{"title":"For the Photographer","description":"","products":[{"product_id":"in-focus-laszlo-moholy-nagy-978-0892363247","title":"In Focus: László Moholy-Nagy","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eKatherine Ware\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHungarian-born László Moholy-Nagy (1895–1946) was influential not only as a photographer but also as a filmmaker, teacher, and painter. He taught at the Bauhaus in Germany and, after fleeing the Nazi regime, settled in Chicago, where he founded the Institute of Design. He pioneered the photomontage and created the camera-less medium of the photogram.\u003c\/p\u003e\n\u003cp\u003eAlmost fifty reproductions from the J. Paul Getty Museum's outstanding collection of the work of this important photographer—each described by Katherine Ware—serve as an exciting introduction to Moholy-Nagy's work. The book includes the edited transcript of a recent colloquium that provides the historical and critical perspective necessary for understanding Moholy-Nagy's vital contribution to the art of the twentieth century.\u003c\/p\u003e\n\u003cp\u003eThe colloquium, chaired by \u003ci\u003eNew York Times\u003c\/i\u003e writer and critic Charles Hagen, included Thomas Barrow, a photographer and teacher of studio art at the University of New Mexico at Albuquerque; Jeannine Fiedler, a scholar who has worked at the Bauhaus Archive in Berlin; Leland Rice, a photographer and independent curator from northern California; Hattula Moholy-Nagy, the photographer's daughter and an archaeologist living in Ann Arbor, Michigan; and Weston Naef and Katherine Ware, curator emeritus of photographs and former curatorial assistant, respectively, at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e128 pages\u003cbr\u003e6 x 7 5\/8 inches\u003cbr\u003e49 duotone illustrations\u003cbr\u003eISBN 978-0-89236-324-7\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: In Focus: Photographs from the J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1995\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017906974912,"sku":"9780892363247","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-324-7.jpeg?v=1598897291"},{"product_id":"in-focus-man-ray-978-0892365111","title":"In Focus: Man Ray","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eKatherine Ware  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDuring a career that spanned more than fifty years, two continents, and work in many media, Man Ray (1890–1976) produced a large body of photographic images that continue to command our attention. This volume presents his early work in New York in the 1910s, selections from his sizable Paris oeuvre in the 20s, 30s, and 50s, and photographs taken during his time in Hollywood in the 40s. Though in later years he expressed a desire to be remembered as a painter, Man Ray continued to work with photography throughout his life, pushing the boundaries of the medium with cameraless images, solarized portraits, and other innovations.\u003c\/p\u003e\n\u003cp\u003eThe J. Paul Getty Museum's collection of three hundred works by Man Ray includes vintage prints from the 1910s through the 1960s. Presented in this volume are more than fifty photographs, with commentary on each image by Katherine Ware, former assistant curator of photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eIn Focus: Man Ray\u003c\/i\u003e also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Ware; Jo Ann Callis, artist and teacher at the California Institute of the Arts; David Featherstone, independent editor and curator; Merry Foresta, senior curator at the National Museum of American Art in Washington, D.C.; Weston Naef, curator emeritus of photographs at the J. Paul Getty Museum; Francis Naumann, independent scholar and curator; and Dickran Tashjian, professor of art history at the University of California, Irvine.\u003c\/p\u003e\n\u003cul class=\"tabs-content\"\u003e\n\u003cli id=\"tab2\"\u003e144 pages\u003cbr\u003e6 x 7 5\/8 inches\u003cbr\u003e50 duotone illustrations\u003cbr\u003eISBN 978-0-89236-511-1\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: In Focus: Photographs from the J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1998\u003c\/li\u003e\n\u003cli id=\"tab3\"\u003e\"One learns much about the versatile artist's experiments in the art of photography.\"\u003cbr\u003e\u003cb\u003eColumbia's Free Times\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\"Packed with information.\"\u003cbr\u003e\u003cb\u003eCHOICE\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017907138752,"sku":"9780892365111","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-511-1.jpeg?v=1598897321"},{"product_id":"in-focus-manuel-alvarez-bravo-978-0892366255","title":"In Focus: Manuel Alvarez Bravo","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eRoberto Tejada\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe career of Manuel Alvarez Bravo (b. 1902) spans many decades and reflects numerous changes in artistic fashion. A self-taught photographer, he purchased his first camera at the age of twenty, and around 1925 he won first prize in a photographic competition in Oaxaca. He returned to his birthplace of Mexico City and in 1927 met Tina Modotti, who introduced him to many Modernists in the city's lively art scene. Among them was Edward Weston, who encouraged Alvarez Bravo to continue his photography. Though his work went unrecognized in mainstream art circles for years, he  is now considered by many to be one of Mexico's great artists.\u003c\/p\u003e\n\u003cp\u003eThe J. Paul Getty Museum's collection of photographs includes more than ninety by Alvarez Bravo, and approximately fifty are reproduced here with commentary on each image by Roberto Tejada, an independent curator and critic, who also provides an introduction to the book and a chronological overview of the artist's life. The photographs reproduced display the array of styles, themes, and moods that typify art created in Mexico during the 1930s as Modernism first flowered in that country; they also include examples of his work from later decades.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eIn Focus: Manuel Alvarez Bravo\u003c\/i\u003e was published to coincide with an \u003ca href=\"http:\/\/getty.edu\/art\/exhibitions\/bravo\/\"\u003e exhibition\u003c\/a\u003e of his photographs at the J. Paul Getty Museum on view November 13, 2001 through February 17, 2002, commemorating the artist's 100th birthday on February 4th.\u003c\/p\u003e\n\u003cp\u003eThis book also includes an edited transcript of a colloquium on Alvarez Bravo's career with participants David Featherstone, independent editor and curator; Colette Alvarez Urbajtel, the photographer's wife and herself a practicing photographer; Pablo Ortiz Monasterio, photographer and independent curator; Charles Merewether, collections curator at the Getty Research Institute; Cristina Cuevas-Wolf, independent scholar; Weston Naef, curator emeritus of photographs at the J. Paul Getty Museum; Susan Kismaric, curator of photographs at the Museum of Modern Art, and Roberto Tejada.\u003cbr\u003e\u003cbr\u003e\"In a time when the moving images available on local silver screens assault and insult one's intelligence, it's a pleasure to stumble across the story of a still photographer and view his 80-year-long evolution.\"\u003cbr\u003e\u003cem\u003e—Palos Verdes Peninsula News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e144 pages\u003cbr\u003e6 x 7 5\/8 inches\u003cbr\u003e55 duotone illustrations\u003cbr\u003eISBN 978-0-89236-625-5\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: In Focus: Photographs from the J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2001\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017907368128,"sku":"9780892366255","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-625-5.jpeg?v=1598897565"},{"product_id":"photography-as-fiction-978-1606060315","title":"Photography as Fiction","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eErin C. Garcia\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePhotography is commonly associated with fact, yet it has been a medium for fiction from the very beginning. Following its inception in 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. The tradition of staging persisted as an artistic approach into the twentieth century and took on new meaning in the context of advertising, film, and television. This book's short introductory essay summarizes the history of staged photography, highlighting key debates that center on the seeming contradiction between the medium's blunt factuality and its capacity for deception.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePhotography as Fiction\u003c\/i\u003e includes seventy-six color plates illustrating works from the J. Paul Getty Museum's collection that embrace theatricality and are unconcerned with documenting the world as it exists. The book showcases works by both widely known and less prominent artists, including Julia Margaret Cameron, Lewis Carroll, Jo Ann Callis, Eileen Cowin, Roger Fenton, Gertrude Käsebier, Loretta Lux, Man Ray, Ralph Eugene Meatyard, Yasumasa Morimura, Paul Outerbridge, Henry Peach Robinson, Lucas Samaras, Alfred Stieglitz, Andy Warhol, and Carrie Mae Weems.\u003c\/p\u003e\n\u003cp\u003eErin C. Garcia is assistant curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e112 pages\u003cbr\u003e7 1\/4 x 8 5\/8 inches\u003cbr\u003e24 color and 62 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-031-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2010\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018069635264,"sku":"9781606060315","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-031-5.jpeg?v=1600193615"},{"product_id":"brush-and-shutter-978-1606060544","title":"Brush and Shutter: Early Photography in China","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Jeffrey W. Cody and Frances Terpak\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePhotography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. As a result, traditional modes of expression were dramatically transformed. Uncovered here is a captivating visual history of China during photography's first century, from the late Qing period to Republican Shanghai and wartime Chongqing. Chinese export painters learned and adapted the medium of photography by grafting the new technology onto traditional artistic conventions—employing both brush and shutter. Ultimately, both Chinese and Western photographers were witnesses to and agents of dynamic cultural change.\u003c\/p\u003e\n\u003cp\u003eThe essays in this volume shed new light on the birth of a medium. Jeffrey Cody and Frances Terpak, together with Edwin Lai, discuss the medium's evolution, commercialization, and dissemination; Wu Hung examines the invention of a portrait style through the lens of Milton Miller; Sarah Fraser investigates how this style shaped China's national image; and Wen-hsin Yeh addresses the camera's role in Republican Shanghai and wartime Chongqing. The catalogue accompanied an exhibition of the same name at the J. Paul Getty Museum from February 8 to May 1, 2011.\u003c\/p\u003e\n\u003cp\u003eJeffrey W. Cody is a senior project specialist in the Education Department at the Getty Conservation Institute. He is the author of \u003ci\u003eBuilding in China\u003c\/i\u003e (The Chinese University Press, 2001) and \u003ci\u003eExporting American Architecture, 1870–2000\u003c\/i\u003e (Routledge, 2003) and coeditor of \u003ci\u003eChinese Architecture and the Beaux-Arts\u003c\/i\u003e (University of Hawaii Press, 2011). Frances Terpak is curator of photographs at the Getty Research Institute. She is the coauthor of the award-winning exhibition catalogue \u003ci\u003eDevices of Wonder: From the World in a Box to Images on a Screen\u003c\/i\u003e (Getty Publications, 2001) and coeditor of \u003ci\u003eWalls of Algiers: Narratives of the City through Text and Image\u003c\/i\u003e (University of Washington Press, 2009).