{"title":"Ancient Worlds","description":"\u003cp\u003eJourney through time with reproductions, books, jewelry, and gifts inspired by classical art and archaeology. \u003c\/p\u003e","products":[{"product_id":"classical-love-poetry-978-0892367863","title":"Classical Love Poetry","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited, and with an introduction, by Jonathan Williams\u003cbr\u003eContributions by Clive Cheesman\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume pairs elections of translated Greek and Roman verse from Homer, Sappho, Virgil, Horace, and Ovid, among others, with fine examples of paintings, sculpture, vases, and decorative objects. The excerpts, which cover the period from the eighth century BCE to the early Middle Ages, were chosen from famous works, such as Homer's \u003ci\u003eIliad\u003c\/i\u003e, as well as less well-known pieces, such as the writings of the Greek poet Ibycus.\u003c\/p\u003e\n\u003cp\u003eThe book demonstrates that the human preoccupation with love in all its forms has inspired writers for millennia: from the expression of enduring faithfulness and familial affection in Homer's description of Hector and Andromache, to the passionate intensity portrayed by the later Greek lyric poets and the lighthearted depiction of love as a lost little boy by the anonymous authors of the \u003ci\u003eAnacreontea\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIncluded are a brief introduction to Greek and Roman views on love and marriage, a short biographical note on each of the major poets, and a glossary of mythical and geographical names.\u003c\/p\u003e\n\u003cp\u003eJonathan Williams is curator of Iron Age and Roman coins at the British Museum and has published widely on Roman history and numismatics. 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This colorful and handy visual reference introduces to a new generation these ancient heroes and heroines, who used their cunning, beauty, and courage to overcome an array of obstacles and monsters.\u003c\/p\u003e\n\u003cp\u003eYoung readers will be amazed by the stories of Herakles and his twelve mighty labors; Jason's quest for the Golden Fleece; Perseus, who vanquished the Gorgon Medusa and saved Andromeda from the sea monster; Bellerophon, the rider of the winged horse Pegasus; Penelope's undying loyalty; and many others. Also here are the treacherous monsters (and perils) that these heroes and heroines faced: one-eyed giants, called Cyclopes; the alluring Sirens; the terrible half-man, half-bull called the Minotaur; and the evil witch Circe.\u003c\/p\u003e\n\u003cp\u003eEach entry is illustrated with a color photograph of an ancient work of art showing the characters in action. An index helps readers easily find their favorite characters.\u003c\/p\u003e\n\u003cp\u003eAges twelve and up. \u003c\/p\u003e\n\u003cp\u003eRichard Woff is deputy head of the Education Department of The British Museum. 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Instead, this new interpretation regards that physical context as a staging ground for decisive action, and at center stage are human catalysts at all levels of society whether great kings and emperors, the sailors of medieval Amalfi, or the Sephardic Jews who were expelled from Spain in 1492. The authors do more than simply catalogue the societies that developed in the region, but also describe how these groups interacted with one another across the sea, enjoying commercial and political ties as well as sharing ideas and religious beliefs.\u003c\/p\u003e\n\u003cp\u003eThis richly illustrated book offers contemporary historical writing at its best and is sure to engage specialists, students, and general readers alike.\u003c\/p\u003e\n\u003cp\u003eDavid Abulafia is professor of Mediterranean studies at the University of Cambridge, England.\u003c\/p\u003e\n\u003cp\u003e\n\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\n\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892367252');\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003c\/p\u003e\n320 pages\u003cbr\u003e8 5\/8 x 11 inches\u003cbr\u003e 150 color and 150 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-725-2\u003cbr\u003e hardcover\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. 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Juxtapositions comparing images and attitudes of each society reveal whether the women portrayed are meant to be examples of perfect femininity or the object of scorn, faithful wives or untouchable priestesses or high-living prostitutes. Depictions of goddesses and the dress and adornments of women are analyzed for what they divulge about ideals of feminine beauty and attitudes toward female nudity.\u003c\/p\u003e\n\u003cp\u003eThe text is packed with quotations from contemporary sources that reveal details about women in the ancient world, often with surprising resonance for our own time. The illustrations, many specially commissioned, include public art and domestic artifacts: sculptures, wall and mummy case paintings, engravings, silver objects, and jewelry.\u003c\/p\u003e\n\u003cp\u003eJenifer Neils is Ruth Coulter Heede Professor of Art History at Case Western Reserve University. She is the author of \u003ci\u003eThe British Museum Concise Introduction to Ancient Greece\u003c\/i\u003e (British Museum, 2008) and \u003ci\u003eThe Parthenon Frieze\u003c\/i\u003e (Cambridge University Press, 2006).