{"title":"Los Angeles Style \u0026 the Art of Soccer","description":"\u003cstyle\u003e\na {\n    text-decoration: none;\n    color: #464feb;\n}\ntr th, tr td {\n    border: 1px solid #e6e6e6;\n}\ntr th {\n    background-color: #f5f5f5;\n}\n\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eCelebrating the history and design of soccer alongside the vibrant spirit of Los Angeles as its host city.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"pedro-978-0892369904","title":"Pedro: The Angel of Olvera Street","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e Written and illustrated by Leo Politi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis Caldecott Honor book from beloved children's book author Leo Politi, originally published in 1946, is set on Olvera Street, the site of Los Angeles's original Latino settlement, which is still very much as it once was—a busy and colorful mélange of small artisan shops, restaurants, and strolling musicians.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePedro\u003c\/i\u003e tells of the community's Christmas tradition of the \"posada,\" a procession that reenacts Mary and Joseph's pilgrimage to Bethlehem, and of the \"piñata,\" a papier-mâché vessel filled with toys that children break open at the posada's end. Pedro hopes to find a music box among the toys that will spill out of the piñata. But first, he is asked to don the red wings of an angel and lead the procession. Because he not only is costumed like an angel but also sings like one, he is also asked to lead the chorus in the traditional posada song. Music and lyrics for the song are included so that children may create their own posada pageant.\u003c\/p\u003e\n\u003cp\u003eAges six and up.\u003c\/p\u003e\n\u003cp\u003eLeo Politi wrote and illustrated dozens of children's books, many of which are set in the Latino communities of Southern California. He won the Caldecott Medal for his book \u003ci\u003eSong of the Swallows\u003c\/i\u003e, first published in 1948.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32 pages\u003cbr\u003e6 x 8 inches\u003cbr\u003e26 color illustrations\u003cbr\u003eISBN 978-0-89236-990-4\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2009\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018055971008,"sku":"9780892369904","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-990-4.jpeg?v=1600193200"},{"product_id":"el-pueblo-978-0892366620","title":"El Pueblo: The Historic Heart of Los Angeles","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eJean Bruce Poole and Tevvy Ball\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFounded in 1781 by pioneers from what is today northern Mexico, El Pueblo de Los Angeles mirrors the history and heritage of the city to which it gave birth. When the pueblo was the capital of Mexico's Alta California, the region's \u003ci\u003erancheros\u003c\/i\u003e came here to celebrate mass or to attend fiestas in the historic Plaza. Following California's statehood in 1850, the pueblo for a time ranked among the most lawless towns of the American West. American speculators, wealthy rancheros, and Italian wine merchants crowded its dusty streets. The town's first barrio and the vibrant precincts of Old Chinatown soon grew up nearby. As Los Angeles burgeoned into a modern metropolis, its historic heart fell into ruin, to be revitalized by the creation in 1930 of the romantic Mexican marketplace at Olvera Street. Here, two years later, David Alfaro Siqueiros painted the landmark mural \u003ci\u003eAmérica Tropical,\u003c\/i\u003e whose story is a fascinating tale of art, politics, and censorship. In the decades since, the pueblo has remained one of Southern California's most enduring and most complex cultural symbols.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEl Pueblo\u003c\/i\u003e vividly recounts the story of the birthplace of Los Angeles. An engaging historical narrative is complemented by abundant illustrations and a tour of the pueblo's historic buildings. The book also describes initiatives to preserve the pueblo's rich heritage and considers the significance of its multicultural legacy for Los Angeles today.\u003c\/p\u003e\n\u003cp\u003eJean Bruce Poole was senior curator and then historic museum director of El Pueblo de Los Angeles Historical Monument between 1977 and her retirement in 2001. Tevvy Ball is an editor with Getty Publications.\u003cbr\u003e\u003cbr\u003e\"Facing history is courageous, enlightening, and spiritually centering. This book gives us that ability. It is one of the most needed and best books on L.A.\"\u003cbr\u003e—Edward James Olmos\u003cbr\u003e\u003cbr\u003e\"Sumptuously and elegantly presented.\"\u003cbr\u003e\u003cem\u003e—Los Angeles Times Book Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"This book sets the rung very high on the level of excellence that other books need to obtain.…It is a gem of documentation.\"\u003cbr\u003e\u003cem\u003e—Tradicion Revista\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"The educated narrative is aided by a wealth of illustrations in an engaging design, nicely packaged by Getty Publications.\"\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003eSam Hall Kaplan\u003cem\u003e, City Observed, \u003c\/em\u003eKCRW\u003cbr\u003e\u003cbr\u003e\"The superbly presented story of the birth and growth of Los Angeles, California, brought to life in a lavish historic tour.\"\u003cbr\u003e\u003cem\u003e—Wisconsin Bookwatch\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e136 pages\u003cbr\u003e8 x 10 inches\u003cbr\u003e88 color and 72 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-662-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Conservation Institute\u003cbr\u003eand the J. Paul Getty Museum\u003cbr\u003eSeries: Conservation and Cultural Heritage\u003cbr\u003e\u003cbr\u003e2002\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017710956736,"sku":"9780892366620","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-662-0.jpeg?v=1598463640"},{"product_id":"making-architecture-978-0892364633","title":"Making Architecture: The Getty Center","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePreface by Harold M. Williams\u003cbr\u003eEssays by Richard Meier, Stephen D. Rountree, and Ada Louise Huxtable\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume completes the documentation of the planning, design, and construction of the Getty Center begun in \u003ci\u003eThe Getty Center: Design Process\u003c\/i\u003e. Designed by Richard Meier \u0026amp; Partners, the Getty Center sits atop a stunning 110-acre hilltop in west Los Angeles and is home to the entities that make up the J. Paul Getty Trust.\u003c\/p\u003e\n\u003cp\u003eThe book includes a series of essays by individuals who have had important roles throughout the course of the project. A chronology identifies the key dates and events in the design and construction process. Extensively illustrated with photographs by several accomplished photographers, site drawings from Richard Meier \u0026amp; Partners, and Robert Irwin's drawings of the Central Gardens, the book presents readers with an insider's view of the making of the Getty Center.\u003c\/p\u003e\n\u003cp\u003eHarold Williams was the chief operating officer of the J. Paul Getty Trust during the planning, design, construction and opening of the Getty Center. Stephen D. Rountree was executive vice president and chief operating officer of the Trust. Richard Meier, the architect of the Getty Center, has received the Pritzker Prize for Architecture and, most recently, the Gold Medal from the American Institute of Architects. Several books have been published on his work. During her tenure as the architecture critic of \u003ci\u003eThe New York Times,\u003c\/i\u003e Ada Louise Huxtable won a Pulitzer Prize for her criticism. She is the author of \u003ci\u003eThe Unreal America: Architecture and Illusion.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"A winner for anyone fascinated with how these things take shape.\"\u003ci\u003e \u003cbr\u003e\u003c\/i\u003e\u003cem\u003e—Buzz Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinner, AIGA 50 Books\/50 Covers of 1997 \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e Honorable Mention, 1998 American Association of Museums, Museum Publications, Design Competition \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e Winner, 1998 Small Press, Book Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e176 pages \u003cbr\u003e10 x 10 inches \u003cbr\u003e109 color, 149 duotone and 29 b\/w illustrations \u003cbr\u003e1 color fold-out \u003cbr\u003eISBN 978-0-89236-463-3 \u003cbr\u003epaperback \u003cbr\u003e\u003cbr\u003eGetty Publications \u003cbr\u003eImprint: J. Paul Getty Trust \u003cbr\u003e\u003cbr\u003e1997 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017974444224,"sku":"9780892364633","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-463-3.jpeg?v=1599590581"},{"product_id":"the-fran-and-ray-stark-collection-of-20th-century-sculpture-in-the-j-paul-getty-museum-978-0892369041","title":"The Fran and Ray Stark Collection of 20th-Century Sculpture at the J. Paul Getty Museum","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Antonia Boström\u003cbr\u003eWith contributions by Christopher Bedford, Penelope Curtis, and John Dixon Hunt\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue celebrates the installed collection of twentieth-century sculpture donated to the J. Paul Getty Museum in 2005, after the deaths of Fran and Ray Stark. The book takes the reader on a visual tour of the Museum's sculpture gardens and installations, which feature twenty-eight works by artists including Alexander Calder, Alberto Giacometti, Fernand Léger, Roy Lichtenstein, René Magritte, Aristide Maillol, Joan Miró, Henry Moore, and Isamu Noguchi. The book offers essays on the curatorial decisions involved in establishing harmonious groupings; a history of European and American sculpture within built outdoor environments and gardens; and catalogue entries that discuss individual pieces within their broader art-historical contexts.\u003c\/p\u003e\n\u003cp\u003eAntonia Boström is the former curator of sculpture and decorative arts at the J. Paul Getty Museum. Christopher Bedford is research assistant in the Department of Contemporary Art at the Los Angeles County Museum of Art. Penelope Curtis is curator of the Henry Moore Institute in Leeds, England. John Dixon Hunt is professor of the history and theory of landscape at the University of Pennsylvania in Philadelphia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e208 pages\u003cbr\u003e10 x 11 inches\u003cbr\u003e100 color and 64 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-904-1\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2008\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018156175552,"sku":"9780892369041","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-904-1.jpeg?v=1600798989"},{"product_id":"pacific-standard-time-978-1606060728","title":"Pacific Standard Time: Los Angeles Art, 1945-1980","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s―the first in-depth scholarly survey of the region's art―demonstrates the major role Southern California artists played in the twentieth century's most influential art movements.\u003c\/p\u003e\n\u003cp\u003eGrounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hard-edge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America.\u003c\/p\u003e\n\u003cp\u003eAt the Getty Research Institute, Rebecca Peabody is manager of research projects; Andrew Perchuk is deputy director; Glenn Phillips is principal project specialist and consulting curator in the Department of Architecture and Contemporary Art; Rani Singh is senior research associate in the Department of Architecture and Contemporary Art; and Lucy Bradnock is a postdoctoral fellow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Goldman Award for Art and Architecture book, \u003cem\u003eLos Angeles Times\u003c\/em\u003e, 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e352 pages\u003cbr\u003e9 x 11 1\/2 inches\u003cbr\u003e218 color and 160 b\/w illustrations \u003cbr\u003eISBN 978-1-60606-072-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\/J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2011 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018047058112,"sku":"9781606060728","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-072-8.jpg?v=1600113992"},{"product_id":"julius-shulmans-los-angeles-978-1606060797","title":"Julius Shulman's Los Angeles","description":"\u003cp\u003e\u003cb\u003eChristopher James Alexander\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe American architectural photographer Julius Shulman (1910–2009) is one of the few image makers to have documented, as well as witnessed, nearly an entire century of Los Angeles history. His captivating photographs serve as a visual record of the dramatic evolution of this exciting and diverse metropolis.