\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eBrush \u0026amp; Shutter\u003c\/em\u003e is copiously illustrated. . . . The interdisciplinary approach taken here rewards the reader with some highly stimulating, provocative (and sometimes divergent) ideas and conclusions. The book is a welcome contribution to the small but growing field of research on early photography in China.”\u003cbr\u003e\u003cem\u003e—The History of Photography\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e“Over the last five to ten years there has been a resurgence in scholarly interest in early photography in China, particularly related to the lives and work of Chinese photographers. \u003cem\u003eBrush and Shutter\u003c\/em\u003e consolidates and contributes to this scholarship. . . . This is a beautiful and fascinating book that will be of interest to scholars of both photography and China.”\u003cbr\u003e\u003cem\u003e—Asian Studies Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e220 pages\u003cbr\u003e11 x 10 1\/2 inches\u003cbr\u003e61 color and 75 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-054-4\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e2011\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017646207168,"sku":"9781606060544","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-054-4.jpg?v=1598294996"},{"product_id":"herb-ritts-978-1606061008","title":"Herb Ritts: L.A. Style","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePaul Martineau\u003cbr\u003eWith an essay by James Crump\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHerb Ritts: L.A. Style\u003c\/i\u003e traces the life and career of the iconic photographer through a compelling selection of renowned, as well as previously unpublished, photographs and two insightful essays. Herb Ritts (1952–2002) was a Los Angeles–based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. During the 1980s and 1990s, Ritts was sought out by leading fashion designers such as Armani, Gianfranco Ferrè, Donna Karan, Calvin Klein, Valentino, and Versace, as well as magazine editors from \u003ci\u003eGQ, Interview, Rolling Stone\u003c\/i\u003e, and \u003ci\u003eVanity Fair\u003c\/i\u003e, among others, to lend glamour to their products and layouts. Largely self-taught, Ritts developed his own style, one that often made use of the California light and landscape and helped to separate his work from his New York–based peers. From the late 1970s until his untimely death from AIDS in 2002, Ritts's ability to create photographs that successfully bridged the gap between art and commerce was not only a testament to the power of his imagination and technical skill, but also marked the synergistic union between art, popular culture, and business that followed in the wake of the Pop Art movement of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eAn exhibition of the same name was on view at the Getty Center April 3 through August 12, 2012; at the Cincinnati Art Museum October 6 through December 30, 2012; and at the John and Mable Ringling Museum of Art in Sarasota, Florida, February 23 through May 19, 2013.\u003c\/p\u003e\n\u003cp\u003ePaul Martineau is associate curator in the Department of Photographs at the J. Paul Getty Museum. He is the author of \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/paul-outerbridge-978-0892369614\"\u003ePaul Outerbridge: Command Performance\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2009) and \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/still-life-in-photography-978-1606060339\"\u003eStill Life in Photography\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2010). James Crump is chief curator and curator of photography at the Cincinnati Art Museum. In 2007, Crump wrote, produced, and directed the documentary film \u003ci\u003eBlack White + Gray\u003c\/i\u003e, featuring the influential curator and collector Sam Wagstaff and artist Robert Mapplethorpe.\u003cbr\u003e\u003cbr\u003e“[This book] draws from the archives of one of the most influential and celebrated fashion photographers of the late 20th century, offering an impressive collection of Ritts’s sumptuous nudes and portraits of supermodels and celebrities.”\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e“Herb Ritts’s use of light, form and composition to communicate strength and poise evince his true genius.”\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cem\u003eResource\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e“[This book] should appeal to a wide audience, from arts and photography holdings to those interested in fashion history and California artists. It’s a dynamic gathering of all of Herb Ritts’s images and is not be missed.”\u003cbr\u003e\u003cem\u003e—The Midwest Book Review\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“[This book] explores the life and legacy of this icon.”\u003cbr\u003e\u003cem\u003e—Metrosource\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e224 pages\u003cbr\u003e9 1\/2 x 12 inches\u003cbr\u003e30 color and 135 tritone illustrations\u003cbr\u003eISBN 978-1-60606-100-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017880268992,"sku":"9781606061008","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1606061008.jpg?v=1598635547"},{"product_id":"photography-and-play-978-1606061077","title":"Photography and Play","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eErin C. Garcia\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePhotography and leisure go hand in hand. Cameras are part of our everyday lives, but we are never more likely to take a picture or to be photographed than when we are at play. As recreation and entertainment flourished in the nineteenth century, so too did the new medium of photography. Cameras became increasingly accessible to amateurs and were quickly deemed an indispensable part of what it meant to have fun. Acting as social commentators, many artists also turned their attention to the subject of pleasure and entertainment, often observing how photography itself has changed the way we spend our free time.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePhotography and Play\u003c\/i\u003e reveals the various ways that artists throughout photographic history have turned to topics as diverse as Victorian billiard players, Parisian barflies, moviegoers, sightseers, and suburban sunbathers. The book features over eighty photographs drawn from the collection of the J. Paul Getty Museum that span nearly 150 years of image making. The works included are by such noted artists as Diane Arbus, Eugène Atget, Brassaï, Henri Cartier-Bresson, Walker Evans, André Kertész, Bill Owens, Man Ray, Edward Steichen, Joel Sternfeld, Alfred Stieglitz, Weegee, and Garry Winogrand—all of whom documented people at play.\u003c\/p\u003e\n\u003cp\u003eThe illuminating introductory essay traces the relationship between the growing importance of leisure over the past 150 years and the part that photography has played in changing how we see ourselves.\u003c\/p\u003e\n\u003cp\u003eErin C. Garcia is an independent curator in the San Francisco Bay Area. She is the author of \u003ca href=\"http:\/\/shop.getty.edu\/products\/man-ray-in-paris-978-1606060605\"\u003e\u003ci\u003eMan Ray in Paris\u003c\/i\u003e\u003c\/a\u003e (Getty Publications, 2011) and \u003ca href=\"http:\/\/shop.getty.edu\/products\/photography-as-fiction-978-1606060315\"\u003e\u003ci\u003ePhotography as Fiction\u003c\/i\u003e\u003c\/a\u003e (Getty Publications, 2010).\u003cbr\u003e\u003cbr\u003e“Kids are ingenious at thinking up ways to pass the days and, with little money but lots of time, at finding playful uses for quotidian objects. It’s no surprise that \u003cem\u003ePhotography and Play\u003c\/em\u003e . . . is filled with young faces at carnivals and ballparks, picnicking and swimming. Yet the joy of childhood is better caught in images of kids dashing through an open fire hydrant on a sweltering day or flying down a hill on makeshift skateboards.”\u003cbr\u003e\u003cem\u003e—The Wall Street Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e112 pages \u003cbr\u003e7 1\/4 x 8 5\/8 inches\u003cbr\u003e15 color and 83 b\/w illustrations  \u003cbr\u003eISBN 978-1-60606-107-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018068848832,"sku":"9781606061077","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-107-7.jpeg?v=1600193511"},{"product_id":"film-roll-cufflinks","title":"Cuff Links - Film Roll","description":"Cuff links made of high grade rhodium silver plated brass and plastic.\u003cbr\u003e\u003cbr\u003e- Roll of film measures 0.625\" x 0.5\"\u003cbr\u003e - Includes presentation box\u003cbr\u003e - Item #: CD-1709\n","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":323041353,"sku":"CD-1709","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/CD-1709.jpg?v=1593141940"},{"product_id":"camera-lens-cufflinks","title":"Cuff Links - Camera Lens","description":"Cuff links made of high grade rhodium silver plated brass and enamel.\u003cbr\u003e\u003cbr\u003e- Camera lens measures 1\" x 0.5\"\u003cbr\u003e- Includes elegant gift box \u003cbr\u003e- Item #: CD-1707","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":323043419,"sku":"CD-1707","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/cd_1707.jpg?v=1593141849"},{"product_id":"a-royal-passion-queen-victoria-and-photography-978-1606061558","title":"A Royal Passion: Queen Victoria and Photography","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnne M. Lyden\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWith contributions by Sophie Gordon and Jennifer Green-Lewis\u003c\/strong\u003e\u2028\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eA Royal Passion\u003c\/i\u003e explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe.\u003c\/p\u003e\n\u003cp\u003eThe featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.\u003c\/p\u003e\n\u003cp\u003eAnne M. Lyden is international photography curator at the National Galleries of Scotland, Edinburgh, and former associate curator in the Department of Photographs at the J. Paul Getty Museum, Los Angeles. She is curator of the exhibition \u003cem\u003eA Royal Passion: Queen Victoria and Photography\u003c\/em\u003e and has written about nineteenth-century photography, including \u003ca rel=\"noopener noreferrer\" href=\"http:\/\/shop.getty.edu\/products\/the-photographs-of-frederick-h-evans-978-0892369881\" target=\"_blank\"\u003e\u003cem\u003eThe Photographs of Frederick Evans\u003c\/em\u003e\u003c\/a\u003e (Getty Publications, 2010) and \u003ca rel=\"noopener noreferrer\" href=\"http:\/\/shop.getty.edu\/products\/railroad-vision-978-0892367269\" target=\"_blank\"\u003e\u003cem\u003eRailroad Vision: Photography, Travel, and Perception\u003c\/em\u003e \u003c\/a\u003e(Getty Publications, 2003). Sophie Gordon is senior curator of photographs at the Royal Collection, Windsor. Jennifer Green-Lewis is associate professor of English literature at George Washington University, Washington, D.C.\u003cbr\u003e\u003cbr\u003e“This is a volume to pore over. . . . It will remain a valuable resource for scholars. Equally, however, non-specialists will relish the access to photographs from the Queen's private collection.”\u003cbr\u003e—\u003cem\u003eHistory of Photography\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Highly recommended for Anglophiles, as well as art and photo historians.”\u003cbr\u003e\u003cem\u003e—Library Journal\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e“The essays are fascinating. . . . Browsing through the plates in this book is . . . a feast for the eyes.”\u003cbr\u003e\u003cem\u003e—Edinburgh Book Review\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Perceptive and handsomely produced.”