\u003cbr\u003e\u003cbr\u003e“There is much in this book to admire, not least the splendid selection of well-sized, quality-rich photographs that illustrate every page of the text. . . . Jenifer Neils’s work is highly recommended.”\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e—Bryn Mawr Classical Review\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e“A comprehensive, engaging, and informative approach to the examination of the lives, roles, and perceptions of women as reflected in material culture, literature, law, myth, and history. . . . Well-written, entertaining, and beautifully illustrated, this book provides a fascinating synthesis of wide-ranging material.”\u003cbr\u003e—\u003cem\u003eNew England Classical Journal\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e“Lavishly illustrated. . . . Readers looking for an introduction to the subject of women in antiquity are certain to find much that is of interest in this book.”\u003cbr\u003e\u003cem\u003e—CAA Reviews\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9781606060919');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n216 pages\u003cbr\u003e 8 1\/2 x 8 1\/2 inches\u003cbr\u003e 200 color illustrations \u003cbr\u003e ISBN 978-1-60606-091-9\u003cbr\u003e paperback\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. 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Each chapter describes a different social gathering and the food that might have been served on such an occasion. From a menu inspired by Homer's Odyssey in 700 BCE, to the offerings at a typical Greek symposium or drinking party in fourth century Athens, to the special treats at a Macedonian wedding feast, the recipes presented here suggest the true variety of food and social life in the ancient Mediterranean. \u003c\/p\u003e\n\u003cp\u003eEnjoy Parthian chicken, fish in coriander sauce, squash Alexandria-style, cabbage the Athenian way, pancakes with honey and sesame seeds, and many more tasty dishes. Each original recipe is followed by a version for today's cook. \u003c\/p\u003e\n\u003cp\u003eAndrew Dalby is a classics scholar, linguist, and food historian. He is the author of \u003ci\u003eVenus: A Biography\u003c\/i\u003e (Getty Publications, 2005) and \u003ci\u003eDangerous Tastes: The Story of Spices\u003c\/i\u003e (University of California Press, 2000). Sally Grainger is a former professional chef and a food historian specializing in ancient baking techniques. She is the author of \u003ci\u003eCooking Apicius: Roman Recipes for Today \u003c\/i\u003e(Prospect Books, 2006).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e160 pages\u003cbr\u003e6 3\/4 x 8 3\/4 inches\u003cbr\u003e35 color and 35 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-110-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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In the modern popular imagination, mention of the ancient Greeks is likely to conjure up an image of idealized and naked youth, and it is true that the ideal nude, both male and female, is a striking feature of Greek sculpture. However, in later Greek art, sculptors and their patrons became increasingly interested in human diversity, experimenting with the representation of ethnicity, age, social standing, and character.\u003c\/p\u003e\n\u003cp\u003eThe marble, bronze, and terra-cotta sculptures presented in this volume—outstanding highlights drawn from over six centuries of artistic production—demonstrate the diversity of Greek figural forms, from the idealized beauty of the Classical era to the individualized portraits of the Hellenistic period. Large, stunning details testify to the artists' skills in portraying cold, hard materials as warm, human flesh.\u003c\/p\u003e\n\u003cp\u003eIan Jenkins is a senior curator of Greek antiquities at the British Museum. He is the author of \u003ci\u003eGreek Architecture and its Sculpture\u003c\/i\u003e and \u003ci\u003eThe Parthenon Sculptures in the British Museum\u003c\/i\u003e. Victoria Turner is a research assistant at the British Museum.\u003cbr\u003e\u003cbr\u003e“Beautiful images, beautifully reproduced.”\u003cbr\u003e\u003cem\u003e—International Journal of the Classical Tradition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e144 pages\u003cbr\u003e10 x 10 1\/4 inches\u003cbr\u003e132 color illustrations\u003cbr\u003eISBN 978-1-60606-002-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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Instead it regards physical context as a staging ground for decisive action with, at center stage, human catalysts at all levels of society—from great kings and emperors to the sailors of medieval Amalfi to the Sephardic Jews who were expelled from Spain in 1492. The authors describe how these groups interacted with one another across the sea, enjoying commercial and political ties as well as sharing ideas and religious beliefs.\u003c\/p\u003e\n\u003cp\u003eDavid Abulafia is professor of Mediterranean History at the University of Cambridge.\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003ePraise for the hardcover edition:\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e\"The illustrations are magnificent and not just decorative, but mesh intelligently with the text.