\u003c\/p\u003e\n\u003cp\u003eShulman's best-known images consist of mid-century views of Modernist domestic interiors, notably the iconic \u003ci\u003eCase Study House #22\u003c\/i\u003e of 1960, in which two well-dressed women sit inside the floor-to-ceiling window walls of a Pierre Koenig–designed house that seems to float like a spaceship over the light-spangled urban sprawl beyond. Not as well known but equally powerful are Shulman's images of Union Station and downtown's vintage office buildings, the dynamic Wilshire Boulevard corridor, the region's eclectic coffee shops and movie theaters, the sweeping canopy of the Century Plaza Hotel, the diverse fabric of L.A.'s residential neighborhoods, and the panoramic vistas of the city of the future under construction.\u003c\/p\u003e\n\u003cp\u003eThe author selected sixty images from the Getty Research Institute's Shulman archive for this petite volume, for which he also wrote an informative essay on the photographer's exceptional capacity to capture the diverse built environment of Los Angeles.\u003c\/p\u003e\n\u003cp\u003eChristopher James Alexander was assistant curator of architecture and design at the Getty Research Institute and co-curator of the 2007 traveling exhibition \u003ci\u003eJulius Shulman's Los Angeles\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9781606060797');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e72 pages \u003cbr\u003e5 1\/4 x 6 1\/2 inches \u003cbr\u003e60 duotone illustrations \u003cbr\u003eISBN 978-1-60606-079-7 \u003cbr\u003epaperback \u003cbr\u003e\u003cbr\u003eGetty Publications \u003cbr\u003eImprint: J. Paul Getty Museum \u003cbr\u003e\u003cbr\u003e2011\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017925849280,"sku":"9781606060797","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-079-7.jpeg?v=1598977583"},{"product_id":"herb-ritts-978-1606061008","title":"Herb Ritts: L.A. Style","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePaul Martineau\u003cbr\u003eWith an essay by James Crump\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHerb Ritts: L.A. Style\u003c\/i\u003e traces the life and career of the iconic photographer through a compelling selection of renowned, as well as previously unpublished, photographs and two insightful essays. Herb Ritts (1952–2002) was a Los Angeles–based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. During the 1980s and 1990s, Ritts was sought out by leading fashion designers such as Armani, Gianfranco Ferrè, Donna Karan, Calvin Klein, Valentino, and Versace, as well as magazine editors from \u003ci\u003eGQ, Interview, Rolling Stone\u003c\/i\u003e, and \u003ci\u003eVanity Fair\u003c\/i\u003e, among others, to lend glamour to their products and layouts. Largely self-taught, Ritts developed his own style, one that often made use of the California light and landscape and helped to separate his work from his New York–based peers. From the late 1970s until his untimely death from AIDS in 2002, Ritts's ability to create photographs that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill, but also marked the synergistic union between art, popular culture, and business that followed in the wake of the Pop Art movement of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eAn exhibition of the same name was on view at the Getty Center April 3 through August 12, 2012; at the Cincinnati Art Museum October 6 through December 30, 2012; and at the John and Mable Ringling Museum of Art in Sarasota, Florida, February 23 through May 19, 2013.\u003c\/p\u003e\n\u003cp\u003ePaul Martineau is associate curator in the Department of Photographs at the J. Paul Getty Museum. He is the author of \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/paul-outerbridge-978-0892369614\"\u003ePaul Outerbridge: Command Performance\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2009) and \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/still-life-in-photography-978-1606060339\"\u003eStill Life in Photography\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2010). James Crump is chief curator and curator of photography at the Cincinnati Art Museum. In 2007, Crump wrote, produced, and directed the documentary film \u003ci\u003eBlack White + Gray\u003c\/i\u003e, featuring the influential curator and collector Sam Wagstaff and artist Robert Mapplethorpe.\u003cbr\u003e\u003cbr\u003e“[This book] draws from the archives of one of the most influential and celebrated fashion photographers of the late 20th century, offering an impressive collection of Ritts’s sumptuous nudes and portraits of supermodels and celebrities.”\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e“Herb Ritts’s use of light, form and composition to communicate strength and poise evince his true genius.”\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cem\u003eResource\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e“[This book] should appeal to a wide audience, from arts and photography holdings to those interested in fashion history and California artists. It’s a dynamic gathering of all of Herb Ritts’s images and is not be missed.”\u003cbr\u003e\u003cem\u003e—The Midwest Book Review\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“[This book] explores the life and legacy of this icon.”\u003cbr\u003e\u003cem\u003e—Metrosource\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e224 pages\u003cbr\u003e9 1\/2 x 12 inches\u003cbr\u003e30 color and 135 tritone illustrations\u003cbr\u003eISBN 978-1-60606-100-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017880268992,"sku":"9781606061008","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1606061008.jpg?v=1598635547"},{"product_id":"ed-ruscha-and-some-los-angeles-apartments-978-1606061381","title":"Ed Ruscha and Some Los Angeles Apartments","description":"\u003cp\u003e\u003cb\u003eVirginia Heckert\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLos Angeles–based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist’s books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, his photobooks of the 1960s—such as \u003ci\u003eTwentysix Gasoline Stations\u003c\/i\u003e, \u003ci\u003eEvery Building on the Sunset Strip\u003c\/i\u003e, \u003ci\u003eSome Los Angeles Apartments\u003c\/i\u003e, and \u003ci\u003eThirtyfour Parking Lots\u003c\/i\u003e—are known for their deadpan cataloguing of the city’s functional architecture.\u003c\/p\u003e\n\u003cp\u003eThis publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist’s thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves. Virginia Heckert contextualizes Ruscha’s photographs within the history of photographic documentation of vernacular architecture, using examples by such important photographers as Carleton Watkins, Eugène Atget, and Walker Evans, as well as contemporary photographers, many of whom have acknowledged Ruscha as an influence in their own depiction of the built environment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVirginia Heckert is curator of photographs at the J. Paul Getty Museum. She is the author of \u003ca href=\"https:\/\/shop.getty.edu\/products\/mario-giacomelli-figure-ground-978-1606067185\" title=\"Mario Giacomelli: Figure\/Ground\" target=\"_blank\"\u003e\u003ci\u003eMario Giacomelli: Figure\/Ground\u003c\/i\u003e\u003c\/a\u003e (Getty, 2021), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eLight, Paper, Process: Reinventing Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, (Getty, 2015), and \u003ci\u003eSome Aesthetic Decisions: The Photographs of Judy Fiskin \u003c\/i\u003e(Getty, 2011).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e“Concept preceding image is an approach which now dominates contemporary photography, but it wasn’t always so. Victoria Heckert’s book serves as a helpful history lesson.\"\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cem\u003ePhoto-Eye Blog\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e“An elaboration of Ruscha’s 1965 book, providing a commentary on and superior reproductions of the original black and white photographs.”\u003cbr\u003e\u003cem\u003e—Form Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“A slim but essential volume. . . . As such examples of mid-century design disappear or fall into disrepair, the utilitarian clarity of these images make a book like \u003cem\u003eSome Los Angeles Apartments\u003c\/em\u003e a valuable document, and an unexpectedly moving one. What began as a perhaps ironic concept has, with the passing years, taken on the resonance of something lost to history.”\u003cbr\u003e\u003cem\u003e—Spectrum Culture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e88 pages\u003cbr\u003e8 x 10 inches\u003cbr\u003e11 color and 56 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-138-1\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications \u003cbr\u003eImprint: J. Paul Getty Museum \u003cbr\u003e\u003cbr\u003e2013\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/player.blubrry.com\/id\/146044524?cache=1753305857#mode-Light\u0026amp;border-000000\u0026amp;progress-000000\" title=\"Blubrry Podcast Player\" width=\"100%\" height=\"165px\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":263441178,"sku":"9781606061381","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606061381.jpg?v=1598463373"},{"product_id":"malibu-honey","title":"Malibu Honey","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003eLocal bees gathered nectar from flowers on Point Dume and the Santa Monica mountains to create this flavorful raw honey. \u003cbr\u003e\u003cbr\u003e- Made in Malibu, California\u003cbr\u003e- 12 oz. jar\u003cbr\u003e- Item #: MALHON\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MALIBU HONEY","offers":[{"title":"Default Title","offer_id":6363520517,"sku":"MALHON","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/MalibuHoney.jpg?v=1762799789"},{"product_id":"made-in-los-angeles-materials-processes-and-the-birth-of-west-coast-minimalism-978-1606064658","title":"Made in Los Angeles: Materials, Processes, and the Birth of West Coast Minimalism","description":"\u003cstrong\u003eRachel Rivenc\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. \u003cbr\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003eMade in Los Angeles\u003c\/em\u003e focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. Bell, for example, coated plate glass with films of material that alter the way the light is absorbed, reflected, and transmitted, while Kauffman employed a process usually reserved for commercial signs for his work. McCracken coated plywood with fiberglass then spray-painted it with countless layers of automotive paints, and Irwin spray-painted discs of hammered aluminum or vacuum-formed plastics. The detailed study of each artist’s work is presented in the context of the emergence of modern art in Los Angeles, the burgeoning mid-twentieth-century gallery scene, and the light-infused LA cityscape.\u003c\/p\u003e\n\u003cp\u003eInitially undertaken as part of the Pacific Standard Time: Art in L.A.1945–1980 initiative, this volume combines technical art history and scientific analysis to investigate conservation issues associated with the work of these artists, which are often emblematic of issues in the conservation of contemporary art in general.\u003c\/p\u003e\n\u003cp\u003eRachel Rivenc is an associate scientist at the Getty Conservation Institute.\u003c\/p\u003e\n\u003cp\u003e“Interviews with artists and fabricators, results from extensive analytical work, and discussion on the display and conservation of works by each artist enrich the text.”