\u003cbr\u003e—\u003cem\u003eVictorian Studies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e232 pages \u003cbr\u003e\u20289 1\/2 x 11 1\/2 inches\u003cbr\u003e\u2028120 color and 43 b\/w illustrations\u003cbr\u003e\u2028ISBN 978-1-60606-155-8\u003cbr\u003e\u2028hardcover \u003cbr\u003e\u2028\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2014\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":344808809,"sku":"9781606061558","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606061558_1024x1024_524d9b1a-9025-4321-a213-c5edc04b51ce.jpg?v=1597697596"},{"product_id":"animals-in-photographs-978-1606064412","title":"Animals in Photographs","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eArpad Kovacs\u003c\/strong\u003e\u003cspan style=\"color: #990000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eFrom the invention of photography up through the internet age, animals have been a frequent subject of the camera’s lens, from portraits of beloved pets and exotic creatures to the documentation of human cruelty against them. Drawing on the collection of the J. Paul Getty Museum, this book traces the relationship between animals in photographs and the rapidly advancing technology of photography. From the wild dogs of South Africa to William Wegman’s photogenic Weimaraners, from images of Victorian zoos to visions of the heavy toll of game hunting, animals on film are moving, sympathetic, and sometimes tragic figures.\u003cbr\u003e\u003cbr\u003eIn this vivid and engaging book, Arpad Kovacs explores the social, symbolic, scientific, and aesthetic approaches to a subject that has been of continuous interest to photographers across the centuries. Over ninety full-color plates represent image makers ranging from Felice Beato, Eadweard Muybridge, André Kertész, and Alfred Stieglitz to Berenice Abbott, Manuel Àlvarez Bravo, and Man Ray. More recent photographers, such as Robert Mapplethorpe and Hiroshi Sugimoto, are represented along with contemporary artists, such as Tim Hawkinson, Pieter Hugo, and Graciela Iturbide. The result is a book that shows the evolution of a photographic obsession that abides to this day.\u003cbr\u003e\u003cbr\u003eThis book is published on the occasion of the exhibition \u003cem\u003eIn Focus: Animalia\u003c\/em\u003e, on view at the J. Paul Getty Museum from May 26 to October 18, 2015.\u003cbr\u003e\u003cbr\u003eArpad Kovacs is assistant curator in the Department of Photographs at the J. Paul Getty Museum. \u003cbr\u003e\u003cbr\u003e“\u003cem\u003eAnimals In Photographs\u003c\/em\u003e weaves a visual path from the small, gold-framed daguerreotypes of the 1850s to sumptuous modern-day photographs filled with rich color and detail. Though the range of dates and techniques in the collection is extensive, the underlying themes in the photographs are clearly tied throughout the centuries.”—\u003cem\u003eAmerican Photo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e112 pages \u003cbr\u003e\u20287 1\/4 x 8 5\/8 inches\u003cbr\u003e92 color \u2028illustrations\u003cbr\u003e\u2028ISBN 978-1-60606-441-2\u003cbr\u003ehardcover\u003cbr\u003e\u2028\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2015\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":1091807316,"sku":"9781606064412","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606064412.jpg?v=1597698484"},{"product_id":"35mm-camera-dial-cufflinks","title":"35MM Camera Dial Cufflinks","description":"Designed to appear similar to the dial on a 35-millimeter camera, this pair of cuff links is perfect for the photography aficionado. \u003cbr\u003e\u003cbr\u003e- Diameter: 5\/8 inch\u003cbr\u003e- Rhodium silver plating \u003cbr\u003e- Item #: CD-1933\u003cbr\u003e\u003cbr\u003e","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":16754198917,"sku":"CD-1933","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/CD-1933-1_1.jpg?v=1593141776"},{"product_id":"photographic-the-life-of-graciela-iturbide-978-1947440005","title":"Photographic: The Life of Graciela Iturbide","description":"\u003cp\u003e\u003cstrong\u003eWritten by Isabel Quintero \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIllustrated by Zeke Peña\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGraciela Iturbide was born in Mexico City in 1942, the oldest of thirteen children. When tragedy strikes Graciela as a young mother, she turns to photography for solace and understanding. \u003cbr\u003e\u003cbr\u003eFrom then on Graciela embarks on a photographic journey that takes her throughout her native Mexico, from the Sonoran Desert to Juchitán to Frida Kahlo’s bathroom, to the United States, India, and beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhotographic\u003c\/em\u003e is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Graciela’s journey will excite young readers and budding photographers who will be inspired by her resolve, talent, and curiosity.\u003c\/p\u003e\n\u003cp\u003eRecommended for ages twelve and up. \u003cbr\u003e\u003cbr\u003eIsabel Quintero lives and writes in the Inland Empire of Southern California, where she was born and raised. She received her BA in English and MA in English Composition from California State University, San Bernardino. Her first novel, \u003cem\u003eGabi, A Girl in Pieces\u003c\/em\u003e, was one of \u003cem\u003eSchool Library Journal\u003c\/em\u003e and \u003cem\u003eKirkus Reviews\u003c\/em\u003e Best Books of 2014, and won the American Library Association’s William C. Morris Award prize for a debut young-adult novel. Her second book, \u003cem\u003eUgly Cat \u0026amp; Pablo\u003c\/em\u003e (Scholastic), was published in April 2017, to much acclaim. \u003cbr\u003e\u003cbr\u003eZeke Peña is a cartoonist, an illustrator, and a painter. He was born in southern New Mexico and grew up on the US–Mexico border in El Paso, Texas. He received a degree in Art History from the University of Texas at Austin. His illustrations have appeared on album and book covers, in editorials and comics, and as graphics for community organizing. His work has been exhibited at the National Museum of Mexican Art (Chicago), Albuquerque Hispanic Cultural Center, Houston Center of Photography, MACLA (San Jose), Loisaida Center (New York), El Paso Museum of Art, and Museo de Arte Ciudad Juárez, as well as galleries in the US and Mexico.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded in ALA’s 2019 Amelia Bloomer List\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected as one of YALSA’s 2019 Great Graphic Novels for Teens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelected as one of NPR’s Best Books of 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded in \u003cem\u003eThe Horn Book\u003c\/em\u003e’s Fanfare 2018 list\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded in Texas Library Association’s 2019 Maverick Graphic Novel Reading List\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2018 Foreword INDIES Honorable Mention, Graphic Novels \u0026amp; Comics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Quintero and Peña’s biography of Mexican photographer Graciela Iturbide is far more than an account of her life. . . . Eye-opening and masterfully rendered.”\u003cbr\u003e—\u003cem\u003eBooklist\u003c\/em\u003e \u003cstrong\u003e\u003cem\u003e**Starred Review**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Striking black and white illustrations. . . . A powerful homage to the five-decade evolution of artist still working—and still evolving—today.”\u003cbr\u003e—\u003cem\u003eHorn Book Magazine \u003cstrong\u003e**Starred Review**\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The narrative is told in a nonlinear style, bouncing between important moments and influences in the artist’s life in a way that elegantly demonstrates the scope of Iturbide’s work.”\u003cbr\u003e—Thayer Preece Parker, \u003cem\u003eCBR.com\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This graphic novel highlights the life of an incredibly talented Mexican photographer and is unlike anything that I've read.”\u003cbr\u003e—\u003cem\u003eVice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A fascinating book that blends the story of Iturbide’s life with poetic interpretations of pivotal moments in her career.”\u003cbr\u003e—\u003cem\u003eSan Diego City Beat\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003ePhotographic \u003c\/em\u003eis one of the most creative and original nonfiction books I’ve read this year.”\u003cbr\u003e—\u003cem\u003eThe Nonfiction Detectives\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The graphic novel honors a provocative life by taking a provocative form.”\u003cbr\u003e—\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The biggest question in creating a graphic novel about a photographer might be how to use the artist’s photographs themselves, if at all. It would have been injudicious to produce a biography without Iturbide’s memorable photos of a goat-slaughtering ritual in Mexico or her stunning portraits of Mexican natives and landscapes. Quintero and Peña strike a good compromise, featuring many of Iturbide’s photographs as a complement to the biography, but without being dependent on them. The result is a book that expertly combines various aspects to become something utterly unique.”\u003cbr\u003e—\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"[Graciela] Iturbide’s artistic vision and story are conveyed with poetry, a simple sophistication, and a dollop of bold swagger.\"\u003cbr\u003e—\u003cem\u003eMary McCoy\u003c\/em\u003e, Senior Librarian, Los Angeles Public Library and author of \u003cem\u003eCamp So-and-So \u003c\/em\u003eand \u003cem\u003eDead to Me\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This extraordinary biography captures the poetry of Graciela Iturbide’s photography. The brilliant pairing of Isabel Quintero's words and Zeke Peña’s art creates a graphic novel that evokes the process and meaning of what it is to create. Highly recommended!”\u003cbr\u003e—Cathy Camper, author of \u003cem\u003eLowriders in Space\u003c\/em\u003e and \u003cem\u003eLowriders to the Center of the Earth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“It is a rare feat when a writer and illustrator are able to capture the creative magnitude of an iconic photographer. With poetic prose by Isabel Quintero and luminary illustrations by Zeke Peña, the stunning biography \u003cem\u003ePhotographic: The Life of Graciela Iturbide\u003c\/em\u003e will guide readers through a compelling visionary journey. \u003cem\u003ePhotographic\u003c\/em\u003e is a worthy homage to an important and influential photographer and will stand alone as a truly creative piece of work.”\u003cbr\u003e—Lilliam Rivera, author of \u003cem\u003eThe Education of Margot Sanchez \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In a mixture of prose, poetry, photography, and very cool graphic dibujos, award-winning author Isabel Quintero and illustrator Zeke Pena guide us in and out of iconic Iturbide photographs and defining moments in lturbide's life. . . . This is a wonderful book for both YA and adult readers alike.”\u003cbr\u003e—\u003cem\u003eLa bloga\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“[This] graphic novel is a 96-page journey through Iturbide’s artistic life, guided by poetic prose, original photographs, and black-and-white illustrations. . . . \u003cem\u003ePhotographic \u003c\/em\u003eis a biography unlike any of its predecessors.\u003cbr\u003e—\u003cem\u003eRemezcla\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e“From pieces such as \u003cem\u003eOur Lady of the Iguanas, Juchitán, Oaxaca\u003c\/em\u003e (1979) to \u003cem\u003eRosario and Boo Boo in Their Home, East L.A.\u003c\/em\u003e (1986), we see Iturbide become one with her subjects, somehow transcending her role as photographer and entering into a relationship with everything her camera captures. The artwork of Penã, which depicts these interactions, seems to do the same, joining audiences to Iturbide’s experiences. . . . Recommended to anyone interested in fine art photography, particularly of Mexican and Southwestern American subjects, and for library collections with a focus on this area.”