\"\u003cbr\u003e\u003cem\u003e—The London Sunday Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"A superb resource for personal enrichment and an acclaimed contribution to both academic and community library shelves.\"\u003cbr\u003e\u003cem\u003e—Library Bookwatch\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e320 pages\u003cbr\u003e8 5\/8 x 11 inches\u003cbr\u003e150 color and 150 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-057-5\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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In the late eighth century BCE\u003cspan\u003e, émigrés from the Greek mainland founded colonies along the shores of the region they knew as Sikelia, bringing with them the dialects, customs, and religious practices of their homelands. Dearest of all lands to Demeter, goddess of the harvest, Sicily grew wealthy from its agricultural abundance, and colonial settlements emerged as formidable metropolises.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSicily: Art and Invention between Greece and Rome \u003c\/i\u003eis the only English-language book that focuses on the watershed period between the victory over the Carthaginians at the Battle of Himera in 480 BCE\u003cspan\u003e and the Roman conquest of Syracuse in 212 BCE\u003c\/span\u003e\u003cspan\u003e, a time of great social and political ferment. Intended as a sourcebook for Classical and Hellenistic Sicily, this anthology features current research by more than forty international scholars. The essays investigate Sicily not simply as a destination for adventurers and settlers, but as a catalyst that shaped Greek culture at its peak and transmitted Hellenism to Rome. In the opulent courts of the Sicilian city-states, artists, poets, and scientists attained levels of refinement and ingenuity rivaling, even surpassing, those of “old Greece.” Innovation in architecture, engineering, coinage, philosophy, and literature flourished in mixed cultural communities, which offered room for experimentation and gave birth to such influential figures as Empedokles, Theokritos, and Archimedes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume accompanied the exhibition \u003ci\u003eSicily: Art and Invention between Greece and Rome\u003c\/i\u003e, presented at the J. Paul Getty Museum at the Getty Villa (April 3—August 19, 2013), the Cleveland Museum of Art (September 30, 2013—January 5, 2014), and the Palazzo Ajutamicristo in Palermo (February 14—June 15, 2014).\u003c\/p\u003e\n\u003cp\u003eClaire L. Lyons is head of the Department of Antiquities at the J. Paul Getty Museum and a specialist in the archaeology of Greece and pre-Roman Italy. Michael Bennett is the Cleveland Museum of Art’s first curator of Greek and Roman Art and has overseen the reinstallation of the museum’s collections of Ancient Near Eastern, Greek, Etruscan, and Roman antiquities. Clemente Marconi is James R. McCredie Professor in the History of Greek Art and Archaeology at New York University’s Institute of Fine Arts. 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Also examined is the impact Greek vases had on the art, architecture, and literature of subsequent generations.\u003c\/p\u003e\n\u003cp\u003eBased on the rich collections of the British Museum and the J. Paul Getty Museum, the exquisite details of the works offer the reader the opportunity for an intimate interaction with the graphic beauty and narrative power of ancient vases often not available in a gallery setting.\u003c\/p\u003e\n\u003cp\u003eJohn H. Oakley is Chancellor Professor and Forrest D. Murden, Jr. Professor in the Department of Classical Studies at the College of William and Mary, Williamsburg, Virginia. 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The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer.\u003c\/p\u003e\n\u003cp\u003eThe volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. 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Beautifully hand-painted, Sofia meticulously reproduces Corinthian, Geometric, Red or Black Figure designs on each unique terracotta piece. Each vessel is signed and numbered by the artist.\u003cbr\u003e\u003cbr\u003eThis Greek vase is a reproduction of a lekythos which pictures the Battle of Troy in the geometric pattern. The lekythos was used for either cooking oil or scented oil. 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Richter\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGolden Kingdoms \u003c\/em\u003ecreates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.\u003c\/p\u003e\n\u003cp\u003eThis volume was published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center September 16, 2017 through January 28, 2018 and at the Metropolitan Museum of Art, New York February 26 to May 28, 2018. \u003cem\u003eGolden Kingdoms \u003c\/em\u003eis part of Pacific Standard Time: LA\/LA.\u003c\/p\u003e\n\u003cp\u003eJoanne Pillsbury is the Andrall E. Pearson Curator in the Department of the Arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art.  Timothy Potts is director of the J. Paul Getty Museum.  Kim N. 