\u003cbr\u003e —\u003cem\u003eWinterthur Portfolio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9781606064658');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n208 pages \u003cbr\u003e7 1\/2 x 10 inches\u003cbr\u003e90 color and 34 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-465-8\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Conservation Institute\u003cbr\u003e\u003cbr\u003e2016\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":9604462469,"sku":"9781606064658","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/made_in_la.jpg?v=1598980946"},{"product_id":"los-angeles-glass-tumbler","title":"Los Angeles Glass Tumbler","description":"This delightful glass tumbler features an artistic representation of the Los Angeles landscape and its most recognizable landmarks, including the Getty Center in Brentwood. A cheerful souvenir, perfect for tourists and Angelinos alike. \u003cbr\u003e \u003cbr\u003e- Frosted glass \u003cbr\u003e- 6 inches high x 3 inches diameter; holds 15 ounces \u003cbr\u003e- Box measures 13.5 inches long x 2.5 inches square \u003cbr\u003e- Dishwasher safe \u003cbr\u003e- Item #: 072\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\n","brand":"CATSTUDIO","offers":[{"title":"Default Title","offer_id":17432047749,"sku":"072","price":21.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/los-angeles-drinking-glass-glass-catstudio-370675_1024x1024_2x_01f93638-b194-4e9e-acec-f024948117ef.png?v=1650321802"},{"product_id":"the-los-angeles-central-library-building-an-architectural-icon-1872-1933-978-1606064900","title":"The Los Angeles Central Library: Building an Architectural Icon, 1872-1933","description":"\u003cp\u003e\u003cstrong\u003eKenneth A. Breisch\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWith a foreword by Kevin Starr\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the most comprehensive investigation of the Los Angeles Public Library’s early history and architectural genesis ever undertaken, Kenneth Breisch chronicles the institution’s first six decades, from its founding as a private library association in 1872 through the completion of the iconic Central Library building in 1933. During this time, the library evolved from an elite organization ensconced in two rooms in downtown LA into one of the largest public library systems in the United States—with architect Bertram Grosvenor Goodhue’s building, a beloved LA landmark, as its centerpiece.\u003cbr\u003e\u003cbr\u003eGoodhue developed a new style, fully integrating the building’s sculptural and epigraphic program with its architectural forms to express a complex iconography. Working closely with sculptor Lee Oskar Lawrie and philosopher Hartley Burr Alexander, he created a great civic monument that, combined with the library’s murals, embodies an overarching theme: the light of learning.\u003cbr\u003e\u003cbr\u003e“A building should read like a book, from its title entrance to its alley colophon,” wrote Alexander—a narrative approach to design that serves as a key to understanding Goodhue’s architectural gem. Breisch draws on a wealth of primary source material to tell the story of one of the most important American buildings of the twentieth century and illuminates the formation of an indispensible modern public institution: the American public library.\u003cbr\u003e\u003cbr\u003eKenneth A. Breisch is associate professor in the School of Architecture at the University of Southern California.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/blogs.getty.edu\/iris\/audio-kenneth-breisch-on-the-los-angeles-central-library\/\" title=\"Art + Ideas Podcast: Kenneth Breisch on the Los Angeles Central Library\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eArt + Ideas Podcast: Kenneth Breisch on the Los Angeles Central Library\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e“With comprehensive notes and a wonderfully detailed and navigable index, this fine example of scholarship is comprehensive in its story of the growth of support for a public library in Los Angeles; of the evolution of early designs with a signature, central ribbed dome and tiled pyramid-topped tower; and of the sculpture and murals that make the building a true Gesamtkunstwerk, or synthesis of art forms. The study is essential for all architecture and urban history collections.”\u003cbr\u003e—\u003cem\u003eChoice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e220 pages \u003cbr\u003e9 x 10 1\/4 inches\u003cbr\u003e36 color and 125 b\/w illustrations\u003cbr\u003e2 maps\u003cbr\u003eISBN 978-1-60606-490-0\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute \u003cbr\u003e\u003cbr\u003e2016\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":19764660741,"sku":"9781606064900","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606064900.jpg?v=1601400098"},{"product_id":"the-getty-center","title":"The Getty Center - Architecture in Detail","description":"The Getty Center opened in 1997 to critical acclaim. Located in the Brentwood Hills above Los Angeles, the Center comprises the J. Paul Getty Museum, the Getty Research Institute of Arts and the Humanities, and four other arts institutions which focus on scholarship, conservation and education. The billion-dollar project took over 13 years to accomplish and includes extensive landscaped gardens. This text, with working drawings, offers an investigation of the building from project to built work. \u003cbr\u003e\u003cbr\u003e- Michael Brawne \u003cbr\u003e- 120 pages \u003cbr\u003e- 11.8 Inches W x 11.8 Inches L x .05 Inch H \u003cbr\u003e- Paperback \u003cbr\u003e- Phaidon \u003cbr\u003e- 1998 \u003cbr\u003e- Item #: 978-0714837994","brand":"PHAIDON PRESS","offers":[{"title":"Default Title","offer_id":32377508528205,"sku":"9780714837994","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0714837994.jpg?v=1589586415"},{"product_id":"hollywood-arensberg-avant-garde-collecting-in-midcentury-l-a-978-1606066669","title":"Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eMark Nelson, William H. Sherman, and Ellen Hoobler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis comprehensive reconstruction and interpretation of Louise and Walter Arensberg’s groundbreaking collection of modern and pre-Columbian art takes readers room by room, wall by wall, object by object through the couple’s Los Angeles home in which their collection was displayed.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFollowing the Armory Show of 1913, Louise and Walter Arensberg began assembling one of the most important private collections of art in the United States, as well as the world’s largest private library of works by and about the philosopher Sir Francis Bacon. By the time Louise and Walter died—in 1953 and 1954, respectively—they had acquired some four thousand rare books and manuscripts and nearly one thousand works of art, including world-class specimens of Cubism, Surrealism, and Primitivism, the bulk of Marcel Duchamp’s oeuvre, and hundreds of pre-Columbian objects. These exceptional works filled nearly all available space in every room of their house—including the bathrooms.\u003cbr\u003e \u003cbr\u003eThe Arensbergs have long had a central role in the histories of Modernism and collecting, but images of their collection in situ have never been assembled or examined comprehensively until now. Presenting new research on how the Arensbergs acquired pre-Columbian art and featuring never-before-seen images, \u003cem\u003eHollywood Arensberg \u003c\/em\u003edemonstrates the value of seeing the Arensbergs’ collection as part of a single vision, framed by a unique domestic space at the heart of Hollywood’s burgeoning artistic scene.\u003c\/p\u003e\n\u003cp\u003eMark Nelson is an author as well as design director and partner at the book design firm McCall Associates in New York. William H. Sherman is director of the Warburg Institute in London. Ellen Hoobler is the William B. Ziff, Jr., Associate Curator of the Art of the Americas at the Walters Art Museum in Baltimore. \u003c\/p\u003e\n\u003cp\u003e“A brilliant reminder that modernist art was designed for the home, for conversation, for subversion, and as an expression of taste, rather than as a historical category. In all, the book succeeds in giving Walter and Louise a speaking part, though the collection itself gets the best lines.”\u003cbr\u003e—Henry Martin, \u003cem\u003eHome Cultures\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Picture research, photography, image editing and page design fuse to become both a highly engaging celebration of the collectors’ penetrating taste and an art historical investigation with the lucidity of a forensic report.”\u003cbr\u003e—Rick Poynor, \u003cem\u003eEye Magazine\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“A stunning photographic assemblage as immaculate and comprehensive as the famed art collection it seeks to reconstruct and interpret. . . . A thoughtfully guided tour via detailed stories and never-before-seen photographs.”\u003cbr\u003e—\u003cem data-mce-fragment=\"1\"\u003eLALA Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“An impressive cross-disciplinary and collaborative publication, imparting a great wealth of information while reckoning with the Arensbergs’ eccentric passions. . . . \u003cem\u003eHollywood Arensberg\u003c\/em\u003e is an instant classic for a nascent field.”\u003cbr\u003e—Robert McKenzie\u003cem\u003e, \u003c\/em\u003e\u003cem\u003ePIN-UP \u003c\/em\u003e\u003cem\u003eMagazine\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Terrific. . . . Fascinating. . . . Enlightening essays and research. . . . The thick tome is marvelously designed, the layout marked by coherent simplicity.\"\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e—Christopher Knight, \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A staggering, 430-page tome that documents how one of the most famous collecting couples lived with and displayed their art. While the dozens of floorplans and annotated diagrams are at first intimidating, they slowly draw the reader into a game of rediscovery. World-famous works of art suddenly appear in a completely new light, and the unexpected juxtapositions, created by the Arensbergs’ arrangement, set off a series of fascinating associations and new historical insights. . . . [The book] aims to offer a more complete picture of the collector couple and their legacy. It revisits the parts of their story that are well-known, such as their friendship with Duchamp and their impact on the New York art world in the 1910s. But it also strives to fill the many gaps in our understanding of the collectors’ interests and motivations, including their immersive and dynamic approach to displaying art and their impact on the L.A. art scene. By focusing on their life on the West Coast, the book is an important intervention in the standard account of modern art in the U.S., dislodging the primacy of New York and offering a more nuanced understanding of local, national, and transnational currents of exchange and influence. . . . Meticulously researched and generously illustrated with rarely seen photographs, \u003cem\u003eHollywood Arensberg\u003c\/em\u003e offers us a beguiling glimpse of the house’s magic.”\u003cbr\u003e—Tatsiana Zhurauliova, \u003cem\u003eLa Gazette Drouot\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e“The Getty's marvelous new book reveals the extraordinary density and diversity of the Arensbergs' collection, unfolding as a kind of house tour in page after page of meticulously labeled black-and-white photographs. . . . It's instructive to see how the Arensbergs lived with some of the most avant-garde pieces of their day.”\u003cbr\u003e—Karen Rosenberg, \u003cem\u003eArtful\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Beyond being an awe-inspiring dive into the art holdings of the Arensbergs, the book offers a complex portrait of two people working to shape multiple fields.”\u003cbr\u003e—Andrew Russeth, \u003cem\u003eArchitectural Digest\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“It is a hefty, visually and physically gratifying publication and an essential reference for anyone interested in collecting, the historiography of Modernism and the legacy of Marcel Duchamp. It takes its place besides other indispensable publications on private art collections in America.\"\u003cbr\u003e—Adrian Sudhalter, \u003cem\u003eThe Burlington Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“The image that remains from this captivating account is the deep integration among the arts, starting with the ability to bring together art and literature, works from different historical periods, works of European and American provenance.”\u003cbr\u003e—Cristiana Campanini, \u003cem\u003eAbitare\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e “In this instance, a picture is truly worth a thousand words, and the trove \u003cem\u003eHollywood Arensberg\u003c\/em\u003e brings to light not only resurrects the bygone but also spurs further reflection on the enigmatic Arensbergs and the LA art world in which they collected.”