\u003cbr\u003e—\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Quintero and Peña have set a new standard in artist biographies. A must for teen collections.”\u003cbr\u003e—\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The book, simply, is beautiful. . . . I would recommend this book to pretty much anyone.”\u003cbr\u003e—\u003cem\u003eBleeding Cool\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“[Quintero’s] language is a perfect for the discussion of creative vision. Zeke Peña illustrated the book and he does a beautiful job. . . . I recommend \u003cem\u003ePhotographic\u003c\/em\u003e to all teens.”\u003cbr\u003e—\u003cem\u003eSchool Library Lady\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A personal history that’s as remarkable as any of the photographer’s portraits.”\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003eNBC\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003ePhotographic\u003c\/em\u003e, written by Isabel Quintero and drawn by Zeke Peña, is a lush, dreamlike journey through some of photographer Graciela Iturbide’s formative moments, punctuated by her own photographs. Culturally rich looks at Mexico, the US, and beyond, and an insightful meditation on living as an artist.”\u003cbr\u003e—Kerry Vineberg, \u003cem\u003eThe Beat\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e“Many of Iturbide’s photographs focus on the mythology and reality of people, landscapes, forms, and objects. Quintero’s text articulates these experiences. Peña’s pen and ink illustrations meticulously recreate the world as Iturbide sees it–in black and white. When Iturbide’s actual photos are interwoven into the biography, they are simultaneously seamless and surprising. Quintero’s lyric prose is just as mesmerizing. Together this mix of artforms combine to create a unique and spellbinding artist statement.”\u003cbr\u003e—\u003cem\u003eYALSA (Young Adult Library Services Association) Blog\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse this book in the classroom! \u003cbr\u003e\u003ca title=\"Getty Books in the Classroom-Brilliant History of Color_978-1606064290\" href=\"https:\/\/www.getty.edu\/education\/teachers\/getty_books\/iturbide\/index.html\" target=\"_blank\"\u003eFree resources for educators\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e96 pages  \u003cbr\u003e7 x 9 inches\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e25 duotone photographs and 67 b\/w illustrations\u003c\/span\u003e\u003cbr\u003eISBN 978-1-947440-00-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2017\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":38662852041,"sku":"9781947440005","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/Photographic.jpg?v=1600193409"},{"product_id":"icons-of-style-a-century-of-fashion-photography-978-1606065587","title":"Icons of Style: A Century of Fashion Photography","description":"\u003cp\u003e\u003cstrong\u003ePaul Martineau\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first \u003cem\u003eartistic\u003c\/em\u003e, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez \u0026amp; Vinoodh and Mert \u0026amp; Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. \u003c\/p\u003e\n\u003cp\u003eThis lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements. \u003c\/p\u003e\n\u003cp\u003eThis volume was published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center June 26 to October 21, 2018. \u003c\/p\u003e\n\u003cp\u003ePaul Martineau has curated numerous exhibitions at the J. Paul Getty Museum and is the author or coauthor of \u003ca href=\"https:\/\/shop.getty.edu\/products\/herb-ritts-978-1606061008\"\u003e\u003cem\u003eHerb Ritts: L.A. Style \u003c\/em\u003e\u003c\/a\u003e(Getty Publications, 2012), \u003ca href=\"https:\/\/shop.getty.edu\/products\/robert-mapplethorpe-the-photographs-978-1606064696\"\u003e\u003cem\u003eRobert Mapplethorpe: The Photographs \u003c\/em\u003e\u003c\/a\u003e(Getty Publications, 2016), and \u003ca href=\"https:\/\/shop.getty.edu\/products\/the-thrill-of-the-chase-the-wagstaff-collection-of-photographs-at-the-j-paul-getty-museum-978-1606064672\"\u003e\u003cem\u003eThe Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum \u003c\/em\u003e\u003c\/a\u003e(Getty Publications, 2016). \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“Though the images are powerful in their own right, a hefty, 368-page exhibition catalog adds to the scholarship with thoroughly documented and illustrated chapters on the medium’s evolution.”\u003cbr\u003e—\u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A historical roadmap through the world of fashion photography. . . . The artfully curated book . . . is more than a beautiful ornament meant to collect dust atop your coffee table.”\u003cbr\u003e—\u003cem\u003eThe Daily Beast\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“An enlightening survey of one hundred years of fashion photography.”\u003cbr\u003e—\u003cem\u003ePhoto District News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This coffee table companion to the upcoming exhibition is a comprehensive survey of developments in 20\u003csup\u003eth\u003c\/sup\u003e-century photographic style and taste through that lens, and it’s gorgeous.”\u003cbr\u003e—\u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This stupendous compendium makes an alluring case for fashion photography as art.\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003cbr\u003e—\u003cem\u003eFinancial Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This impressive tome is an elegant exploration of where fashion, advertising, history and art come together. A must-have for any fashion or fashion photography aficionado.”\u003cbr\u003e\u003cem\u003e—Photographer’s Forum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e368 pages \u003cbr\u003e9 1\/2 x 12 inches\u003cbr\u003e170 color and 156 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-558-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2018\u003cbr\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/MzOeXcxq3h4\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2292691566601,"sku":"9781606065587","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/icons_of_style.jpg?v=1598636104"},{"product_id":"lenticular-postcard-sprinter","title":"Lenticular Postcard - Sprinter","description":"\u003cp\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003cspan style=\"font-size: 0.875rem;\"\u003e the 'Animal Locomotion' series of stopped-action motion studies completed in 1887.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1326\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\"\u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eAnimal Locomotion, 1887\u003cbr\u003eCollotype 15.2 × 43.7 cm (6 × 17 3\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 84.XM.628.32 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2333997727753,"sku":"C1326","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1326.gif?v=1592247065"},{"product_id":"lenticular-postcard-weight-lifter","title":"Lenticular Postcard - Weight Lifter","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003c\/span\u003e the 'Animal Locomotion' series of stopped-action motion studies completed in 1887. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1327\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eAnimal Locomotion, 1887\u003cbr\u003eCollotype 16.2 × 42.5 cm (6 3\/8 × 16 3\/4 in.) \u003cbr\u003eThe J. Paul Getty Museum, 84.XM.628.37 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2333997957129,"sku":"C1327","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1327.gif?v=1592247090"},{"product_id":"lenticular-postcard-back-somersault","title":"Lenticular Postcard - Back Somersault","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works, the 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003cbr\u003e- Item #: C1330\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eBack Somersault from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.110 \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334001233929,"sku":"C1330","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1330.gif?v=1592246286"},{"product_id":"lenticular-postcard-running-deer","title":"Lenticular Postcard - Running Deer","description":"\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works, \u003c\/span\u003e'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1331\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eRunning from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.92","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334001496073,"sku":"C1331","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1331.gif?v=1592247012"},{"product_id":"lenticular-postcard-galloping-horse","title":"Lenticular Postcard - Galloping Horse","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003eThis lenticular postcard celebrates one of Eadweard Muybridge's best known works, the 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1333\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. 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Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eRunning (Galloping) from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. 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Paul Getty Museum, at \u003ca href=\"https:\/\/www.getty.edu\/art\/collection\/\" target=\"_blank\" title=\"J. Paul Getty Museum Collections - Explore Art\" rel=\"noopener noreferrer\"\u003eGetty.edu\u003c\/a\u003e, to learn more about Anna Atkins and view more of her work. \u003cbr\u003e\u003cbr\u003e- 12 notecards \u003cbr\u003e- 12 designs \u003cbr\u003e- Matching envelopes \u003cbr\u003e- Keepsake box measures 5.8 inches x 2 inches x 7.2 inches \u003cbr\u003e- Item #:  978-1616895914","brand":"CHRONICLE BOOKS","offers":[{"title":"Default Title","offer_id":32390031376461,"sku":"9781616895914","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781616895914.jpg?v=1601922179"},{"product_id":"magnetic-poetry-set-the-photographer","title":"Magnetic Poetry Set - The Photographer","description":"Just as the camera cannot quite capture what the eye sees and yet can convey truths and tell stories of its own, this box of words can say things about photography that you would never come up with on your own. Some of those things might be absurd and hilarious, some might actually be quite insightful and beautiful. Just like any photograph, they can be manipulated - and in so doing, they may reveal something about the artists themselves. \u003cbr\u003e\u003cbr\u003e- Kit contains over 200 themed magnetic word tiles \u003cbr\u003e- Tile height is .375 inches \u003cbr\u003e- Package size is 4.75 inches W x 3 inches H x 1.25 inches D \u003cbr\u003e- Magnetic Poetry complies with all American and international guidelines and regulations \u003cbr\u003e- Recommended for ages 5 years and up \u003cbr\u003e- Made in the USA\u003cbr\u003e- Item#:  103617","brand":"MAGNETIC POETRY","offers":[{"title":"Default Title","offer_id":32468846116941,"sku":"103617","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/3617.jpg?v=1594660877"},{"product_id":"off-the-walls-inspired-re-creations-of-iconic-artworks-978-1606066843","title":"Off the Walls: Inspired Re-Creations of Iconic Artworks","description":"\u003cstrong\u003eWhen life (in a global pandemic) imitates art . . .\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eVan Gogh’s \u003cem\u003eStarry Night\u003c\/em\u003e made out of spaghetti? Cat \u003cem\u003ewith a Pearl Earring\u003c\/em\u003e? Frida Kahlo self-portraits with pets and toilet paper? While the world reeled from the rapid spread of the novel coronavirus (COVID-19), thousands of people around the globe, inspired by challenges from Getty and other museums, raided toy chests, repurposed pantry items, and enlisted family, roommates, and animals to re-create famous works of art at home. Astonishing in their creativity, wit, and ingenuity, these creations remind us of the power of art to unite us and bring joy during troubled times. \u003cem\u003eOff the Walls: Inspired Re-Creations of Iconic Artworks\u003c\/em\u003e celebrates these imaginative re-creations, bringing highlights from this challenge together in one whimsical, irresistible volume. \u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eGetty Publications will donate all profits from the sale of the book to a charity supporting art and artists.