's face and the broad, sketch-like strokes of the backdrop. The painting's sensual handling and bright, vibrant palette evokes the pleasures of the season it celebrates. When composing Spring, Manet had in view both the latest fashion trends and old artistic traditions. An avid connoisseur of feminine couture, he pieced together Jeanne's ensemble himself by scouring dressmakers' and milliners' shops. Posing his model in the studio, however, he referred to portrait conventions of the early Italian Renaissance, presenting her half-length, in profile, and against a mass of greenery. More than just an ephemeral 'fashion-plate,' Manet's archetypal Spring was conceived as a picture for the ages, summarizing his modern epoch through the figure of a beautiful Parisienne. \u003cbr\u003e\u003cbr\u003eÉdouard Manet (French, 1832 - 1883) \u003cbr\u003eJeanne (Spring), 1881, \u003cbr\u003eOil on canvas \u003cbr\u003e74 x 51.5 cm (29 1\/8 x 20 1\/4 in.) \u003cbr\u003eThe J. Paul Getty Museum, Los Angeles","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062329421,"sku":"GBM58","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM58_a.jpg?v=1635960532"},{"product_id":"alma-tadema-spring-paper-bookmark","title":"Alma-Tadema Spring Paper Bookmark","description":"\u003cp\u003eThis artful bookmark depicts a detail of one of the J. Paul Getty Museum's most popular paintings, \u003cem\u003eSpring\u003c\/em\u003e, by Lawrence Alma-Tadema. \u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches x 6.75 inches \u003cbr\u003e- material: Card Stock \u003cbr\u003e- Item #: GBM60\u003cbr\u003e\u003cbr\u003eA procession of women and children descending marble stairs carry and wear brightly colored flowers. Cheering spectators fill the windows and roof of a classical building. Lawrence Alma-Tadema here represented the Victorian custom of sending children into the country to collect flowers on the morning of May 1, or May Day, but placed the scene in ancient Rome. In this way, he suggested the festival's great antiquity through architectural details, dress, sculpture, and even the musical instruments based on Roman originals. Alma-Tadema's curiosity about the ancient world was insatiable, and the knowledge he acquired was incorporated into over three hundred paintings of ancient archaeological and architectural design. He said: Now if you want to know what those Greeks and Romans looked like, whom you make your masters in language and thought, come to me. For I can show not only what I think but what I know. Alma-Tadema's paintings also enjoyed popularity later, when his large panoramic depictions of Greek and Roman life caught the attention of Hollywood. Certain scenes in Cecil B. De Mille's film \u003cem\u003eCleopatra \u003c\/em\u003e(1934) were inspired by the painting \u003cem\u003eSpring\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003eLawrence Alma-Tadema (Dutch, 1836 - 1912) \u003cbr\u003e\u003cem\u003eSpring\u003c\/em\u003e, 1894, Oil on canvas \u003cbr\u003e178.4 cm x 80.3 cm (70 1\/4 inches x 31 5\/8 inches.) \u003cbr\u003eThe J. Paul Getty Museum, Los Angeles\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062526029,"sku":"GBM60","price":1.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM60_a.jpg?v=1603156951"},{"product_id":"van-huysum-vase-of-flowers-paper-bookmark","title":"Van Huysum Vase of Flowers Paper Bookmark","description":"This artful bookmark depicts a detail of one of the J. Paul Getty Museum's most popular paintings, \u003cem\u003eVase of Flowers,\u003c\/em\u003e by Jan van Huysum.\u003cbr\u003e\u003cbr\u003e- Dimensions: 2 in x 6.75 in \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM61 \u003cbr\u003e\u003cbr\u003eThe Dutch fascination with nature is described in a riotous display of beautiful and exotic flowers. Arranged in a terracotta vase displaying an antique relief, Jan van Huysum included flowers from all seasons of the year--roses, anemones, hyacinths, tulips, and more--and painted them directly from life. The flowers' nearly overripe quality attests both to nature's bounty and its transience. The bouquet is ordered in a loose pyramidal shape, with flowers and greenery almost bursting to be free of the vase. Butterflies and other insects fly or crawl amongst the arrangement, and drops of water are visible on leaves and shiny petals. 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Paul Getty Museum, Los Angeles","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062591565,"sku":"GBM61","price":1.