\u003cbr\u003e—Judy Sund, \u003cem\u003ecaa.reviews\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The artists and writers who gathered at the New York apartment of Walter and Louise Arensberg on East 67\u003csup\u003eth\u003c\/sup\u003e Street formed one of the seminal avant-garde salons of the early 20th century. In 1921 the couple relocated to Los Angeles, and in 1927 they bought the then-newish Mediterranean Revival mansion at 7065 Hillside Avenue in Hollywood. There they installed their growing collection, which was acquired in 1950 by the Philadelphia Museum of Art. These events frame the scope of \u003cem\u003eHollywood Arensberg\u003c\/em\u003e, an utterly absorbing study of the collection’s installation in the Hillside Avenue house.”\u003cbr\u003e—Stephen Maine, \u003cem\u003eCocoa: The Journal of Cornwall Contemporary Art\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“One of the most extraordinary books I’ve ever had the pleasure of looking through.”\u003cbr\u003e—\u003cem\u003eBook\/Shop\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Remarkably researched and designed.\u003cspan\u003e”\u003cbr\u003e\u003c\/span\u003e—\u003cem\u003eBlue Door Magazine\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The world and the culture of mid-20th century Los Angeles is deeply enhanced by this book.  It is remarkable—a complex, exciting read. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHollywood Arensberg\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a foundational study for that thirty-year period from the 1920s to the postwar years and adds to our sense of the rehabilitative promise of early 20th-century Los Angeles. The authors are to be credited for the tone they have struck here: there’s none of that caricatured reflex we still see, that too-easy criticism that would make the Arensbergs sophisticates in a world of L.A. rubes. They note L.A.’s difficult relationship with modernist expression – fair enough – but they also take seriously the world the Arensbergs sought, and created, in their Los Angeles home.” \u003cbr\u003e—William Deverell, Director, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuntington\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-USC Institute on California and the West\u003cbr\u003e\u003cbr\u003e“\u003ci data-mce-fragment=\"1\"\u003eHollywood Arensberg\u003c\/i\u003e is the most detailed and intimate portrayal of an art collection ever presented in book form.  Louise and Walter Arensberg attended the Armory Show in 1913, an exhibition that transformed their lives, converting them into collectors of the most radical and vanguard art produced at the time.  This continued after they moved to Los Angeles in the early 1920s. There, the Arensbergs began collecting pre-Columbian art, which they felt possessed an aesthetic that corresponded perfectly with their modern collection, all of which was dispersed throughout their home in Hollywood, California.  With many detailed photographs and diagrams, this book provides a virtual tour through the collection, allowing readers to sense the excitement and exhilaration that was experienced by all visitors to the Arensbergs' home.”  \u003cbr\u003e—Francis M. Naumann, Francis M. Naumann Fine Art\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"This beautifully illustrated book is not just the story of Walter and Louise Arensberg but also of New York and Los Angeles and their links to Mexico, Europe, and beyond in the first half of the 20th century. The Arensbergs, famed for their collections of modern art and the art of ancient Mexico, filled their homes with art, people, stories, and games. Using numerous photographs, architectural renderings, and compelling prose, Hollywood Arensberg takes the reader on an intimate tour of the Hollywood home, following a path through the house to delve deeply into the eccentric couple’s lives and collections, recreating the experience of the space and artworks and emphasizing the playfulness with which the Arensbergs imagined themselves as participants in the artworks and creators of a new one, their house as collection, which brought new meaning to each work, ancient or modern. The careful yet lively recounting of individual artworks’ biographies also gives insight into the works, their artists, and their journeys to the Arensbergs’ home, thereby connecting readers with fascinating worlds beyond the house, including those of artist studios, galleries, museums, and international art dealing and smuggling networks.” \u003cbr\u003e—Megan E. O’Neil, Assistant Professor of Art History, Emory University, and Faculty Curator of the Art of the Americas, Michael C. Carlos Museum \u003cbr\u003e\u003cbr\u003e“The authors of \u003cem\u003eHollywood Arensberg\u003c\/em\u003e put into context the dozens of important modern masterworks that were displayed alongside non-Western—mainly pre-Columbian—art in the home of Walter and Louise Arensberg. The specific conversation between pre-Columbian objects and modern works by Duchamp, Picasso, Kandinsky, and others as experienced in the Arensberg home is a revelation. In this context of deep interchange between modern and pre-Columbian, Ellen Hoobler's essay examines the transformations in the Arensbergs' understanding of pre-Columbian form together with the effects of a burgeoning art market in Los Angeles after 1930 in what will be seen as a significant contribution to the history of pre-Columbian art collecting and its relation to modernism.” \u003cbr\u003e—Rex Koontz, Professor of Art History, University of Houston and Consulting Curator, Museum of Fine Arts, Houston \u003cbr\u003e\u003cbr\u003e“A rare and stimulating glimpse of a house and its collections, \u003cem\u003eHollywood Arensberg\u003c\/em\u003e provides a deeper understanding of the acquisition and display practices of a resolutely avant-garde couple in the burgeoning art scene of midcentury Los Angeles. Nelson, Sherman, and Hoobler bring together aspects of the Arensbergs’ collecting practices previously considered separately, or not at all, such as their crucial and sustained interest in pre-Columbian sculpture. Nestled in the Hollywood Hills, the Arensberg home was filled with intentionally thought-provoking juxtapositions of ancient, historical, and modern art, and further enlivened by the many friends they entertained there, including Marcel Duchamp. The result is a richly textured look into a time and place when an embrace of modernism was a radical position.” \u003cbr\u003e—Joanne Pillsbury, The Metropolitan Museum of Art \u003cbr\u003e\u003cbr\u003e448 pages\u003cbr\u003e9 x 11 inches\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e103 color and 227 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-666-9\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2020\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/player.blubrry.com\/id\/146044465?cache=1758061822#mode-Light\u0026amp;border-000000\u0026amp;progress-000000\" title=\"Blubrry Podcast Player\" width=\"100%\" height=\"165px\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32713310306381,"sku":"9781606066669","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/HollywoodArensberg.jpg?v=1663556503"},{"product_id":"l-a-graffiti-black-book-978-1606066980","title":"L.A. Graffiti Black Book","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003eDavid Brafman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis collection of unique works by 151 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eMany graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a \u003cem data-mce-fragment=\"1\"\u003eliber amicorum\u003c\/em\u003e (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era.\u003cbr\u003e\u003cbr\u003eInspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 151 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the \u003cem data-mce-fragment=\"1\"\u003eGetty\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003eGraffiti Black Book\u003c\/em\u003e. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.\u003cbr\u003e\u003cbr\u003eDavid Brafman is associate curator of rare books at the Getty Research Institute. He is coauthor of \u003cem data-mce-fragment=\"1\"\u003eInsects and Flowers: The Art of Maria Sibylla Merian\u003c\/em\u003e (Getty, 2008) and a contributor to \u003cem data-mce-fragment=\"1\"\u003e\u003ca title=\"Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road\" href=\"https:\/\/shop.getty.edu\/products\/cave-temples-of-dunhuang-buddhist-art-on-china-s-silk-road-978-1606064894\" target=\"_blank\"\u003eCave Temples of Dunhuang: Buddhist Art on China’s Silk Road\u003c\/a\u003e \u003c\/em\u003e(Getty, 2016). \u003c\/p\u003e\n\u003cp\u003e“Inspired by the blank sketchbooks (often called black books or piece books) that graffers carry, share and collaborate together on, as well as the 17th century European autograph books known as liber amicorum (Latin for “book of friends”), this new volume represents the collaborative nature of art in the streets.”\u003cbr\u003e—Lina Lecaro, \u003cem\u003eLA Weekly\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A fine document of an interesting culture and legacy.”\u003cbr\u003e—Steve Grody, author of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGraffiti L.A.: Street Styles and Art\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“What makes this project so provocative is how it draws connections between 17\u003csup\u003eth\u003c\/sup\u003e-century vernacular art practices, the social\/collaborative nature of contemporary street art, and the importance of documentation and archives.”\u003cbr\u003e —An Xiao Mina, \u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This Getty Black Book not only serves to offer its audience a historic compilation of this unique Los Angeles art culture, but, also, the sentiment of each stand-alone artist.”\u003cbr\u003e—Karen McDonough, \u003cem\u003eUP Magazine \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Presumably convinced that a serious moment was at hand, the graffiti artists signed on and were each given several sheets of paper to distribute among their worthy colleagues. . . . There were two results, the first being a handsome volume containing all of the work. Placing graffiti art into a book is like pinning a butterfly in a display case: the ephemeral is now enshrined into the permanent.”\u003cbr\u003e—Bondo Wyszpolski, \u003cem\u003eEasy Reader News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A lively compilation of styles that capture the energy of the field, while creating a formidable record of its time and place. I wish more arts institutions engaged with artists this way, and the book contains a frenzy of aesthetics and visuals that seem perfectly suited to continue the manuscript and illumination traditions that are already major threads in the Getty collections. More of this, please.”\u003cbr\u003e—Hrag Vartanian, \u003cem\u003eHyperallergic\u003c\/em\u003e\u003c\/p\u003e\n176 pages\u003cbr\u003e10 x 8 inches\u003cbr\u003e168 color illustrations\u003cbr\u003e ISBN 978-1-60606-698-0\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e 2021 \u003cbr\u003e\u003cbr\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BoWUOIWXPr0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5_kZ4OtdFac\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":37986545959104,"sku":"9781606066980","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/LAGraffiti_849b022f-1178-4964-988f-b0acb8dd4667.jpg?v=1636358780"},{"product_id":"getty-center-museum-embroidered-logo-cap","title":"Getty Center Museum Embroidered Logo Cap","description":"\u003cp\u003eCap with embroidered Getty Center Museum name on the front and Los Angeles on the back.\u003cbr\u003e\u003cbr\u003e- Materials: 100% brushed cotton twill, adjustable Velcro fabric closure  \u003cbr\u003e- Made in China. Embroidered in California \u003cbr\u003e- Item #: CAPGCM\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":39256926060736,"sku":"CAPGCM","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/CAPGCM_1_acopy.jpg?v=1756938399"},{"product_id":"los-angeles-the-development-life-and-structure-of-the-city-of-two-million-in-southern-california-978-1606067550","title":"Los Angeles: The Development, Life, and Structure of the City of Two Million in Southern California","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAnton Wagner\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEdited by Edward Dimendberg\u003cbr\u003eTranslated by Timothy Grundy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFor the first time, Anton Wagner’s groundbreaking 1935 book that launched the study of Los Angeles as an urban metropolis is available in English.