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“There won't be much from the Corona era to look back on with pleasure, but the pictures of recreated works of art are definitely one of the rays of light.”\u003cbr\u003e—Susanne Lenz, \u003cem\u003eBerliner Zeitung\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There’s not a lot about this spring that we can really look back on with fondness. But the Getty’s viral art challenge left us laughing and impressed, so we’re glad we have another excuse to revisit it.”\u003cbr\u003e —Michael Juliano, \u003cem\u003eTime Out\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e “Getty professionals have put together a selection of these impressive, life-affirming recreations in a new publication.”\u003cbr\u003e —Gareth Harris, \u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“At the beginning of quarantine the elves at Getty asked themselves how art could be a tonic for people stuck at home twiddling their thumbs. Their answer was to issue their readers with a challenge: pick a favourite artwork, find three objects in your house, recreate the artwork with those items, share it online. This is a collection of those photographs. Some are ingenious, others endearing, others laugh-out-loud funny. I particularly liked the self-portraits of Van Gogh, with Vincent replaced by a dog. And the loo rolls replacing the Elizabethan ruff is nothing short of inspired.”\u003cbr\u003e—Marcus Berkmann\u003cem\u003e, Daily Mail\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“From a version of Van Gogh’s \u003cem\u003eStarry Night\u003c\/em\u003e made of spaghetti to Frida Kahlo self-portraits recreated with pets and toilet paper, these genius homages are sure to keep you entertained, whether or not you’re stuck at home.”\u003cbr\u003e—Claudicet Pena and Arnesia Young, \u003cem\u003eMy Modern Met\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Unimaginably creative.” \u003cbr\u003e—Nancy Stetson, \u003cem\u003eFort Myers Florida Weekly\u003c\/em\u003e\u003c\/p\u003e\n144 pages\u003cbr\u003e6 x 5 1\/4 inches\u003cbr\u003e405 color illustrations\u003cbr\u003e ISBN 978-1-60606-684-3\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Publications\u003cbr\u003e\u003cbr\u003e 2020\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vEVP6MADwek\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":32808824897613,"sku":"9781606066843","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/OfftheWalls.jpg?v=1623568804"},{"product_id":"konstructor-f-diy-camera-kit","title":"Konstructor F DIY Camera Kit","description":"The Lomography Konstruktor F Do-It-Yourself 35mm Film SLR Camera Kit provides you with all of the components needed to build your own fully-functioning camera. The kit includes all of the pieces as well as instructions and a screwdriver for constructing a ready-to-use camera in about 1-2 hours. Additionally, a range of colored sticker sets are also included for customizing the appearance of your unique, hand-built camera. \u003cbr\u003e\u003cbr\u003e- Features: 50mm f\/10 fixed aperture, detachable lens, hooded waist-level viewfinder, manual exposure control and focusing, bulb setting, and multi-exposure capabilities \u003cbr\u003e- PC socket for optional external flash via a flash cable \u003cbr\u003e- 1\/4 inch-20 tripod socket \u003cbr\u003e- Sticker set for exterior customization \u003cbr\u003e- Uses 35mm film \u003cbr\u003e- Includes all components for construction, detailed instructions, and screwdriver \u003cbr\u003e- Dimensions of completed camera: 4.8 inches x 1.3 inches x 2.6 inches \u003cbr\u003e- Item #: HP150SLR","brand":"LOMOGRAPHIC SOCIETY","offers":[{"title":"Default Title","offer_id":37413713608896,"sku":"HP150SLR","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/hp150slr_KonstruktorF1_a.jpg?v=1605734630"},{"product_id":"polaroid-film-i-type-color","title":"Polaroid Film Color i-Type","description":"\u003cp\u003eA modern film for a modern instant camera. 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This little film is ready to capture big ideas in a tiny format.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNot eligible for discounts, sales, or promotions.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e - Photograph image measures 1.8 inches x 1.8 inches with classic white frame \u003cbr\u003e- Made in the Netherlands \u003cbr\u003e- 16 instant photographs per double pack \u003cbr\u003e- Development time 10 to 15 minutes \u003cbr\u003e- Item# 6017","brand":"POLAROID ORIGINALS","offers":[{"title":"Default Title","offer_id":39925802827968,"sku":"6017","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/PolaroidGoFilm_a.jpg?v=1629935396"},{"product_id":"eye-dreaming-photographs-by-anthony-barboza-978-1606067833","title":"Eye Dreaming: Photographs by Anthony Barboza","description":"\u003cp\u003e\u003cstrong\u003eAnthony Barboza, Aaron Bryant, and Mazie M. Harris, with an introduction by Hilton Als\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis richly illustrated book is the first monograph to explore the prolific career of the celebrated photographer Anthony Barboza.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eAnthony Barboza (b. 1944) is a celebrated artist and writer who has made thousands of photographs in the studio and on the street since 1963. A member of the Kamoinge collective of photographers in New York, Barboza is largely self-taught and has an inimitable, highly intuitive vision that he refers to as “eye dreaming,” or “a state of mind that’s almost like meditation.” Throughout the years he has made countless commercial images, including celebrity portraits, advertisements, and album covers. His personal photographic projects illuminate his deep investment in the art and concerns of Black communities, not only in the United States but also around the globe. \u003c\/p\u003e\n\u003cp\u003eThis lavishly illustrated volume follows Barboza’s prolific career from his youth in New Bedford, Massachusetts, to his formative years in New York in the 1960s, to the present day. An introduction by renowned author and critic Hilton Als underscores Barboza’s importance and impact. An essay by curator Aaron Bryant contextualizes Barboza’s life and career as they map against major civil rights events in the United States. In an intimate interview between the artist and curator Mazie M. Harris, Barboza offers astute, humorous, and intimate musings on his long career, foundational influences, and artistic legacy. This monograph, the first on the artist, will appeal to aficionados of photography and Black art and culture.  \u003c\/p\u003e\n\u003cp\u003eAnthony Barboza is an artist, historian, and writer. He has been making photographs in the studio and on the street since 1963. \u003cspan\u003eAaron Bryant is curator of photography and visual culture at the National Museum of African American History \u0026amp; Culture, Smithsonian Institution. \u003c\/span\u003eMazie M. Harris is assistant curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e“The book will appeal to fans of Black art and culture.”\u003cbr\u003e—Seth Chitwood, \u003cem\u003eSouthCoastTODAY\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“As the first artist to photograph Grace Jones, the mastermind behind the celebrated “Black Borders” portrait series, and the man who shot model Pat Evans with Isaac Hayes for \u003cem\u003eEssence\u003c\/em\u003e—bringing the beauty of Black bald women to the mainstream—Barboza has been an integral force in shaping the visual language of contemporary photography.”\u003cbr\u003e—Miss Rosen, \u003cem\u003eBlind Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Impressive, informative, and beautifully published monograph from the J. Paul Getty Museum.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The first monograph on this significant American photographer, thorough and handsomely designed.”\u003cbr\u003e—Michael Dashkin, \u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In this sensational collection, photographer Barboza’s body of work is celebrated in all its glory. . . . It’s a gorgeous addition to the shelf of any art book collector.”\u003cbr\u003e—\u003cem\u003ePublishers Weekly\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Tony Barboza is a genius—few photographers capture the beauty of Black women like he can.\"\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\" aria-hidden=\"true\"\u003e—Audrey Smaltz, former model, fashion columnist and entrepreneur\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Barboza’s creative talent is unmatched, as anyone fortunate enough to be part of his photo shoots will tell you. Let him take you on this journey through decades of photographs of everyday life, beauty, and culture.”\u003cbr\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e—Pat Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e “Sometimes words just didn't cut it—we needed pictures. That's where Barboza came in. Whether they be musicians, painters, poets or orators, very few have captured the essence of Blackness as Barboza has.\"\u003cbr\u003e—Ishmael Reed\u003cbr\u003e\u003cbr\u003e“Anthony Barboza’s work has a dynamic quality of motion that always captures the restless inner lives of his subjects. His images reveal their interior selves as richly as they do their exterior selves. He sees into them, and they unfold before his gaze and our eyes.”\u003cbr\u003e—Nelson George, author and filmmaker\u003cbr\u003e\u003cbr\u003e“I loved every page of this book. \u003cem\u003eEye Dreaming\u003c\/em\u003e is magical. It is a panorama of the photographer’s life in image making focusing on the beauty and trauma of Black life. The compelling text by the writers brilliantly expands the visual narratives. Barboza’s portraits of Black creatives from writers to poets, fashion models to painters, photographers to musicians portrays a fascinating history that is long overdue.  It is a must have!”\u003cbr\u003e —Deborah Willis, author of \u003cem\u003ePosing Beauty in African American Culture \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Anthony Barboza produces photographs with a curious eye, creating unique images of surreal, and quiet moments that capture the essence of his subjects. You feel Barboza’s images taking us to a higher place to experience his creativity through his camera lens.”\u003cbr\u003e—Sheila Pree Bright, photographer, artist, and author \u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n184 pages\u003cbr\u003e9 3\/4 x 12 inches\u003cbr\u003e216 color illustrations\u003cbr\u003e ISBN 978-1-60606-783-3\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e 2022","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41816998904000,"sku":"9781606067833","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/EyeDreaming.jpg?v=1664404492"},{"product_id":"magnet-man-ray-larmes-tears","title":"Magnet - Man Ray Larmes (Tears)","description":"Magnet featuring Man Ray's Larmes (Tears) photograph. \u003cbr\u003e\u003cbr\u003e - Dimensions: 2.5 inches x 3.5 inches \u003cbr\u003e - Materials: Vinyl \u003cbr\u003e - Made in USA \u003cbr\u003e - Item #: MAG126 \u003cbr\u003e\u003cbr\u003eJudging from his inclusion of this image in other photographic compositions, Man Ray must have considered Tears one of his most successful photographs. A cropped version of it with a single eye also appears as the first plate in a 1934 book of his photographs.