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The two preceding centuries had been dominated by Athen’s imposed, geometric style. Due to the resurgence of trade with areas to the east of Greece, an orientalized decor developed, characterized by the use of plant and animal motifs. During the Late Proto-Corinthian era, potters and decorators specialized in the manufacture of small Aryballos or flasks for oil or perfume, which were easy to export. The basic shape of the owl, emblem of the Goddess Pallas Athena, was created using a mold. The stylized decoration reveals great professionalism and a sense of expression. A string can be run through the hole in the owl’s foot enabling the flask to be hung up. 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The American founding father John Adams read it repeatedly in his later years. And today its lessons are more relevant than ever in a world obsessed with the futile pursuit of youth. \u003cbr\u003e\u003cbr\u003e- Marcus Tullius Cicero \u003cbr\u003e- 216 pages \u003cbr\u003e- 4.8 inches W x 7.2 inches L x 1 inch H \u003cbr\u003e- Hardcover \u003cbr\u003e- Princeton University Press \u003cbr\u003e- 2016 \u003cbr\u003e- Item #: 978-0691167701\u003c\/p\u003e","brand":"PRINCETON UNIVERSITY PRESS","offers":[{"title":"Default Title","offer_id":12215240294477,"sku":"9780691167701","price":17.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0691167701.jpg?v=1589505253"},{"product_id":"discophorus-bust-reproduction","title":"Discophorus Bust Sculpture","description":"\u003cp\u003eThis torso of a discus thrower, crafted in a composite material including alabaster, reproduces a fragment of the original bronze statue, now lost. The original marble work was created by the Greek sculptor Naucydes at the beginning of the fourth century BCE,  adhering to the canon of ideal beauty proscribed by Polyclitus (fifth century BCE) for an athlete at rest. Here, however, action is imminent; the athlete is portrayed as he is about to throw the disc, the concentration in his face revealing tenseness. The original is on display in the galleries of the Louvre Museum in Paris, France.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e -With removable metal stand for display.\u003c\/span\u003e\u003cbr\u003e- Composite material including alabaster\u003cbr\u003e- Dimensions: 30.31 inches x 16.5 inches x 8.7 inches\u003cbr\u003e- Item #: OD783 \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThis item requires oversized shipping and is not eligible for free shipping promotions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ATELIERS CSD DAVOY","offers":[{"title":"Default Title","offer_id":12298073768013,"sku":"OD783","price":975.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/OD783.jpg?v=1753306525"},{"product_id":"assyrian-palace-sculptures-978-1606066485","title":"Assyrian Palace Sculptures","description":"\u003cp\u003e\u003cstrong\u003ePaul Collins, with photographs by Lisa Baylis and Sandra Marshall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBetween the ninth and seventh centuries BCE, the small kingdom of Assyria (present-day northern Iraq) expanded through conquest from Egypt to Iran. The relief sculptures that decorated Assyrian palaces represent the high point of Mesopotamian art of the first millennium BCE, both for their artistic quality and their vivid depictions of warfare, rituals, mythology, hunting, and other aspects of Assyrian life. Together, the sculptures constitute some of the most impressive and eloquent witnesses of the ancient Near East, their importance only increasing with the recent destruction by ISIS of many of the reliefs that remained in Iraq.\u003cbr\u003e\u003cbr\u003eOriginally published by the British Museum in 2008, this book serves as a superb visual introduction to these extraordinary sculptures, showcasing a series of stunning photographs of the museum’s unrivaled collection of Assyrian reliefs. Highlighting individual panels and their often overlooked details, these images capture the majesty of Assyrian kings, their splendid courts, and protecting divinities. An introduction by Collins sets the sculptures in their cultural and art historical context, while the following chapters provide a brief history of Assyria and its royal palaces as well as an overview of the artworks’ discovery, reception, and understanding. \u003cbr\u003e\u003cbr\u003eThis volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa October 2, 2019, to September 5, 2022.\u003c\/p\u003e\n\u003cp\u003ePaul Collins is Jaleh Hearn Curator of Ancient Near East in the Department of Antiquities at the Ashmolean. 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All, from the very earliest travelers, were entranced by the beauty of the landscape and the remains of tombs, temples, and cities consumed by drift sand. Early adventurers were gripped by the urge to capture what they saw in writings, sketches, paintings, and photographs.\u003cbr\u003e \u003cbr\u003eWhile it was always the Egyptologists who were in charge, they depended on the assistance of architects, artists, engineers, and photographers. Yet when we read about Flinders Petrie and Norman de Garis Davies, we rarely hear about their wives, Hilda and Nina, or how the work of Amelia Edwards helped to fund their explorations. Only through diaries, letters, and other archival discoveries have we come to realize how important these other partners were. Similarly, the contributions of Egyptians, such as Hassan Effendi Hosni, are only now coming to light.