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eNo book on the emergence of Los Angeles, today a metropolis of more than four million people, has been more influential or elusive than this volume by Anton Wagner. Originally published in German in 1935 as \u003cem data-mce-fragment=\"1\"\u003eLos Angeles: Werden, Leben und Gestalt der Zweimillionenstadt in Südkalifornien\u003c\/em\u003e, it is one of the earliest geographical investigations of a city understood as a series of layered landscapes. Wagner demonstrated that despite its geographical disadvantages, Los Angeles grew rapidly into a dominant urban region, bolstered by agriculture, real estate development, transportation infrastructure, tourism, the oil and automobile industries, and the film business. Although widely reviewed upon its initial publication, his book was largely forgotten until reintroduced by architectural historian Reyner Banham in his 1971 classic \u003cem data-mce-fragment=\"1\"\u003eLos Angeles: The Architecture of Four Ecologies\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThis definitive translation is annotated by Edward Dimendberg and preceded by his substantial introduction, which traces Wagner's biography and intellectual formation in 1930s Germany and contextualizes his work among that of other geographers. It is an essential work for students, scholars, and curious readers interested in urban geography and the rise of Los Angeles as a global metropolis.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAnton Wagner (1904–2001) was a geographer, diplomat, journalist, and businessman who lived and worked in Europe and the Americas. In 1932–33 he traveled to Los Angeles to conduct the extensive research that became the basis of \u003cem data-mce-fragment=\"1\"\u003eLos Angeles: The Development, Life, and Structure of the City of Two Million in Southern California\u003c\/em\u003e, for which he received a doctorate with distinction from the Geographisches Institut of the Christian-Albrechts-Universität in Kiel in 1935. Edward Dimendberg is professor of humanities at the University of California, Irvine. Timothy Grundy is an independent translator based in Los Angeles.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e“A striking early exemplar of transdisciplinary urban studies.”\u003cbr\u003e—Namik Mačkić, \u003cem\u003eLos Angeles Review of Architecture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Ultimately, to the contemporary reader, Wagner’s text not only communicates the unprecedented, rapid development of Los Angeles in the boom years that he studies, but also is instructive in considering the continued growth of the city since the author undertook the project.”\u003cbr\u003e—Olivia Armandroff, \u003cem\u003eJournal of Planning History\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“This fine new translation by Timothy Grundy of Anton Wagner's \u003cem data-mce-fragment=\"1\"\u003eLos Angeles\u003c\/em\u003e with Edward Dimendberg's lucidly probing introduction constitutes a major contribution to urban history and our understanding of one of the world's most enigmatic and significant cities.”\u003cbr\u003e—Thomas S. Hines, Research Professor of History and Architecture and Urban Design, UCLA \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Edward Dimendberg has done a remarkable job bringing Anton Wagner's classic study of Los Angeles to a wider readership. This landmark publication will enable many strands of urban scholarship to enter into dialogue for the first time.”\u003cbr\u003e—Matthew Gandy, Professor of Geography, University of Cambridge, and author of \u003cem data-mce-fragment=\"1\"\u003eNatura Urbana: Ecological Constellations in Urban Space\u003c\/em\u003e (2022)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Anton Wagner was a prescient and troubling historical figure. Nearly a century ago, with his camera in hand, he walked Los Angeles in fervent exploration of metropolitan growth. This beautiful and expert book takes Wagner every bit as seriously as he took Los Angeles.”\u003cbr\u003e—William Deverell, Director, Huntington-USC Institute on California and the West\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Anton Wagner’s geographic and ethnographic history of the urbanization of Los Angeles has long been unavailable to English-speaking readers. This early study, accompanied by Edward Dimendberg’s comprehensive introduction, will be of interest to all who, like Reyner Banham, admire its impressive scholarship and firsthand account of a city and ecology already in the throes of dynamic transformation.\"\u003cbr\u003e—Joan Ockman, Vincent Scully Visiting Professor of Architectural History, Yale School of Architecture\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Encompassing copious photographs, insightful commentary, and thorough reconstruction of Wagner’s life and times, this new translation of Anton Wagner’s \u003cem data-mce-fragment=\"1\"\u003eLos Angeles\u003c\/em\u003e provides the missing link in scholarship about the metropolis during the early twentieth century. Its continuing relevance and controversial edge will appeal to urban researchers and college students beyond Southern California.\"\u003cbr\u003e—Michael Dear, Professor Emeritus of City \u0026amp; Regional Planning, University of California, Berkeley\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Scholars of Los Angeles, or any city, must rejoice at this first proper English-language publication of Wagner's brilliant, if problematic, urban studies masterpiece. The edition is made accessible and relevant by Edward Dimendberg's indispensable prefatory material and contextualization.\"\u003cbr\u003e—Roger Keil, Professor of Environmental and Urban Change, York University \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Finally translating this fascinating book into English fills an important gap in our historical knowledge of Los Angeles and its interpretation. Edward Dimendberg's invaluable introduction situates Anton Wagner in a comprehensive intellectual context. Of more than merely historical interest, this in-depth picture of Los Angeles in 1933 is essential reading for anyone interested in cities.”\u003cbr\u003e—Margaret Crawford, Professor of Architecture, University of California, Berkeley\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“This key text from 1935 for understanding Los Angeles urbanism is finally available in an excellent English translation by Timothy Grundy. Revelatory introductory essays by Anthony Vidler and Edward Dimendberg explain how German geographer (and later Nazi Party member) Anton Wagner was able to map and conceptualize the radical originality of this archetypal American metropolis in ways that deeply influenced Reyner Banham and so many subsequent writers on the city.”\u003cbr\u003e—Robert Fishman, Taubman College of Architecture and Planning, University of Michigan\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Expertly annotated by Edward Dimendberg, Anton Wagner’s book on the growth of Los Angeles, which first appeared in German in 1935, is a landmark study in the history of urbanization. At the same time, it can be read as an example of transnational and comparative history, in which an observer from one country commented on developments in another. This volume will interest historians of the modern city, both in America and in Germany.\"\u003cbr\u003e—Andrew Lees, Distinguished Professor of History Emeritus, Rutgers University\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Blending his wide knowledge and his acute wit, Edward Dimendberg has meticulously reconstructed the genesis of a forgotten doctoral thesis, which had remained unread for more than eighty years, despite its acknowledgement by Reyner Banham. This pioneering scholarly study of the Southern Californian metropolis is now available for the first time in English, inscribed with subtlety in both its German and its American contexts on the basis of thorough investigations.”\u003cbr\u003e—Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"This is the odyssey of a book written and published in 1930s Nazi Germany, forgotten after the war, and rediscovered by Reyner Banham in the ‘70s. Los Angeles is a seminal text of modern architectural history and confronts readers in the present with the paradox of an unknown classic.“\u003cbr\u003e—Wolfgang Schivelbusch, author of \u003cem data-mce-fragment=\"1\"\u003eThe Railway Journey\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Finally, a translation of Anton Wagner’s \u003cem data-mce-fragment=\"1\"\u003eLos Angeles\u003c\/em\u003e, with extensive notes and a superb and deeply researched introduction by Edward Dimendberg, has arrived.  It turns out that it was worth the wait. This volume is not only an important historic document, but a still-unrivaled portrait of a great city.”\u003cbr\u003e—Robert Bruegmann, Distinguished Professor Emeritus of Art History, Architecture, and Urban Planning at the University of Illinois at Chicago and author of \u003cem data-mce-fragment=\"1\"\u003eSprawl: A Compact History\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"Scholars of Los Angeles can rejoice that Anton Wagner’s legendary study of early 1930s Los Angeles is at last available in a masterful translation, with a luminous introduction by Edward Dimendberg that captures Wagner’s analytical brilliance as well as his troubling politics and racial views. An essential addition to any library of Southern California.\"\u003cbr\u003e—Louis S. Warren, W. Turrentine Jackson Professor of Western U.S. History, University of California, Davis\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e“Anton Wagner’s study provides an invaluable and frequently perceptive window into the evolution of Los Angeles during the early twentieth century, showing how human agency transformed regional resources into a booming major city.  The translation is immensely enhanced by Edward Dimendberg’s skillful provision of context, including fascinating intellectual history.”\u003cbr\u003e—Stephen Bell, Professor of Geography and History, UCLA\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003eLos Angeles: The Development, Life, and Structure of the City of Two Million in Southern California\u003c\/em\u003e has always had an elusive presence in the conversation about the explosive growth of the Southern California metropolis at the beginning of the twentieth century: an arcane text known to exist, but only accessible to very few. This expert first translation in English almost ninety years after it originally appeared in German is prefaced by a complex and engaging introduction by Edward Dimendberg that situates the original study in a multidisciplinary conversation. It elucidates the many ways this landmark essay on Los Angeles’s urban geography was not only filtered into subsequent scholarship on the city—Reyner Banham’s iconic \u003cem data-mce-fragment=\"1\"\u003eLos Angeles: The Architecture of Four Ecologies\u003c\/em\u003e in particular—but also how it resonates with contemporary debates about cities as complex social organisms. This book will be essential reading not only for historians of Los Angeles but for those interested in the theorization of the modern metropolis more broadly. That the volume editor addresses Wagner’s problematic views on race and territorial conquest front and center, within their historic context, only adds to the significance of this undertaking.\"\u003cbr\u003e—Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, New York  \u003cbr\u003e\u003c\/p\u003e\n384 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e51 b\/w illustrations, 20 maps, 16 tables\u003cbr\u003eISBN 978-1-60606-755-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003eSeries: Texts \u0026amp; Documents\u003cbr\u003e\u003cbr\u003e2022","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41528086069440,"sku":"9781606067550","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606067550.jpg?v=1642552137"},{"product_id":"hockney-pearblossom-hwy-11-18th-april-1986-2-poster","title":"David Hockney Pearblossom Hwy., 11-18th April 1986, #2 Poster","description":"Poster of David Hockney's \u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e- Dimensions: 36 in. L x 27 in. W\u003cbr\u003e- Posters are rolled and tubed for shipping\u003cbr\u003e - FSC certified paper\u003cbr\u003e- Item #: HOCKPO4\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003ePearblossom Highway\u003c\/i\u003e shows a crossroads in a very wide open space, which you only get a sense of in the western United States. . . . [The] picture was not just about a crossroads, but about us driving around. I'd had three days of driving and being the passenger. The driver and the passenger see the road in different ways. When you drive you read all the road signs, but when you're the passenger, you don't, you can decide to look where you want. And the picture dealt with that: on the right-hand side of the road it's as if you're the driver, reading traffic signs to tell you what to do and so on, and on the left-hand side it's as if you're a passenger going along the road more slowly, looking all around. So the picture is about driving without the car being in it.