\u003cbr\u003e\u003cbr\u003e Like the emotive expression of a silent screen star in a film still, the woman's plaintive upward glance and mascara-encrusted lashes seem intended to invoke wonder at the cause of her distress. The face belongs to a fashion model who cries tears of glistening, round glass beads; the effect is to aestheticize the sentiment her tears would normally express. Man Ray made this photograph in Paris around the time of his breakup with his lover Lee Miller, and the woman's false tears may relate to that event in the artist's life.\u003cbr\u003e\u003cbr\u003e Man Ray (American, 1890-1976)\u003cbr\u003e Larmes (Tears), about 1932 \u003cbr\u003e Gelatin silver print, 22.9 × 22.8 cm (9 in x 11 3\/4 inches).\u003cbr\u003e 84.XM.230.2 \u003cbr\u003e Image © Man Ray Trust ARS-ADAGP.\u003cbr\u003e Magnet © 2022 J. Paul Getty Trust. ","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41937513152704,"sku":"MAG126","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/MAG126.jpg?v=1649455077"},{"product_id":"the-absolute-realist-collected-writings-of-albert-renger-patzsch-1923-1967-978-1606067802","title":"The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967","description":"\u003cstrong\u003eAlbert Renger-Patzsch\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEdited and translated by Daniel H. Magilow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch’s collected writings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA towering figure in the history of photography, Albert Renger-Patzsch (1897–1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany’s Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch’s photographs embody what his peer Hugo Sieker termed “absolute realism,” an approach predicated upon the idea that photographers have one task: to exploit the camera’s unique capacity to document with uncompromising detail.\u003cbr\u003e\u003cbr\u003eNot only a photographer, Renger-Patzsch was also an influential and lucid writer who advocated his unique brand of uncompromising realism in almost a half century’s worth of articles, essays, lectures, brochures, and unpublished manuscripts addressing photography, technology, and modernity. Drawing on his papers at the Getty Research Institute and other archives, The Absolute Realist unites in one volume this skillful photographer’s ideas about the defining visual medium of modernity.  \u003cbr\u003e\u003cbr\u003eDaniel H. Magilow is professor of German at the University of Tennessee, Knoxville. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“For photography lovers as well as researchers, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923–1967\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, edited and translated by Daniel H. Magilow, is undoubtedly a valuable addition to the bookshelf. Magilow’s sensitive translation and knowledgeable scholarly introduction allow rare insight into the German photographer‘s work and thought during the explosive period of National Socialism, and ultimately make for an exceptionally exciting read. Highly recommended.”\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGabriele Conrath-Scholl, Director, Die Photographische Sammlung\/SK Stiftung Kultur, Cologne \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“As the first complete collection of Albert Renger-Patzsch’s writings, \u003ci\u003eThe Absolute Realist\u003c\/i\u003e brings one of the twentieth century’s most significant photographers into focus as a writer and theorist. Gorgeously illustrated with Renger-Patzsch’s photographs—which are by turns hauntingly beautiful, sublime, and downright funny—Daniel H. Magilow’s crisp translations and insightful commentary shed new light on Renger-Patzsch’s life and work during Germany’s most tumultuous decades.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Elizabeth Otto, Professor of Art History, University at Buffalo (SUNY)\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Daniel H. Magilow brings both a wealth of knowledge and precision to \u003ci\u003eThe Absolute Realist\u003c\/i\u003e—qualities that Albert Renger-Patzsch himself prized. In addition to his astute translations, Magilow offers a fresh and nuanced reading of the photographer’s most prominent years. He underscores the tension between consistency and breadth across almost a half century of thought in ways that make this collection of the German modernist’s writings especially relevant for readers today.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Matthew S. Witkovsky, Richard and Ellen Sandor Chair and Curator of Photography and Media Vice President for Strategic Art Initiatives, Art Institute of Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Albert Renger-Patzsch has long been known as a giant of early twentieth-century photography. Thanks to Daniel Magilow's deft editing and translations, an English-speaking public can now learn what a savvy critic and theorist of photography he was as well.” \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Pepper Stetler, author of \u003ci\u003eStop Reading! Look!: Modern Vision and the Weimar Photographic Book\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Daniel H. Magilow’s careful translation and thorough annotation of Albert Renger-Patzsch’s writings offer an invaluable invitation: For the very first time, we can discover one of the most influential photographers of the modern era as an eminent theorist and attentive critic. This excellent edition will undoubtedly advance our interest in a period when the art of photography became not just a subject for professionals but an affair for countless amateurs.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—Steffen Siegel, editor of \u003c\/span\u003e\u003ca title=\"First Exposures: Writings from the Beginning of Photography\" href=\"https:\/\/shop.getty.edu\/products\/first-exposures-writings-from-the-beginning-of-photography-978-1606065242\" target=\"_blank\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFirst Exposures: Writings from the Beginning of Photography\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\n340 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e76 b\/w illustrations\u003cbr\u003e ISBN 978-1-60606-780-2 \u003cbr\u003epaperback \u003cbr\u003e\u003cbr\u003e Getty Publications  \u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e 2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":42920850948288,"sku":"9781606067802","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606067802.jpg?v=1657662871"},{"product_id":"actionsampler-camera","title":"ActionSampler Clear Camera","description":"\u003cp\u003eSnap not one, not two, not three but FOUR sequential images on one frame with this miniature 35 mm camera. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCalling all action-addicted, analogue adventurers!\u003c\/li\u003e\n\u003cli\u003eFour times the fun in every frame\u003c\/li\u003e\n\u003cli\u003eFour single element sequentially operated lenses\u003c\/li\u003e\n\u003cli\u003eFixed aperture, shutter-speed \u0026amp; focal length\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003e- Film Format: 35 mm \u003cbr\u003e- Focal Length: 4 x 26 mm\u003cbr\u003e- Available Apertures: f8 Package \u003cbr\u003e\u003cbr\u003e\u003cb\u003eContents:\u003c\/b\u003e\u003cbr\u003e- ActionSampler Clear Camera\u003cbr\u003e- Handstrap \u003cbr\u003e- Instruction Manual\u003cbr\u003e\u003cbr\u003e- Dimensions 5 x 2 x 2 inches\u003cbr\u003e- Item# ASP200\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNot eligible for discounts, sales, or promotions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"LOMOGRAPHIC SOCIETY","offers":[{"title":"Default Title","offer_id":43200774930624,"sku":"ASP200","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/ASP200actionsampler_front_a.jpg?v=1760736864"},{"product_id":"rediscovering-black-portraiture-978-1606068168","title":"Rediscovering Black Portraiture","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePeter Brathwaite, with contributions by Cheryl Finley, Temi Odumosu, and Mark Sealy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoin Peter Brathwaite on an extraordinary journey through representations of Black subjects in Western art, from medieval Europe through the present day.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“These mirror images with their uncanny resemblances traverse space and time, spotlighting the black lives that have been silenced by the canon of western art, while also inviting us to interrogate the present.” \u003cbr\u003e—\u003cem\u003eTimes\u003c\/em\u003e (UK)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince the beginning of the COVID-19 pandemic, Peter Brathwaite has thoughtfully researched and reimagined more than one hundred artworks featuring portraits of Black sitters—all posted to social media with the caption “Rediscovering #blackportraiture through #gettymuseumchallenge.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRediscovering Black Portraiture\u003c\/em\u003e collects more than fifty of Brathwaite’s most intriguing re-creations. Introduced by the author and framed by contributions from experts in art history and visual culture, this fascinating book offers a nuanced look at the complexities and challenges of building identity within the African diaspora and how such forces have informed Black portraits over time. Artworks featured include \u003cem data-mce-fragment=\"1\"\u003eThe Adoration of the Magi\u003c\/em\u003e by Georges Trubert, \u003cem data-mce-fragment=\"1\"\u003ePortrait of an Unknown Man\u003c\/em\u003e by Jan Mostaert, \u003cem data-mce-fragment=\"1\"\u003eRice n Peas\u003c\/em\u003e by Sonia Boyce, \u003cem data-mce-fragment=\"1\"\u003eBarack Obama\u003c\/em\u003e by Kehinde Wiley, and many more. This volume also invites readers behind the scenes, offering a glimpse of the elegant artifice of Brathwaite’s props, setup, and process. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn urgent and compelling exploration of embodiment, representation, and agency, \u003cem data-mce-fragment=\"1\"\u003eRediscovering Black Portraiture\u003c\/em\u003e serves to remind us that Black subjects have been portrayed in art for nearly a millennium and that their stories demand to be told.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAn exhibition of Brathwaite’s re-creations is on view at the Bristol Museum \u0026amp; Art Gallery in Bristol, UK from April 14 to September 3, 2023.\u003c\/p\u003e\n\u003cp\u003ePeter Brathwaite is an acclaimed baritone who performs in operas and concerts throughout Europe. He is a presenter on BBC Radio 3 and has been shortlisted for a Royal Philharmonic Society Award. Cheryl Finley is inaugural distinguished visiting director of the Atlanta University Center Art History and Curatorial Studies Collective and the author of \u003cem\u003eCommitted to Memory: The Art of the Slave Ship Icon\u003c\/em\u003e (2018). Temi Odumosu is an art historian, curator, and assistant professor at University of Washington Information School and the author of \u003cem\u003eAfricans in English Caricature 1769–1819: Black Jokes, White Humour\u003c\/em\u003e (2017). Mark Sealy is director of Autograph and professor of photography, race, and human rights at University of the Arts London. His numerous publications include \u003cem\u003eDifferen\u003c\/em\u003et (2001), coauthored with Stuart Hall; \u003cem\u003eDecolonising the Camera: Photography in Racial Time\u003c\/em\u003e (2019); and \u003cem\u003ePhotography: Race, Rights, and Representation\u003c\/em\u003e (2022).\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e“[This] book represents a powerful engagement with the critical issue of race in the history of western art and how modern black spectators can find themselves, so to speak, within the visual dimension both past and present. The photographic quality is first-rate.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e—Albrecht Classen, \u003ci\u003eMediaevistik\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp\u003e“Ingenious recreations of artworks featuring Black sitters from throughout art history.”