\u003cbr\u003e \u003cbr\u003e\u003cem\u003eEgyptologists’ Notebooks \u003c\/em\u003eis a visual celebration of Egypt’s ancient past, featuring evocative sketches, paintings, and photographs from pioneering explorers’ and archaeologists’ journals. Reproduced in their original form, they provide intimate, behind-the-scenes access to the archaeological discovery of Egypt.\u003c\/p\u003e\n\u003cp\u003eChris Naunton is an Egyptologist and the author of \u003cem\u003eSearching for the Lost Tombs of Egypt \u003c\/em\u003e(2018). He studied ancient history, archaeology, and Egyptology at the University of Birmingham and Swansea University and has presented many TV programs on Egypt, including \u003cem\u003eThe Man Who Discovered Egypt \u003c\/em\u003e(2012), \u003cem\u003eAncient Mysteries \u003c\/em\u003e(2016), \u003cem\u003eKing Tut’s Treasure \u003c\/em\u003e(2018), and \u003cem\u003eEgypt’s Lost Pyramid \u003c\/em\u003e(2019). He was director of the Egypt Exploration Society from 2012 to 2016.\u003c\/p\u003e\n\u003cp\u003e“A unique and impressively informative contribution to the growing library of Egyptology. . . gorgeously illustrated throughout, making it an exceptionally and unreservedly recommended addition to personal, professional, community, and college\/university library Archaeology collections in general, and Egyptology supplemental curriculum studies reading lists in particular.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e264 pages\u003cbr\u003e8 1\/8 x 10 3\/4 inches\u003cbr\u003e242 color illustrations\u003cbr\u003eISBN 978-1-60606-676-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Publications\u003cbr\u003e\u003cbr\u003e2020\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/player.blubrry.com\/id\/146044459?cache=1773092893#mode-Light\u0026amp;border-000000\u0026amp;progress-000000\" title=\"Blubrry Podcast Player\" scrolling=\"no\" width=\"100%\" height=\"165px\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32713375776845,"sku":"9781606066768","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/EgyptologistsNotebooks.jpg?v=1636261064"},{"product_id":"hercules-mosaic-floor-paper-bookmark","title":"Hercules Mosaic Floor Paper Bookmark","description":"\u003cp\u003eThis bookmark features a detail from the magnificent opus sectile in the Getty Villa's 'Temple of Hercules.' The mosaic reproduces a first century pavement from the Villa dei Papiri at Herculaneum. Decorating a scenic pavilion overlooking the Bay of Naples, the original Roman floor was the first architectural feature discovered by workers excavating a well in 1750. Its geometric pattern of concentric circles of triangles is composed of yellow giallo antico and dark gray africano marbles, with dark green porphyry and red rosso antico arrows at the center. \u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches x 6.75 inches \u003cbr\u003e- Material: Card Stock \u003cbr\u003e- Item #: GBM63\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":33003062755405,"sku":"GBM63","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GBM63_a.jpg?v=1603330061"},{"product_id":"bactrian-ornament-cuff","title":"Bactrian Ornament Cuff","description":"\u003cp\u003eHandcrafted jewelry adaptation in 24 karat gold-plated bronze using traditional Hellenistic techniques. This striking cuff is made from two adjoining ornaments. Each piece is cut, hammered, polished, and plated by hand, resulting in a one-of-a-kind work of art. Designed and made in Greece exclusively for the Getty by artist Fotenini Liami.\u003cbr\u003e\u003cbr\u003e- Dimensions: 2 inches W\u003cbr\u003e- Materials: 24K gold plate, bronze\u003cbr\u003e- Made in Greece\u003cbr\u003e- Item #: SOB1\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeometric openwork decorates an ancient Bactrian gold ornament, which is in the Museum’s antiquities collection and inspired this contemporary jewelry adaptation. Cut from a gold sheet to form asymmetrical volutes, the Getty’s ornament dates from the first century BCE to the first century CE. Splendid metalwork made in Bactria (present-day northern Afghanistan) was renowned for its exceptional craftsmanship and intricate designs.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMetal Mount with Geometrical Ornament\u003cbr\u003eUnknown\u003cbr\u003eBactrian\u003cbr\u003e100 BCE –CE 50\u003cbr\u003eGold\u003cbr\u003e4 3\/4 × 3 1\/4 × 1\/16 in.\u003cbr\u003e82.AM.100.2\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37879005937856,"sku":"SOB1","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/SOB1.jpg?v=1610790287"},{"product_id":"bactrian-ornament-statement-earrings","title":"Bactrian Ornament Statement Earrings","description":"\u003cp\u003eHandcrafted jewelry adaptation in 24 karat gold-plated bronze using traditional Hellenistic techniques. These striking lightweight statement earrings are attached to hammered disks and hang from a ball post. Each piece is cut, hammered, polished, and plated by hand, resulting in a one-of-a-kind work of art. Designed and made in Greece exclusively for the Getty by artist Fotenini Liami.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Dimensions: 3 inches L x 1 1\/2 inches W\u003cbr data-mce-fragment=\"1\"\u003e- Materials: 24K gold plate, bronze\u003cbr data-mce-fragment=\"1\"\u003e- Made in Greece\u003cbr data-mce-fragment=\"1\"\u003e- Item #: SOE1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeometric openwork decorates an ancient Bactrian gold ornament, which is in the Museum’s antiquities collection and inspired this contemporary jewelry adaptation. Cut from a gold sheet to form asymmetrical volutes, the Getty’s ornament dates from the first century BCE to the first century CE. Splendid metalwork made in Bactria (present-day northern Afghanistan) was renowned for its exceptional craftsmanship and intricate designs. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMetal Mount with Geometrical Ornament\u003cbr data-mce-fragment=\"1\"\u003eUnknown\u003cbr data-mce-fragment=\"1\"\u003eBactrian\u003cbr data-mce-fragment=\"1\"\u003e100 BCE–CE 50\u003cbr data-mce-fragment=\"1\"\u003eGold\u003cbr data-mce-fragment=\"1\"\u003e4 3\/4 × 3 1\/4 × 1\/16 in.\u003cbr data-mce-fragment=\"1\"\u003e82.AM.100.2\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37879005970624,"sku":"SOE1","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/SOE1.jpg?v=1753141074"},{"product_id":"bactrian-ornament-small-hook-earrings","title":"Bactrian Ornament Small Hook Earrings","description":"\u003cp\u003eHandcrafted jewelry adaptation in 24 karat gold-plated bronze using traditional Hellenistic techniques. These striking petite earrings are attached to elegant curved hooks. Each piece is cut, hammered, polished, and plated by hand, resulting in a one-of-a-kind work of art. Designed and made in Greece exclusively for the Getty by artist Fotenini Liami.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Dimensions: 1 1\/4 inches L x 7\/8 inch W\u003cbr data-mce-fragment=\"1\"\u003e- Materials: 24K gold plate, bronze\u003cbr data-mce-fragment=\"1\"\u003e- Made in Greece\u003cbr data-mce-fragment=\"1\"\u003e- Item #: SOE3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeometric openwork decorates an ancient Bactrian gold ornament, which is in the Museum’s antiquities collection and inspired this contemporary jewelry adaptation. Cut from a gold sheet to form asymmetrical volutes, the Getty’s ornament dates from the first century BCE to the first century CE. Splendid metalwork made in Bactria (present-day northern Afghanistan) was renowned for its exceptional craftsmanship and intricate designs. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMetal Mount with Geometrical Ornament\u003cbr data-mce-fragment=\"1\"\u003eUnknown\u003cbr data-mce-fragment=\"1\"\u003eBactrian\u003cbr data-mce-fragment=\"1\"\u003e100 BCE–CE 50\u003cbr data-mce-fragment=\"1\"\u003eGold\u003cbr data-mce-fragment=\"1\"\u003e4 3\/4 × 3 1\/4 × 1\/16 in.\u003cbr data-mce-fragment=\"1\"\u003e82.AM.100.2\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37879006265536,"sku":"SOE3","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/SOE3.jpg?v=1611288831"},{"product_id":"apulian-dog-head-drinking-cup-reproduction","title":"Apulian Dog Head Drinking Cup Reproduction","description":"\u003cp\u003eHand painted Apulian Dog Head drinking cup reproduction on black marble base. \u003cbr\u003e\u003cbr\u003e- Dimensions: 3.9 in. H x 3.1 in. L x 1.5 in. D \u003cbr\u003e- Materials: Hand painted brass and black marble \u003cbr\u003e- Includes gift box \u003cbr\u003e- Made in Italy \u003cbr\u003e- Item #: ST922 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMade exclusively for the Getty by Walking Sticks, an artisan company that creates luxury accessories and objects for several uses, and leader in the production of walking sticks. With the passing of time, it has become a byword for quality thanks to the care for small particulars, to elegance and tradition, obtaining great results in the worldwide market. It has developed with its creativity a design aiming to satisfy all client requests, communicating taste and originality of the Made in Italy artisan products.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInformation on the referenced art object:\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis rhyton is in the shape of the head of a Lakonian hound. It is black except for the reserved areas for the dog's inner ears and nostrils; a dilute glaze is used for the eyes. On the bowl, in reserve, a satyr is walking to the left; he holds a plate in his right hand and a thyrsos in his left. Accessory decoration on the bowl includes two palmettes and an egg pattern on the rim. Added white is used for some hair (also some dilute glaze), the top and ribbon of the thyrsos, the plate and foot on it, the ground line, and the three plant elements. \u003cbr\u003e\u003cbr\u003eDrinking Cup in the Form of a Dog's Head, 340-330 BCE \u003cbr\u003eAttributed to Workshop of Darius Painter (Greek, active 350-325 BCE) \u003cbr\u003eTerracotta, 19.5 x 9.3 cm (7 11\/16 x 3 11\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 71.AE.296 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37984968343744,"sku":"ST922","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/ST922_a.jpg?v=1611968418"},{"product_id":"greek-bulls-head-cup-reproduction","title":"Greek Bull's Head Cup Reproduction","description":"\u003cp\u003eSilver-plated Greek Bull's Head Cup reproduction on black marble base. \u003cbr\u003e\u003cbr\u003e- Dimensions: 3.5 in. H x 3.1 in. L x 1.5 in. D \u003cbr\u003e- Materials: Silver-plated brass with hand-painted gold accents and black marble base \u003cbr\u003e- Includes gift box \u003cbr\u003e- Made in Italy \u003cbr\u003e- Item #: ST924 \u003cbr\u003e\u003cbr\u003eMade exclusively for the Getty by Walking Sticks, an artisan company that creates luxury accessories and objects for several uses, and leader in the production of walking sticks. With the passing of time, it has become a byword for quality thanks to the care for small particulars, to elegance and tradition, obtaining great results in the worldwide market. It has developed with its creativity a design aiming to satisfy all client requests, communicating taste and originality of the Made in Italy artisan products.