\"\u003cbr\u003e\u003cbr\u003eThus David Hockney described the circumstances leading to the creation of this photocollage of the scenic Pearblossom Highway north of Los Angeles. His detailed collage reveals the more mundane observations of a road trip. The littered cans and bottles and the meandering line where the pavement ends and the sand begins point to the interruption of the desert landscape by the roads cutting through it and the imprint of careless travelers. \u003cbr\u003e\u003cbr\u003eDavid Hockney (English, born 1937)\u003cbr\u003e\u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e\u003cbr\u003ePhotographic collage of chromogenic prints\u003cbr\u003e198 x 282 cm (78 x 11in.)\u003cbr\u003eJ. Paul Getty Museum, 97.XM.39\u003cbr\u003e Photograph © 1986 David Hockney\u003cbr\u003ePoster text and design © 2023 J. Paul Getty Trust","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44275158352064,"sku":"HOCKPO4","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/HOCKPO4_a.jpg?v=1701896601"},{"product_id":"franklin-d-israel-a-life-in-architecture-978-1606069264","title":"Franklin D. Israel: A Life in Architecture","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eTodd Gannon\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThis book examines the life and legacy of Franklin D. Israel, an influential member of the Los Angeles school of architects.\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAcclaimed Los Angeles architect Franklin D. Israel (1945–1996) created innovative residential projects and office interiors that made him one of the most talked-about designers of his generation. In this vivid account, architectural historian Todd Gannon draws on archival resources, analyses of Israel’s buildings, and recent interviews with the architect’s colleagues, clients, and contemporaries, including Frank Gehry, Thom Mayne, and Robert A. M. Stern. Gannon traces Israel’s development from his early years and career on the East Coast to his formative world travels and residence at the American Academy in Rome. The author guides readers through the Los Angeles architectural context, Israel’s influential teaching at UCLA, his dalliance with Hollywood, and the personal motivations behind his architecture and design work—all aspects of an influential career that was cut short by his death from AIDS-related complications at the age of fifty.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eFranklin D. Israel  \u003c\/i\u003eis a compelling work of architectural history and biography, chronicling one gay man’s engagement with the largely heteronormative world of American architectural culture. It explores the achievement of this central figure in the still largely unstudied history of late twentieth-century avant-garde Los Angeles architecture.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTodd Gannon is professor of architecture at Ohio State University's Knowlton School and the author of \u003ci\u003e\u003ca rel=\"noopener\" title=\"Reyner Banham and the Paradoxes of High Tech\" href=\"https:\/\/shop.getty.edu\/products\/reyner-banham-and-the-paradoxes-of-high-tech-978-1606065303?_pos=1\u0026amp;_psq=reyner\u0026amp;_ss=e\u0026amp;_v=1.0\" target=\"_blank\"\u003eReyner Banham and the Paradoxes of High Tech\u003c\/a\u003e  \u003c\/i\u003e(Getty, 2017).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Beautifully written, keenly analytical and full of sharp perceptions about Israel.”\u003cbr\u003e—Michael Webb, \u003ci\u003eWallpaper*\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e“Beautifully written and lovingly assembled book.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e—Aaron Betsky, \u003ci\u003eArchitect Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e“\u003ci\u003eA Life in Architecture\u003c\/i\u003e carefully brings the story of Frank Israel full circle.” \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e—Peter Stamberg and Paul Aferiat, \u003ci\u003eArchitectural Record\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“This study is a necessity for students and scholars to understand the idiosyncrasies of Los Angeles architecture. Gannon sensitively articulates the mark that Frank Israel left on the identity of this complex, ever-changing city.”\u003cbr\u003e—Thom Mayne\u003c\/p\u003e\n\u003cp\u003e“Weaving together the creative and personal histories of one of all too many architects felled by HIV\/AIDS, Gannon’s engaging study reveals that the deliberate heterogeneity of Frank Israel’s architectural palette and the broad reach of his ideas made his work a centripetal force that turned Los Angeles into a global architectural capital.” \u003cbr\u003e—Sylvia Lavin, Professor of History and Theory of Architecture, Princeton University\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e256 pages\u003cbr\u003e9 1\/2 x 10 inches\u003cbr\u003e182 color and 55 b\/w illustrations \u003cbr\u003eISBN 978-1-60606-926-4\u003cbr\u003ehardcover \u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45255029326016,"sku":"9781606069264","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606069264.jpg?v=1718306626"},{"product_id":"crossing-over-art-and-science-at-caltech-1920-2020-978-1606069424","title":"Crossing Over: Art and Science at Caltech, 1920-2020","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eEdited by Peter Sachs Collopy and Claudia Bohn-Spector\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThis book offers an exciting in-depth look at the intersection of art and science at the renowned California Institute of Technology.\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eScience is as much a visual practice as a textual or quantitative one. For centuries, scientists have used microscopes, telescopes, painting, illustration, printing, and photography to perceive nature and communicate what they see in it, often in collaboration with artists. In the twentieth century, scientists also came to view creativity as an essential resource and looked to art to foster it.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eCrossing Over\u003c\/i\u003e is an interdisciplinary publication that looks at one prominent university—the California Institute of Technology (Caltech) in Pasadena—as a site for scientific and artistic image production. Uncovering the rich pictorial record embedded in its Archives and Special Collections, a team of visual culture scholars examines Caltech through a series of tightly focused case studies. How, the authors ask, have science and engineering institutions like Caltech used scientific representation, art, and architecture to construct themselves and produce discovery and invention? This book reveals new facets of life and work at Caltech that will be illuminating even to those familiar with the school, showcasing views that informed—and were informed by—the vibrant visual culture of Southern California.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis volume is published to accompany an exhibition on view at the California Institute of Technology from September 27 to December 15, 2024.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePeter Sachs Collopy is university archivist and head of Archives and Special Collections at the California Institute of Technology. Claudia Bohn-Spector is an independent curator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e“Offers revealing perspectives on art-science relations.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e—Dawna Schuld,\u003ci\u003e Technology and Culture\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“For more than a century, the California Institute of Technology has been a world-leader in science and technology. Less well known is the rich visual culture—whether in the form of fine art, astrophotography, architectural drawings, or biological illustrations—that has accompanied and amplified Caltech’s research mission. With \u003ci\u003eCrossing Over\u003c\/i\u003e, Sachs Collopy and Bohn-Spector have assembled a marvelous collection of essays and artworks which showcase how the visual arts have been essential ingredients in Caltech’s accomplishments. This book is a joy to view.”\u003cbr\u003e—W. Patrick McCray, University of California, Santa Barbara\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e320 pages  \u003cbr\u003e8 x 10 inches \u003cbr\u003e306 color illustrations\u003cbr\u003eISBN 978-1-60606-942-4\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Caltech Library in Association with Getty Publications\u003cbr\u003e\u003cbr\u003e2024\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45255071793344,"sku":"9781606069424","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606069424.jpg?v=1718311692"},{"product_id":"enchanted-strings","title":"Enchanted Strings: Bob Baker Marionette Theater","description":"\u003cp\u003eBob Baker Marionette Theater has enchanted families in Los Angeles and beyond with delightful marionette performances since 1963. \u003ci\u003eEnchanted Strings\u003c\/i\u003e captures the visual history of this palace of puppetry from Bob Baker’s earliest days to the theater’s transformation into a thriving hub of creative culture. You’ll meet the remarkable visual artists and craftspeople who worked alongside him, contributing their talents to build the theater, design the shows, and hand-craft over two thousand incredible marionettes. Archival images and ephemera provide a behind-the-scenes look at Bob’s amazing work for Walt Disney and iconic Hollywood films. With more than 300 vintage and contemporary photographs, \u003ci\u003eEnchanted Strings\u003c\/i\u003e will delight Bob Baker Marionette Theater fans around the world, and fascinate everyone who is a child at heart!\u003cbr\u003e\u003cbr\u003e- Randal Metz\u003cbr\u003e- 176 pages \u003cbr\u003e- 9 inches W x 9 inches L \u003cbr\u003e- Hardcover \u003cbr\u003e- Angel City Press \u003cbr\u003e- 2022 \u003cbr\u003e- Los Angeles\u003cbr\u003e- Item #: 978-1626401075\u003c\/p\u003e","brand":"GIBBS SMITH","offers":[{"title":"Default Title","offer_id":45803862065344,"sku":"9781626401075","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781626401075_A.jpg?v=1732060190"},{"product_id":"ed-ruscha-s-streets-of-los-angeles-artist-image-archive-city-978-1606069523","title":"Ed Ruscha's Streets of Los Angeles: Artist, Image, Archive, City","description":"\u003cp\u003e\u003cstrong\u003eEdited by Andrew Perchuk, Emily Pugh, and Zanna Gilbert, with Tracy Stuber and Isabel Frampton Wade\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThrough analysis of Ed Ruscha’s visionary Streets of Los Angeles Archive, this volume provides new understandings of his artistic practice, the history of L.A., and the innovative role of technology in the archive.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003eIn 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003eIn this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis publication was created using Quire™, a multiformat publishing tool\u003cbr\u003efrom Getty. The free online edition of this open-access publication is available at \u003ca href=\"https:\/\/www.getty.edu\/publications\/ruscha\/\" title=\"Ed Ruscha’s Streets of Los Angeles: Artist, Image, Archive, City\" rel=\"noopener\" target=\"_blank\"\u003ewww.getty.edu\/publications\/ruscha\/\u003c\/a\u003e and includes video, data visualizations, and zoomable illustrations. Free PDF and EPUB downloads of the book are also available.\u003c\/p\u003e\n\u003cp\u003eAndrew Perchuk is deputy director of the Getty Research Institute. Emily Pugh is a principal research specialist at the Getty Research Institute. Zanna Gilbert is a senior research specialist at the Getty Research Institute. \u003cbr\u003e\u003cbr\u003e230 pages \u003cbr\u003e8 1\/2 x 11 inches\u003cbr\u003e78 color and 149 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-952-3\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45863501234368,"sku":"9781606069523","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606069523.jpg?v=1734140856"},{"product_id":"seeing-the-getty-center-and-gardens-english-edition-978-1606065020","title":"Seeing the Getty Center and Gardens, English Edition","description":"\u003cp\u003e\u003cstrong\u003eFeaturing stunning color photographs throughout, this beautifully illustrated volume takes readers on a visual tour through Los Angeles's iconic Getty Center and Gardens.