\u003cbr\u003e—\u003cem\u003eV\u0026amp;A Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This publication will captivate readers and inspire meaningful dialogue about the transformative potential of art in shaping our understanding of the world.”\u003cbr\u003e—\u003cem\u003eARLIS\/NA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eRediscovering Black Portraiture\u003c\/em\u003e is a delight to browse through and instructively thought-provoking for readers with an interest in Black Pop Culture Artwork and Photography.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Peter Brathwaite’s oeuvre defies neat categorization: Is it art, performance, autobiography, or art historical essay? He has blended these modes to make work that is joyful, original, and poignant. It is important and timely. To restage Black portraiture, from the Domesday Book to Kehinde Wiley, Brathwaite gets inside the lives and worlds of each sitter and brilliantly rediscovers, reclaims, and re-presents Black (art) history for modern audiences. His empathetic performances give agency to the people portrayed and breathe warmth and life into what was previously frozen; he reminds us that Black historical lives matter too.”\u003cbr\u003e—Lucy Peltz, Head of Collections Displays (Tudor to Regency) and Senior Curator, 18th Century Collections, National Portrait Gallery\u003c\/p\u003e\n\u003cp\u003e“A truly compelling visual feast that reanimates the archives of Black portraiture in the present. Brathwaite brings lost souls back into view in a meditation on Black presence within art’s histories. Accompanied by a moving commentary on his own experiences as what he terms ‘a rare breed’ of Black British opera singer encountering career-long racism, Brathwaite retells narratives of Black historical subjects in order to return dignity and agency to their otherwise so-often ‘submerged lives’.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eEssays from renowned scholars Cheryl Finley, Temi Odumosu and Mark Sealy amplify \u003c\/span\u003eBrathwaite’s sensitive and poetic narrative account, as well as the extraordinarily vibrant and ambitious photographic reconstructions of historic artworks reproduced here in glorious colour. This is one of the most moving and joyous aesthetic legacies of Covid times and a triumph of creative endeavour.”\u003cbr\u003e—Professor Dorothy Price FBA, Professor of Modern and Contemporary Art and Critical Race Art History, Courtauld Institute of Art\u003c\/p\u003e\n\u003cp\u003e“Brathwaite brings a novel innovative way into considering the Black presence in art, creating another dimension to consider and reflect on the original work, helping us not just to engage more deeply with the composition and its subject but bringing the Black presence to life, re-creating it for us today in a thoroughly modern and highly relevant manner—an exciting Black visual tour de force!”\u003cbr\u003e—Michael I. Ohajuru FRSA\u003c\/p\u003e\n\u003cp\u003e“Ever since I first stumbled across Peter’s portraits on Twitter, I’ve been captivated by his sharp wit, innovative costuming, rich range of visual reference, and the sheer joy of each image. This is a book that will enchant and intrigue and educate. I’m thrilled by the beauty and fun and history on every page.”\u003cbr\u003e—Samira Ahmed, BBC broadcaster  \u003c\/p\u003e\n\u003cp\u003e“This highly entertaining book is a breathtaking visual explosion in which Brathwaite reimagines a wide variety of portraits of Black people in a stunningly creative way. This brilliant concept is not only an original visual treat but also an important historical work that focuses on Black portraiture across the centuries.”\u003cbr\u003e—Baroness Floella Benjamin DBE, actress, presenter, broadcaster, and parliamentarian\u003c\/p\u003e\n\u003cp\u003e168 pages\u003cbr\u003e7 1\/2 x 9 3\/8 inches\u003cbr\u003e155 color illustrations\u003cbr\u003eISBN 978-1-60606-816-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Publications\u003cbr\u003e\u003cbr\u003e2023\u003ciframe height=\"640\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/810336961?h=bbaef71d4b\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/810336961\"\u003eRediscovering Black Portraiture Promo video_v2\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user118884156\"\u003eGetty Publications\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43308725633216,"sku":"9781606068168","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606068168RediscoveringBlackPortraiture.jpg?v=1681854396"},{"product_id":"rodney-smith-a-leap-of-faith-978-1606068465","title":"Rodney Smith: A Leap of Faith","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003ePaul Martineau, with contributions by Rebecca A. Senf and Leslie Smolan, and an introduction by Graydon Carter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElegant, charming, and stunningly beautiful, Rodney Smith’s fashion photography is a delightful revelation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I would hope that I am one of a kind.” \u003cbr data-mce-fragment=\"1\"\u003e —Rodney Smith\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMystery and manners, romance and fun—the sophisticated compositions and stylish characters in the extraordinary pictures of fashion photographer Rodney Smith (1947–2016) exist in a timeless world of his imagination. Born in New York City, Smith started out as a photo-essayist, turned to portrait photography, and found his niche, and greatest success, in fashion photography. Inspired by W. Eugene Smith, taught by Walker Evans, and devoted to the techniques of Ansel Adams, Smith was driven by the dual ideals of technical mastery and pure beauty. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis lavish volume features nearly two hundred reproductions of Smith’s images—many that have never before been published—and weaves together a biocritical essay by Getty Museum curator Paul Martineau and a technical assessment of Smith’s production by the Center for Creative Photography’s chief curator, Rebecca A. Senf. It maps Smith’s creative trajectory—including his introduction to photography, early personal projects, teaching, commissioned pieces, and career in fashion—and provides insight into his personal life and character, contextualizing his work and creative tendencies within his privileged but lonely upbringing and complex emotional and psychological makeup. \u003cem data-mce-fragment=\"1\"\u003eRodney Smith\u003c\/em\u003e is the definitive record of the life’s work and worldview of a truly original artist.\u003c\/p\u003e\n\u003cp\u003ePaul Martineau is curator in the Department of Photographs at the J. Paul Getty Museum. Rebecca A. Senf\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e is chief curator at the Center for Creative Photography, University of Arizona. Leslie Smolan\u003c\/span\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e is the executive director of the estate of Rodney Smith and former principal of Carbone Smolan, a design firm in New York, New York\u003c\/span\u003e. Graydon Carter\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e, a cofounder of \u003cem\u003eSpy\u003c\/em\u003e magazine and the founder of \u003cem\u003eAir Mail\u003c\/em\u003e, was the editor of \u003cem\u003eVanity Fair\u003c\/em\u003e for twenty-five years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Quietly stunning new book from Getty Publications.”\u003cbr\u003e—Max Hirshfeld, \u003cem\u003eBlind Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A deeply personal and definitive record of Smith’s life’s work.”\u003cbr\u003e—Irene Rawlings, \u003cem\u003eMountain Living\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This title is the definitive record of the life’s work of this truly original artist and educator.”\u003cbr\u003e—\u003cem\u003eThe Eye of Photography\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A radiant retrospective of his work.”\u003cbr\u003e—Elin Spring, \u003cem\u003eWhat Will You Remember?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e details the photographer’s trajectory, which took him from street photography to corporate photography to the fashion imagery that he’s most well-known for.”\u003cbr\u003e\u003c\/span\u003e—Jessica Stewart, \u003cspan\u003e\u003cem\u003eLaptrinhX\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“This book is a lovely homage to the memory of a brilliant and sensitive photographer.”\u003cbr\u003e—Bondo Wyszpolski, \u003cem\u003eEasy Reader News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Rodney’s images are at once timeless and startlingly fresh.”\u003cbr\u003e—Graydon Carter with Nathan King, \u003cem\u003eAIR MAIL\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e is a celebration of the late photographer’s life and career.”\u003cbr\u003e\u003c\/span\u003e—Hannah Rooke, \u003cspan\u003e\u003cem\u003eNewsBreak\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The book is a well-rounded look at Smith's creative and technical genius.”\u003cbr\u003e—Jessica Stewart, \u003cem\u003eMy Modern Met\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Rodney Smith’s lifework stands out for its expression of joy, humor, and wistfulness, and it serves as a reminder of the ways in which both fashion photography and fashion itself are in dialogue with art historical discourses. This comprehensive survey of Smith’s career illuminates not only how his playful embrace of experimentation and extraordinary technical mastery of photography resulted in imaginative, timeless images but also how these images broaden our understanding of fashion photography as a collaborative and expressive art form.”\u003cbr\u003e—Michal Raz-Russo\u003c\/p\u003e\n\u003cp\u003e“The project and the Getty acquisition trace a creative trajectory that has made fantasy and elegance a true photographic strand.”\u003cbr\u003e—Tommaso Berra, \u003cem\u003eCollater.al\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e\u003c\/span\u003e\u003cspan\u003e“Prominent fashion photographer Rodney Smith's (1947-2016) imaginative and whimsical images from a forty-five-year career are thoughtfully curated into \u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e. This title is the definitive record of the life's work of this truly original artist and educator.”\u003cbr\u003e\u003c\/span\u003e—\u003cem\u003eAllAboutPhoto.com\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“I’ve been a fan of Rodney Smith’s work for years. With his ability to find something interesting in the ordinary, Smith’s new book is a delightful romp through a world where the mundane becomes magical, the impossible becomes possible and the absurd becomes normal. I appreciate Smith’s simplicity and instinct for beauty, coupled with a dash of surrealism and humor. If you’re looking for a book of photos that will make you see the world in a new light, look no further.”\u003cbr\u003e—Elliott Erwitt, photographer\u003c\/p\u003e\n\u003cp\u003e248 pages\u003cbr\u003e9 1\/2 x 11 1\/2 inches\u003cbr\u003e224 color illustrations\u003cbr\u003eISBN 978-1-60606-846-5\u003cbr\u003ehardcover\u003c\/p\u003e\nGetty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e 2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43308783108288,"sku":"9781606068465","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606068465.jpg?v=1669078969"},{"product_id":"dawoud-bey-carrie-mae-weems-in-dialogue","title":"Dawoud Bey \u0026 Carrie Mae Weems: In Dialogue","description":"\u003cb\u003eEdited by Ron Platt. Introduction by Dana Friis-Hansen. Text by Kinshasha Holman Conwill, Dawoud Bey, Carrie Mae Weems\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and power.\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.