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM61_a.jpg?v=1603150400"},{"product_id":"hercules-mosaic-floor-paper-bookmark","title":"Hercules Mosaic Floor Paper Bookmark","description":"\u003cp\u003eThis bookmark features a detail from the magnificent opus sectile in the Getty Villa's 'Temple of Hercules.' The mosaic reproduces a first century pavement from the Villa dei Papiri at Herculaneum. Decorating a scenic pavilion overlooking the Bay of Naples, the original Roman floor was the first architectural feature discovered by workers excavating a well in 1750. Its geometric pattern of concentric circles of triangles is composed of yellow giallo antico and dark gray africano marbles, with dark green porphyry and red rosso antico arrows at the center. \u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches x 6.75 inches \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM63\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062755405,"sku":"GBM63","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM63_a.jpg?v=1603330061"},{"product_id":"l-a-graffiti-black-book-978-1606066980","title":"L.A. Graffiti Black Book","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003eDavid Brafman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis collection of unique works by 151 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eMany graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a \u003cem data-mce-fragment=\"1\"\u003eliber amicorum\u003c\/em\u003e (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era.\u003cbr\u003e\u003cbr\u003eInspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 151 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the \u003cem data-mce-fragment=\"1\"\u003eGetty\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003eGraffiti Black Book\u003c\/em\u003e. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.\u003cbr\u003e\u003cbr\u003eDavid Brafman is associate curator of rare books at the Getty Research Institute. He is coauthor of \u003cem data-mce-fragment=\"1\"\u003eInsects and Flowers: The Art of Maria Sibylla Merian\u003c\/em\u003e (Getty, 2008) and a contributor to \u003cem data-mce-fragment=\"1\"\u003e\u003ca title=\"Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road\" href=\"https:\/\/shop.getty.edu\/products\/cave-temples-of-dunhuang-buddhist-art-on-china-s-silk-road-978-1606064894\" target=\"_blank\"\u003eCave Temples of Dunhuang: Buddhist Art on China’s Silk Road\u003c\/a\u003e \u003c\/em\u003e(Getty, 2016). \u003c\/p\u003e\n\u003cp\u003e“Inspired by the blank sketchbooks (often called black books or piece books) that graffers carry, share and collaborate together on, as well as the 17th century European autograph books known as liber amicorum (Latin for “book of friends”), this new volume represents the collaborative nature of art in the streets.”\u003cbr\u003e—Lina Lecaro, \u003cem\u003eLA Weekly\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A fine document of an interesting culture and legacy.”\u003cbr\u003e—Steve Grody, author of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGraffiti L.A.: Street Styles and Art\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“What makes this project so provocative is how it draws connections between 17\u003csup\u003eth\u003c\/sup\u003e-century vernacular art practices, the social\/collaborative nature of contemporary street art, and the importance of documentation and archives.”\u003cbr\u003e —An Xiao Mina, \u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This Getty Black Book not only serves to offer its audience a historic compilation of this unique Los Angeles art culture, but, also, the sentiment of each stand-alone artist.”\u003cbr\u003e—Karen McDonough, \u003cem\u003eUP Magazine \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Presumably convinced that a serious moment was at hand, the graffiti artists signed on and were each given several sheets of paper to distribute among their worthy colleagues. . . . There were two results, the first being a handsome volume containing all of the work. Placing graffiti art into a book is like pinning a butterfly in a display case: the ephemeral is now enshrined into the permanent.”\u003cbr\u003e—Bondo Wyszpolski, \u003cem\u003eEasy Reader News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A lively compilation of styles that capture the energy of the field, while creating a formidable record of its time and place. I wish more arts institutions engaged with artists this way, and the book contains a frenzy of aesthetics and visuals that seem perfectly suited to continue the manuscript and illumination traditions that are already major threads in the Getty collections. More of this, please.”\u003cbr\u003e—Hrag Vartanian, \u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n176 pages\u003cbr\u003e10 x 8 inches\u003cbr\u003e168 color illustrations\u003cbr\u003e ISBN 978-1-60606-698-0\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e 2021 \u003cbr\u003e\u003cbr\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BoWUOIWXPr0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5_kZ4OtdFac\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37986545959104,"sku":"9781606066980","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/LAGraffiti_849b022f-1178-4964-988f-b0acb8dd4667.jpg?v=1636358780"},{"product_id":"bookmark-hercules-mosaic-floor","title":"Bookmark - Hercules Mosaic Floor","description":"\u003cp\u003eThis vivid metal bookmark captures a detail from the magnificent opus sectile in the Getty Villa Museum's Temple of Hercules.\u003cbr\u003e\u003cbr\u003e- Dimensions: 1 1\/8 inches W x 3.75 inches H (not including tassle) \u003cbr\u003e- Metal electro-plated with a gold finish and a tassel cord\u003cbr\u003e- Made in USA \u003cbr\u003e- Item #: GBMHMF\u003cbr\u003e\u003cbr\u003eThe mosaic reproduces a first century pavement from the Villa dei Papiri at Herculaneum. 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