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDesigned for the Getty’s visiting public, this handsome gift book distills highlights of the existing \u003cem\u003eSeeing the Getty Center\u003c\/em\u003e and \u003cem\u003eSeeing the Getty Gardens\u003c\/em\u003e souvenir volumes to provide a visual tour of the Getty Center, from the masterpieces in the galleries to the iconic architecture to the breathtaking gardens. Dazzling details from the J. Paul Getty Museum’s collections are combined with unforgettable views of the site, including the outdoor sculpture, close-ups of the diverse plants and flowers in the gardens, plays of light and shadow on the travertine exterior, the ocean and Los Angeles skyline, and a stunning view of the Center at sunset. \u003cbr\u003e\u003cbr\u003eAlso available in \u003ca href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-japanese-edition-978-1606064955?_pos=8\u0026amp;_sid=c595ac1c5\u0026amp;_ss=r\" title=\"Seeing the Getty Center and Gardens, Japanese Edition\" rel=\"noopener\" target=\"_blank\"\u003eJapanese\u003c\/a\u003e, \u003ca rel=\"noopener\" title=\"Seeing the Getty Center and Gardens, Chinese Edition\" href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-chinese-edition-978-1606064917\" target=\"_blank\"\u003eChinese\u003c\/a\u003e, \u003ca href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-korean-edition-978-1606064931?_pos=5\u0026amp;_sid=c595ac1c5\u0026amp;_ss=r\" title=\"Seeing the Getty Center and Gardens, Korean Edition\" rel=\"noopener\" target=\"_blank\"\u003eKorean\u003c\/a\u003e, \u003ca title=\"Seeing the Getty Center and Gardens, Spanish Edition\" href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-spanish-edition-978-1606064924\" target=\"_blank\" rel=\"noopener\"\u003eSpanish\u003c\/a\u003e, \u003ca href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-french-edition-978-1606064948?_pos=7\u0026amp;_sid=c595ac1c5\u0026amp;_ss=r\" title=\"Seeing the Getty Center and Gardens, French Edition\" rel=\"noopener\" target=\"_blank\"\u003eFrench\u003c\/a\u003e, and \u003ca href=\"https:\/\/shop.getty.edu\/products\/seeing-the-getty-center-and-gardens-german-edition-978-1606064962?_pos=4\u0026amp;_sid=c595ac1c5\u0026amp;_ss=r\" title=\"Seeing the Getty Center and Gardens, German Edition\" rel=\"noopener\" target=\"_blank\"\u003eGerman\u003c\/a\u003e, this English edition provides a memento for guests and an inspiring introduction for those who have yet to visit the Getty Center.\u003cbr\u003e\u003cbr\u003e68 pages\u003cbr\u003e6 x 6 inches\u003cbr\u003e88 color illustrations\u003cbr\u003eISBN 978-1-60606-502-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Publications\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45880659902656,"sku":"9781606065020","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606065020.jpg?v=1735001962"},{"product_id":"plush-jpgm-getty-teddy-bear","title":"Plush Teddy Bear - JPGM Getty Teddy Bear","description":"\u003cp\u003ePlush bear wearing a sweatshirt featuring the bust of J. Paul Getty below \u003cem\u003eJPGM\u003c\/em\u003e, an acronym for the J. Paul Getty Museum. The museum is one of the four programs housed at the Getty Center in Los Angeles, CA \u003cbr\u003e\u003cbr\u003e- Measurements: 4.5 inches w x 5 inches W (7 W inches including carabiner)\u003cbr\u003e- Materials: Recycled Post-Consumer Polyester\u003cbr\u003e- Manufactured to meet and exceed all applicable U.S., Canadian and European safety standards\u003cbr\u003e- Made in China\u003cbr\u003e- Choking Hazard: Not for children under 3 years.\u003cbr\u003e- Item #: KEYBEAR4\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45881586057408,"sku":"KEYBEAR4","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/KEYBEAR4_a.jpg?v=1735060882"},{"product_id":"richard-neutra-and-the-making-of-the-lovell-health-house-1925-35-979-8887120089","title":"Richard Neutra and the Making of the Lovell Health House, 1925–35","description":"\u003cp\u003e\u003cstrong\u003eEdited by Edward Dimendberg, with contributions by Crosby Doe, Thomas Hines, and Nicholas Olsberg \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eThis absorbing volume traces the Lovell Health House from its inspiration through its construction to its impact. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThis book tells the story of the Lovell Health House, designed and built by Austrian American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.\u003cbr\u003e\u003cbr\u003eThe book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdward Dimendberg is a professor of humanities at the University of California, Irvine. He is the editor of the English edition of Anton Wagner’s \u003ca rel=\"noopener\" title=\"Los Angeles: The Development, Life, and Structure of the City of Two Million in Southern California\" href=\"https:\/\/shop.getty.edu\/products\/los-angeles-the-development-life-and-structure-of-the-city-of-two-million-in-southern-california-978-1606067550?_pos=15\u0026amp;_sid=a70102253\u0026amp;_ss=r\" target=\"_blank\"\u003e\u003ci\u003eLos Angeles\u003c\/i\u003e\u003c\/a\u003e (Getty, 2022).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“This interesting work by Neutra is approached with great intensity in narrative and visual form.”\u003cbr\u003e—José Juan Barba and Irene Álamo Martín, \u003ci\u003eMETALOCUS\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“The making of the house is documented in a new book from the Getty Research Institute, \u003ci\u003eRichard Neutra and the Making of the Lovell Health House, 1925–35,\u003c\/i\u003e which draws on the Getty archives, together with new photography and scholarly essays to tell the story of an extraordinary building.”\u003ci\u003e\u003c\/i\u003e\u003cbr\u003e—Rowan Moore, \u003ci\u003eThe Observer\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The Lovell Health House has long held a place of honor in the pantheon of modern architecture. The authors of this fascinating volume have assembled an astonishing array of primary sources, providing a detailed account of its history and an introduction to the key tenets and philosophy of the Modern Movement.”\u003cbr\u003e—Martino Stierli, The Museum of Modern Art, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“An engaging examination of a key moment of the encounter between European and American building cultures. Like in a slow-motion replay, Neutra’s assimilation and deployment of steel frame construction is traced every step from inception to reception through contemporaneous publications. The way that Neutra’s writing, design and exacting site management are interwoven reveals the intensity of thought that went into this emblematic project.”\u003cbr\u003e—William Mann, Witherford Watson Mann architects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“For generations young architects have been pulled toward Los Angeles, entranced by the city’s wide-open culture of architectural ambition and innovation. Wright was drawn to that, as was Neutra, Schindler, Ain, Gehry, and Mayne. Neutra’s Lovell House is an essential protagonist in this century-long story. That such a radical design could be built here is testament to the creative energy of this place. That it still provokes and challenges us today is nothing short of a gift.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Michael Maltzan, Michael Maltzan Architecture\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e144 pages\u003cbr\u003e9 x 11 1\/4 inches\u003cbr\u003e13 color and 132 b\/w illustrations\u003cbr\u003eISBN 979-8-88712-008-9\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46381764837568,"sku":"9798887120089","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9798887120089.jpg?v=1747088868"},{"product_id":"exiled-in-l-a-the-untold-story-of-leopold-fischer-s-domestic-architecture-978-1606069868","title":"Exiled in L.A.: The Untold Story of Leopold Fischer's Domestic Architecture","description":"\u003cp\u003e\u003cstrong\u003eVolker M. Welter\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe first English-language volume to explore the work of architect Leopold Fischer, and the inaugural study of his California legacy.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIn 1936, Leopold Fischer (1901–1975), in exile from Nazi Germany, arrived in California, where he created a small but distinct oeuvre of mostly domestic architecture. In contrast to his famous peers Rudolph Schindler and Richard Neutra, immigrants whose Southern California buildings are frequently examined—and who, like Fischer, studied with the modernist architect Adolf Loos—Fischer and his California structures have, until now, escaped the attention of architectural history.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eExiled in L.A.\u003c\/i\u003e examines Fischer’s important, yet overlooked, contributions to Southern California architecture. As the whereabouts of Fischer’s archives remain unknown, Volker M. Welter grounds the designer’s California works in comparison with his pre-exile projects and the compositions of fellow architects in California. In the 1920s, Fischer created experimental working-class housing estates in Germany that pioneered ecological construction and living practices. Comparable to their predecessors, Fischer's California buildings revolve around the “functioning, the organization of a home,” as he defined domestic architecture in 1926. Featuring new photography and detailed architectural plans, this book is an original contribution to the literature on Southern California’s built heritage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVolker M. Welter is a professor in the Department of History of Art and Architecture at the University of California, Santa Barbara. He is the author of \u003ca href=\"https:\/\/shop.getty.edu\/products\/tremaine-houses-one-family-s-patronage-of-domestic-architecture-in-midcentury-america978-1606066140?_pos=1\u0026amp;_psq=tremaine\u0026amp;_ss=e\u0026amp;_v=1.0\" title=\"Tremaine Houses: One Family’s Patronage of Domestic Architecture in Midcentury America\" rel=\"noopener\" target=\"_blank\"\u003e\u003ci\u003eTremaine Houses: One Family’s Patronage of Domestic Architecture in Midcentury America\u003c\/i\u003e\u003c\/a\u003e (Getty, 2019).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Welter’s work documenting Fischer’s built, planned, destroyed, and even rumored projects is a critical addition to the documentary record of modernist architecture in Southern California.”\u003cbr\u003e—Michele Jennings, \u003ci\u003eARLIS\/NA\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“A student of Adolf Loos and a friend of Arnold Schoenberg, Leopold Fischer was one of the exile architects who came to California in the 1930s but who has long since slipped into undeserved obscurity. In contrast to the standard histories of mid-twentieth-century California architecture, Volker M. Welter here explores the difference between the émigré and the immigrant architect to expose a referential as opposed to deliberately innovative architecture.”\u003cbr\u003e—Neil Jackson, author of \u003ci\u003eCalifornia Modern: The Architecture of Craig Ellwood\u003c\/i\u003e and \u003ci\u003ePierre Koenig: A View from the Archive\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Volker M. Welter is one of the most esteemed experts on avant-garde architecture and artists in exile. His newest book meticulously reconstructs the work of a long-forgotten Austrian architect, Leopold Fischer. Fischer attended the school of Adolf Loos, worked with Walter Gropius in Dessau, and fled to the United States in 1936. Through in-depth source studies of numerous American and European archives, Welter recreates the exemplary networks of architects in exile. These ‘detailed’ representations are the foundation for a new, realistic historiography of modernism.”\u003cbr\u003e—Dr. Matthias Boeckl, Professor, Institute of Architecture, University of Applied Arts Vienna\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e“In this stimulating study, Volker M. Welter examines the work of émigré architect Leopold Fischer, who mainly built private houses and whose writings and drawings are considered to be lost. Welter’s analysis opens our eyes to a previously overlooked and important chapter in California’s modern architecture history.”