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInformation on the referenced art object:\u003c\/em\u003e\u003cbr\u003eFormed in the shape of a young bull's head, this cup is actually composed of two pieces: the shaped outer body and a removable inner liner. The outer body was hammered from a single sheet of silver with repoussé and stamped details. The horns, mouth, garland, and the tear ducts of the eyes are gilt, while the remainder of the eyes was inlaid with glass paste. The garland tied around the neck and the gilding of the horns mark this bull as a sacrificial animal. In the Hellenistic period, the use of luxurious gold and silver tableware was a feature of aristocratic life. Opulent vessels combining silver and gold for the color contrast, such as this cup, were especially desirable. Although many vessels in the form of animal heads or with separable liners are known, this vessel, with its combination of these elements, is unique. \u003cbr\u003e\u003cbr\u003eCup in the Form of a Bull's Head, 100-1 BCE \u003cbr\u003eEast Greece\u003cbr\u003eSilver with leaf gilding \u003cbr\u003e9 x 12.1 x 10.7 cm (3 9\/16 x 4 x 4 in.) \u003cbr\u003eThe J. 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After he was elected commander-in-chief and head of state, his enemies even started calling him \"the stand-up Consul.\" \u003cem\u003eHow to Tell a Joke\u003c\/em\u003e provides a lively new translation of Cicero's essential writing on humor alongside that of the later Roman orator and educator Quintilian. The result is a timeless practical guide to how a well-timed joke can win over any audience. As powerful as jokes can be, they are also hugely risky. The line between a witty joke and an offensive one isn't always clear. Cross it and you'll look like a clown, or worse. Here, Cicero and Quintilian explore every aspect of telling jokes while avoiding costly mistakes. Presenting the sections on humor in Cicero's \u003cem\u003eOn the Ideal Orator\u003c\/em\u003e and Quintilian's \u003cem\u003eThe Education of the Orator\u003c\/em\u003e, complete with an enlightening introduction and the original Latin on facing pages, \u003cem\u003eHow to Tell a Joke\u003c\/em\u003e examines the risks and rewards of humor and analyzes basic types that readers can use to write their own jokes. 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Its geometric pattern of concentric circles of triangles is composed of yellow giallo antico and dark gray africano marbles, with dark green porphyry and red rosso antico arrows at the center.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":40498320998592,"sku":"TOTMSC","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/TOTMSC.jpg?v=1753136861"},{"product_id":"greek-horse-brooch","title":"Greek Horse Brooch","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis 24K gold-plate brooch recalls a Greek geometric statuette of a horse in the Getty's antiquity collection. \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e - Dimensions: 2 inches L x 1 3\/4 inches W\u003cbr\u003e - Materials: 24K gold-plate\u003cbr\u003e - Made in the USA\u003cbr\u003e - Item #: 30319\u003cbr\u003e \u003cbr\u003e","brand":"FOUR SEASONS DESIGN GROUP","offers":[{"title":"Default Title","offer_id":40865780826304,"sku":"30319","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/image_680de353-46c0-4a9b-bcd8-17635b7b3bcf.jpg?v=1632708462"},{"product_id":"mini-geometric-amphora-vase","title":"Mini Geometric Amphora Vase","description":"\u003cp\u003eLocated at the base of the Acropolis in the Plaka, the oldest section of Athens, is a charming workshop and gallery where artisan Sofia Gkani creates intricately detailed replicas of classical Greek vessels. Beautifully hand-painted, Sofia meticulously reproduces Corinthian, Geometric, Red or Black Figure designs on each unique terracotta piece. Each vessel is unique in shape and design and is signed and numbered by the artist.\u003cbr\u003e\u003cbr\u003e- Terracotta clay \u003cbr\u003e- Dimensions: Approx 6 1\/4 inches high x 4 inches diameter \u003cbr\u003e- Dust gently; wipe with damp cloth\u003cbr\u003e- For decorative use only - not food safe\u003cbr\u003e- Handcrafted and painted in Athens, Greece\u003cbr\u003e- Item#:  MINI AMPH GEO\u003c\/p\u003e","brand":"SJS DESIGNS","offers":[{"title":"Default Title","offer_id":40885662777536,"sku":"MINI AMPH GEO","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/miniamphgeo.jpg?v=1632961982"},{"product_id":"greek-vase-geometric-amphora-20-cm","title":"Greek Vase - Geometric Amphora 20 cm","description":"\u003cp\u003eLocated at the base of the Acropolis in the Plaka, the oldest section of Athens, is a charming workshop and gallery where artisan Sofia Gkani creates intricately detailed replicas of classical Greek vessels. Beautifully hand-painted, Sofia meticulously reproduces Corinthian, Geometric, Red or Black Figure designs on each unique terracotta piece. Each vessel is signed and numbered by the artist. \u003cbr\u003e\u003cbr\u003eA geometric amphora vase was style prevalent throughout the world. The motifs generally derive from textile patterns, the distinctive being the Meander with familiar ornamental pattern on both sides. The word is derived from the river Meander in Turkey, which twists and turns around upon itself like the ancient ornament. Elements of design include the Greek key, rosettes and animal details.\u003cbr\u003e\u003cbr\u003e- Terracotta clay, dark painting on light ground \u003cbr\u003e- 8.5 inches height x 5 inches width as shown \u003cbr\u003e- Dust gently; wipe with damp cloth \u003cbr\u003e- For decorative use only - not food safe\u003cbr\u003e- Handcrafted and painted in Athens, Greece \u003cbr\u003e- Item# AMPH GEO 20\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThis item requires oversized shipping and is not eligible for free shipping promotions.\u003c\/b\u003e\u003c\/p\u003e","brand":"SJS DESIGNS","offers":[{"title":"Default Title","offer_id":41085971333312,"sku":"AMPH GEO 20","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/AMPHGEO20.jpg?v=1635979356"},{"product_id":"greek-vase-amphora","title":"Greek vase - Amphora","description":"\u003cp\u003eLocated at the base of the Acropolis in the Plaka, the oldest section of Athens, is a charming workshop and gallery where artisan Sofia Gkani creates intricately detailed replicas of classical Greek vessels. Beautifully hand-painted, Sofia meticulously reproduces Corinthian, Geometric, Red or Black Figure designs on each unique terracotta piece. Each vessel is signed and numbered by the artist.\u003cbr\u003e\u003cbr\u003eThis vase is a reproduction of a Greek amphora with a geometric design. Amphora were general purpose containers that could hold honey, milk, wine, olives, water and dry goods. \u003cbr\u003e\u003cbr\u003e- Terracotta clay \u003cbr\u003e- Vase is 6.5 inches in height.\u003cbr\u003e- Dust gently; wipe with damp cloth\u003cbr\u003e- For decorative use only - not food safe\u003cbr\u003e- Handcrafted and painted in Athens, Greece \u003cbr\u003e- Item#: Amphora\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThis item requires oversized shipping and is not eligible for free shipping promotions. \u003c\/b\u003e\u003c\/p\u003e","brand":"SJS DESIGNS","offers":[{"title":"Default Title","offer_id":41085971464384,"sku":"amphora","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/Amphora_a_3fd9d5a7-e157-4579-88d6-1736e4af17bb.jpg?v=1753122903"},{"product_id":"athenian-owl-ornament","title":"Athenian Owl Ornament","description":"\u003cp\u003eThis resin ornament featuring an Athenian owl framed by olive branches was inspired by a Greek vessel in the Getty Museum's collection.\u003cbr\u003e\u003cbr\u003e- Dimensions: 3 inches L x 3 inches W \u003cbr\u003e- Material: Resin \u003cbr\u003e- Includes gift packaging \u003cbr\u003e- Made in China \u003cbr\u003e- Item #: ORNVSL1 \u003cbr\u003e\u003cbr\u003eThe owl was the symbol of the city of Athens. On this red-figure kalpis, an owl stands framed by olive branches, each bearing one fruit. This decoration is unusual for a kalpis, yet the image would have been familiar to any Athenian because the owl, shown with one olive branch, had been on the obverse, or front side, of Athenian coins since the late 600s BCE The owl between olive branches subsequently became a popular motif on skyphoi or cups in Athens in the period around 475 to 425 BCE  Greeks used the kalpis, a variant form of hydria, for carrying water. The three handles of a hydria were designed to facilitate pouring and lifting. Most vase-painters working in the red-figure technique preferred the rounded form of the kalpis.\u003cbr\u003e\u003cbr\u003eGroup of the Floral Nolans (Greek (Attic), active about 470 BCE)\u003cbr\u003eRed-Figure Kalpis, 480 - 470 BCE, Terracotta\u003cbr\u003eThe J. Paul Getty Museum, Los Angeles\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41170120573120,"sku":"ORNVSL1","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/ORNVSL1_a.jpg?v=1694809328"},{"product_id":"hercules-mosaic-floor-vinyl-sticker","title":"Hercules Mosaic Floor Vinyl Sticker","description":"\u003cp\u003eSticker sheet with a pattern inspired by the Getty Villa's Temple of Hercules mosaic floor. \u003cbr\u003e\u003cbr\u003e- Material: Vinyl \u003cbr\u003e- Sheet Dimensions: 4 inches x 4 inches \u003cbr\u003e- Made in the USA \u003cbr\u003e- Not for children under 3 years of age \u003cbr\u003e- Item#: GSS5 \u003cbr\u003e\u003cbr\u003eA magnificent opus sectile in the Getty Villa's Temple of Hercules reproduces a first century pavement from the Villa dei Papiri at Herculaneum. Decorating a scenic pavilion overlooking the Bay of Naples, the original Roman floor was the first architectural feature discovered by workers excavating a well in 1750. Its geometric pattern of concentric circles of triangles is composed of yellow giallo antico and dark gray africano marbles, with dark green porphyry and red rosso antico arrows at the center.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41751782228160,"sku":"GSS5","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/GSS5_a.jpg?v=1648595836"}],"url":"https:\/\/shop.getty.edu\/collections\/ancient-world\/greece.oembed?page=2","provider":"Getty Museum Store","version":"1.0","type":"link"}