\u003cbr\u003e—Dr. Burcu Dogramaci, Professor of Art History, Institut für Kunstgeschichte, Ludwig-Maximilians-Universität München\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e168 pages\u003cbr\u003e9 1\/2 x 10 inches\u003cbr\u003e42 color and 68 b\/w illustrations, 7 tables\u003cbr\u003eISBN 978-1-60606-986-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46381764870336,"sku":"9781606069868","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606069868.jpg?v=1747089591"},{"product_id":"la-graffiti-black-book-corduroy-bucket-hat","title":"L.A. Graffiti Black Book Corduroy Bucket Hat","description":"\u003cdiv\u003eBlack corduroy bucket hat featuring embroidered stylized \"L.A.\" graphic, in light-reflecting thread, inspired by the cover of the \u003cem\u003eGetty\u003c\/em\u003e \u003cem\u003eGraffiti Black Book \u003c\/em\u003eaka\u003cem\u003e LA Liber Amicorum\u003c\/em\u003e in the Getty's collection.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe elegant L.A. logo was designed and rendered by Prime, a founding father of stylized street-lettering unique to the City of Angels. Born Jose Reza in L.A.’s Pico-Union district, Prime’s early geometric ‘calligraffiti’ was known locally as Cholo script and soon became associated with tagging one’s turf. Prime’s cursive \u003cem\u003eL.A.\u003c\/em\u003e, adorned the cover of the \u003cem\u003eGetty Graffiti Black Book, \u003c\/em\u003ewhich bound together 143 artworks on paper by prominent ‘graffiti’ and tattoo art-writing crews throughout L.A.. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e- One size fits most\u003cbr\u003e- Materials: Mid weight, 100% cotton, 8-wale partridge cord\u003cbr\u003e- Hat made in China. Embroidered in California\u003cbr\u003e- Item #: HATLAGBB\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p2\"\u003e© Jose Reza “Prime” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMerchandise © 2025 J. Paul Getty Trust\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46530430468288,"sku":"HATLAGBB","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/HATLAGBB_a.jpg?v=1751560267"},{"product_id":"l-a-graffiti-black-book-corduroy-cap","title":"L.A. Graffiti Black Book Corduroy Cap","description":"\u003cp\u003eBlack corduroy snap-back cap featuring embroidered stylized \"L.A.\" graphic, in light-reflecting thread, inspired by the cover of the \u003cem\u003eGetty\u003c\/em\u003e \u003cem\u003eGraffiti Black Book \u003c\/em\u003eaka\u003cem\u003e LA Liber Amicorum\u003c\/em\u003e in the Getty's collection.\u003c\/p\u003e\n\u003cdiv\u003eThe elegant L.A. logo was designed and rendered by Prime, a founding father of stylized street-lettering unique to the City of Angels. Born Jose Reza in L.A.’s Pico-Union district, Prime’s early geometric ‘calligraffiti’ was known locally as Cholo script and soon became associated with tagging one’s turf. Prime’s cursive \u003cem\u003eL.A.\u003c\/em\u003e adorned the cover of the \u003cem\u003eGetty Graffiti Black Book, \u003c\/em\u003ewhich bound together 143 artworks on paper by prominent ‘graffiti’ and tattoo art-writing crews throughout L.A.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e- One size fits most\u003cbr\u003e- Adjustable snapback cap\u003cbr\u003e- Materials: 100% cotton\u003cbr\u003e- Cap made in China. Embroidered in California\u003cbr\u003e- Item #: CAPLAGBB\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e© Jose Reza “Prime” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMerchandise © 2025 J. Paul Getty Trust\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46533948702912,"sku":"CAPLAGBB","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/CAPLAGBB_a.jpg?v=1751560422"},{"product_id":"l-a-graffiti-black-book-shortsleeve-t-shirt-1","title":"L.A. Graffiti Black Book Short Sleeve T-shirt","description":"\u003cp\u003eHeavyweight short sleeve t-shirt featuring stylized \"L.A.\" graphics in light-reflecting ink, inspired by the cover of the \u003cem\u003eGetty Graffiti Black Book aka LA Liber Amicorum\u003c\/em\u003e in the Getty's collection.\u003c\/p\u003e\n\u003cdiv\u003eThe elegant L.A. logo was designed and rendered by Prime, a founding father of stylized street-lettering unique to the City of Angels. Born Jose Reza in L.A.’s Pico-Union district, Prime’s early geometric ‘calligraffiti’ was known locally as Cholo script and soon became associated with tagging one’s turf. Prime’s cursive \u003cem\u003eL.A. \u003c\/em\u003eadorned the cover of the \u003cem\u003eGetty Graffiti Black Book, \u003c\/em\u003ewhich bound together 143 artworks on paper by prominent ‘graffiti’ and tattoo art-writing crews throughout L.A..\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e- Available in sizes S, M, L, XL, XXL\u003c\/div\u003e\n\u003cdiv\u003e- Male model is wearing size Medium, female model is wearing size Small\u003c\/div\u003e\n\u003cdiv\u003e- Materials: 7.5 oz 100% Airlume combed and ring-spun cotton\u003cbr\u003e- Item #: TSHLAGBBL\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p2\"\u003eCare Instructions: Machine wash cold, inside out, with like colors. Use only non-chlorine bleach when needed. Tumble dry low. Medium heat iron if needed. Do not iron decoration.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eArtwork © Jose Reza “Prime” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMerchandise © 2025 J. Paul Getty Trust\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"XXL","offer_id":46537758277824,"sku":"TSHLAGBBSXXL","price":40.0,"currency_code":"USD","in_stock":true},{"title":"L","offer_id":46537758310592,"sku":"TSHLAGBBSL","price":40.0,"currency_code":"USD","in_stock":true},{"title":"M","offer_id":46537758343360,"sku":"TSHLAGBBSM","price":40.0,"currency_code":"USD","in_stock":true},{"title":"S","offer_id":46537758376128,"sku":"TSHLAGBBSS","price":40.0,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":46537758408896,"sku":"TSHLAGBBSXL","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TSHLAGBBS_1_a.jpg?v=1776724533"},{"product_id":"l-a-graffiti-black-book-longsleeve-t-shirt","title":"L.A. Graffiti Black Book Long Sleeve T-shirt","description":"\u003cdiv\u003eHeavyweight long-sleeve t-shirt featuring stylized \"L.A.\" graphics in light-reflecting ink, inspired by the cover of the \u003cem\u003eGetty\u003c\/em\u003e \u003cem\u003eGraffiti Black Book \u003c\/em\u003eaka\u003cem\u003e LA Liber Amicorum\u003c\/em\u003e in the Getty's collection.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe elegant L.A. logo was designed and rendered by Prime, a founding father of stylized street-lettering unique to the City of Angels. Born Jose Reza in L.A.’s Pico-Union district, Prime’s early geometric ‘calligraffiti’ was known locally as Cholo script and soon became associated with tagging one’s turf. Prime’s cursive \u003cem\u003eL.A.\u003c\/em\u003e adorned the cover of the \u003cem\u003eGetty Graffiti Black Book, \u003c\/em\u003ewhich bound together 143 artworks on paper by prominent ‘graffiti’ and tattoo art-writing crews throughout L.A.\u003cbr\u003e\u003cbr\u003e- Available in sizes S, M, L, XL, XXL\u003cbr\u003e- Model is wearing a size Large\u003cbr\u003e- Materials: 7.5 oz 100% Airlume combed and ring-spun cotton\u003cbr\u003e- Item #: TSHLAGBBL\u003cbr\u003e\u003cbr\u003eCare Instructions: Machine wash cold, inside out, with like colors. Use only non-chlorine bleach when needed. Tumble dry low. Medium heat iron if needed. Do not iron decoration. No dry cleaning.\n\u003cp class=\"p2\"\u003eArtwork © Jose Reza “Prime” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMerchandise © 2025 J. Paul Getty Trust\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"XXL","offer_id":46537760866496,"sku":"TSHLAGBBLXXL","price":55.0,"currency_code":"USD","in_stock":true},{"title":"L","offer_id":46537760899264,"sku":"TSHLAGBBLL","price":55.0,"currency_code":"USD","in_stock":true},{"title":"M","offer_id":46537760932032,"sku":"TSHLAGBBLM","price":55.0,"currency_code":"USD","in_stock":true},{"title":"S","offer_id":46537760964800,"sku":"TSHLAGBBLS","price":55.0,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":46537760997568,"sku":"TSHLAGBBLXL","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TSHLAGBBL_1_V2_a.jpg?v=1751579840"},{"product_id":"la-graffiti-black-book-reflective-reversible-tote-bag-backpack","title":"L.A. 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Prime’s cursive \u003cem\u003eL.A.\u003c\/em\u003e adorned the cover of the \u003cem\u003eGetty Graffiti Black Book, \u003c\/em\u003ewhich bound together 143 artworks on paper by prominent ‘graffiti’ and tattoo art-writing crews throughout L.A.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e- Materials: Silver reflective water-resistant polyester \u003cbr\u003e- Dimensions of bag: 14 inches x 17 inches (not including handle)\u003cbr\u003e- Length of handle: 11 inches\u003cbr\u003e- Sustainably produced. Standard 100 by OEKO-TEX certified\u003cbr\u003e- Carries up to 22 lbs \u003cbr\u003e- Item #: TOTLAGBB\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p2\"\u003eArtwork © Jose Reza “Prime” \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eMerchandise © 2025 J. Paul Getty Trust\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46537815032000,"sku":"TOTLAGBB","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TOTLAGBB_2_a.jpg?v=1751580490"},{"product_id":"upcycled-mini-backpack-edouard-manet","title":"Upcycled Mini Backpack - Edouard Manet","description":"\u003cp\u003eUpcycled mini backpack produced from a street banner featuring Getty Museum's past exhibition - Manet \u0026amp; Modern Beauty.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eThe Getty Museum Store has partnered with Peder Cho of Utopia, local LA based fashion brand that prides itself on reinvention, creativity, and sustainability. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEach piece in this collection is crafted from recycled exhibition banners—giving new life to materials that once told stories at the Getty. Each backpack highlights Jeanne's face on the front pocket but the side seams and back vary slightly from backpack to backpack showcasing different parts of the Édouard Manet exhibition banner.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003ePlease note that due to the handcrafted nature of this item, slight variations or imperfections may occur. Signs of aging may also be present, as the piece incorporates materials from past exhibition banners\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e-Dimensions: 9\" H x 8 1\/2\" W x 3 1\/4\" D\u003c\/div\u003e\n\u003cdiv\u003e-Material: Vinyl Banner\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e-Special Features: Outer pocket, inner pocket, double zipper, and adjustable straps\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e-Care Instructions: Spot clean with a damp cloth \u003c\/div\u003e\n\u003cdiv\u003e-Item #: SPGMANBPK\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eÉdouard Manet (French, 1832 - 1883)\u003cbr\u003eJeanne (Spring), 1881,\u003cbr\u003eOil on canvas\u003cbr\u003e74 x 51.5 cm (29 1\/8 x 20 1\/4 in.)\u003cbr\u003eThe J. Paul Getty Museum, Los Angeles\u003c\/div\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MI7Vw8Ffjr4?si=ezZ9klO97sv0V1rR\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":46752786055360,"sku":"SPGMANBPK","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/SPGMANBPK1_a.jpg?v=1757466949"},{"product_id":"upcycled-messenger-bag-william-blake","title":"Upcycled Messenger Bag - William Blake","description":"\u003cdiv\u003e\n\u003cdiv\u003eUpcycled messenger bag produced from a street banner featuring Getty Museum's past exhibition - \u003cem\u003eWilliam Blake Visionary.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe Getty Museum Store has partnered with Peder Cho of Utopia, local LA based fashion brand that prides itself on reinvention, creativity, and sustainability. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEach piece in this collection is crafted from recycled exhibition banners—giving new life to materials that once told stories at the Getty. Each duffle highlights Satan's face on the front pocket but the side seams and back vary slightly from handbag to handbag showcasing different parts of the William Blake exhibition banner.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003ePlease note that due to the handcrafted nature of this item, slight variations or imperfections may occur. 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