\u003cbr\u003e\u003cbr\u003e Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. \u003ci\u003eDawoud Bey \u0026amp; Carrie Mae Weems: In Dialogue\u003c\/i\u003e brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles. \u003cbr\u003e\u003cbr\u003ePhotographer \u003cb\u003eDawoud Bey\u003c\/b\u003e (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in \u003ci\u003eDawoud Bey: Seeing Deeply\u003c\/i\u003e and \u003ci\u003eDawoud Bey on Photographing People and Communities\u003c\/i\u003e. He is a professor of art and Distinguished College Artist at Columbia College Chicago. \u003cbr\u003e\u003cbr\u003eFamed for her \u003ci\u003eKitchen Table Series\u003c\/i\u003e, among other works, \u003cb\u003eCarrie Mae Weems\u003c\/b\u003e (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome. \u003cbr\u003e\u003cbr\u003eThe exhibition \u003ci\u003eDawoud Bey \u0026amp; Carrie Mae Weems: In Dialogue\u003c\/i\u003e will be on view at the J. Paul Getty Museum at the Getty Center from April 4, 2023 to July 9, 2023.\u003cbr\u003e\u003cbr\u003e - Dawoud Bey and Carrie Mae Weems\u003cbr\u003e - 176 pages \u003cbr\u003e- 9.8 inches W x 11 inches L \u003cbr\u003e- Hardcover\u003cbr\u003e - DelMonico Books\/Grand Rapids Art Museum \u003cbr\u003e- 2022 \u003cbr\u003e- Photography \u003cbr\u003e- Item #: 978-1636810454","brand":"ARTBOOK \/ DAP","offers":[{"title":"Default Title","offer_id":43484377415872,"sku":"9781636810454","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1636810454_a.jpg?v=1677277612"},{"product_id":"mar-a-magdalena-campos-pons-behold-978-1606068588","title":"María Magdalena Campos-Pons: Behold","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by Carmen Hermo, with contributions by Mazie M. Harris, Jenée-Daria Strand, Phillip Townsend, Selene Wendt, and an introduction by Amalia Mesa-Bains\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis vibrantly illustrated survey of the career of contemporary artist María Magdalena Campos-Pons delves into her diverse oeuvre of painting, drawing, photography, sculpture, film, and performance.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e María Magdalena Campos-Pons (b. 1959) makes powerful work that holds and beholds the stories of historically silenced peoples and urges societal change. Her journey as an artist, teacher, and activist has taken her from Cuba through the United States, and her autobiographical compositions honor her Nigerian and Chinese ancestors while also facing the future. With an artistic practice that crosses boundaries, intertwines media—from photography to sculpture, film to performance—and references traditions and beliefs ranging from feminism to Santería, Campos-Pons’s work is deeply layered and complex.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e This volume, the first critical look at the artist’s oeuvre in nearly two decades, surveys the concerns, materials, and places invoked throughout her forty-year career. Thoughtful essays explore her vibrant, arresting artwork, which confronts issues of agency and the construction of race and belonging and challenges us to reckon with these issues in our own lives.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e This volume, copublished with the Brooklyn Museum, accompanies an exhibition on view at the Brooklyn Museum from September 15, 2023, to January 14, 2024, the Nasher Museum of Art at Duke University from February 15 to June 9, 2024, the Frist Art Museum from September 27, 2024, to January 5, 2025, and the J. Paul Getty Museum at the Getty Center from February 11 to May 4, 2025. \u003c\/p\u003e\n\u003cp\u003eCarmen Hermo is associate curator at the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.\u003c\/p\u003e\n\u003cp\u003e“A singular informative, visually stellar, memorably impressive, and unreservedly recommended addition to personal, professional, community, college, and university librar[ies].”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e216 pages\u003cbr\u003e9 x 10 1\/2 inches\u003cbr\u003e193 color and 1 b\/w illustrations\u003cbr\u003e ISBN 978-1-60606-858-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum + Brooklyn Museum\u003cbr\u003e\u003cbr\u003e 2023\u003c\/p\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/863790321?h=80ab8b4bfc\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/863790321\"\u003eMaria Magdalena Campos-Pons: Behold Book Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user118884156\"\u003eGetty Publications\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667274793152,"sku":"9781606068588","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068588.jpg?v=1684955960"},{"product_id":"arthur-tress-rambles-dreams-and-shadows-978-1606068618","title":"Arthur Tress: Rambles, Dreams, and Shadows","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by James A. Ganz, with contributions by Mazie M. Harris and Paul Martineau\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, \u003cem\u003eThe Dream Collector\u003c\/em\u003e, depicts Tress’s interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis volume presents the first critical look at Tress’s early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: \u003cem\u003eAppalachia: People and Places\u003c\/em\u003e; \u003cem\u003eOpen Space in the Inner City\u003c\/em\u003e; \u003cem\u003eShadow\u003c\/em\u003e; and \u003cem\u003eTheater of the Mind\u003c\/em\u003e. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress’s work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of “imaginative fiction.” This abundantly illustrated volume imparts a fuller understanding of Tress’s career and the New York photographic scene of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 31, 2023, to February 18, 2024.\u003c\/p\u003e\n\u003cp\u003eJames A. Ganz is senior curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e\"Some of the most interesting material in the Getty catalogue comes from the decade before Tress made his name in the 1970s. He travelled widely in the sixties and his work of that period was straightforwardly documentary; his greatest hero was Cartier-Bresson and he regularly submitted work to Magnum. In 1968, he made a powerful set of pictures of the rural poor in Appalachia, which sit between the work made by Doris Ullman in the 1930s and Shelby Lee Adams in the 1990s.\"\u003cbr\u003e—Ian Walker, \u003cem\u003eSource\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“All in all, this photobook allows readers and viewers multiple leisurely excursions into the fascinating world of Arthur Tress, as we follow him from his own brand of realism all the way to a surrealistic world that stimulates our imagination.”\u003cbr\u003e—Gerhard Clausing, \u003cem\u003ePhotoBook Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This is a great introduction to Tress’s work, accompanied by accessible texts that highlight the key themes of the images.”\u003cbr\u003e—Colin Pantall, \u003cem\u003ePhMuseum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“From poignant studies of the country’s Appalachian communities to the urban wreckages and disused spaces of New York, the publication reveals the emergence of Tress’s unique visual language, culminating in the dreamscapes and Surrealistic portraits of \u003cem\u003eThe Dream Collector\u003c\/em\u003e (1972) and \u003cem\u003eTheater of the Mind\u003c\/em\u003e (1976), two early landmark series.”\u003cbr\u003e—Rowland Bagnall, \u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Along with several others of his cohort, Arthur Tress spearheaded the resurgence of the directorial mode in the 1970s, as well as his generation's engagement with previously taboo subject matter. With his unique blend of documentary and surrealist approaches, he has made a major contribution to his medium.\"\u003cbr\u003e—A. D. Coleman, photography critic and historian\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e264 pages\u003cbr\u003e9 1\/2 x 11 inches\u003cbr\u003e17 color and 198 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-861-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum \u003cbr\u003e\u003cbr\u003e2023\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667288490176,"sku":"9781606068618","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068618.jpg?v=1684956660"},{"product_id":"uta-barth-peripheral-vision-978-1606068052","title":"Uta Barth: Peripheral Vision","description":"\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by Arpad Kovacs, with contributions by Lucy Gallun and Jeremy Gilbert-Rolfe \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis retrospective of the photographer Uta Barth traces her use of the camera to explore both how and what we see.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLos Angeles–based contemporary artist Uta Barth (b. 1958) has spent her decades-long career exploring the complexities and limits of human and mechanical vision. At first, her photographs appear to be deceptively simple depictions of everyday objects—light filtering through a window, tree branches bereft of leaves, a sparsely appointed domestic interior—but these images, visually spare yet conceptually rigorous, emerge from her investigation of sight, perception, light, and time. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this richly illustrated monograph, curator Arpad Kovacs and contributors Lucy Gallun and Jeremy Gilbert-Rolfe chart Barth’s career path and discuss her most significant series, revealing how she has rejected the primacy of a traditional photographic subject and instead called attention to what is on the periphery. The book includes previously unpublished bodies of work made early in her career that add much to our understanding of this important artist. Also included is Barth’s most recent work, ...\u003cem data-mce-fragment=\"1\"\u003efrom dawn to dusk\u003c\/em\u003e, an ambitious commission marking the twenty-fifth anniversary of the Getty Center. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArpad Kovacs is assistant curator in the Department of Photographs at the J. Paul Getty Museum.  \u003c\/p\u003e\n\u003cp\u003e“Both playful and thoughtful, \u003cem\u003ePeripheral Vision\u003c\/em\u003e is a fine introduction to an artist’s oeuvre.”\u003cbr\u003e—Ho Lin, \u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/p\u003e\n242 pages\u003cbr\u003e10 x 11 inches\u003cbr\u003e332 color illustrations, 9 gatefolds\u003cbr\u003eISBN 978-1-60606-805-2\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2024","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667294453952,"sku":"9781606068052","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068052.jpg?v=1684956960"},{"product_id":"52-assignments-iphone-photography","title":"52 Assignments: iPhone Photography","description":"This book is a mission brief, a portfolio of photographic workshops, a personalized journal and an inspirational guide to putting the creativity back into your craft. It is filled with a year’s worth of weekly commissions and concepts for conceiving and composing powerful iPhone photographs. From capturing the night sky, reflections and silhouettes to shooting street festivals, newborns and skyscrapers, all the assignments in this book have been written to inspire you to embrace the possibilities of your phone. \u003cbr\u003e\u003cbr\u003eWhether you are photographing natural elements or urban landscapes, each assignment encourages you to capture the world around you without the aid of a range of lenses and other kit, just your iPhone. Full of technical advice and professional tips, the book includes journal space for you to add your own notes, lists and tech specs, creating a unique journal in which you can record the journey you have made with your imagery. Complete the assignments weekend by weekend over the course of a year, or dip in every time you need to bring a new concept or creative approach to your iPhone photography. \u003cbr\u003e\u003cbr\u003e- Jack Hollingsworth \u003cbr\u003e- 128 pages\u003cbr\u003e - 7.2 inches W x 8.5 inches L \u003cbr\u003e- Hardcover\u003cbr\u003e - Ammonite Press \u003cbr\u003e- 2023 \u003cbr\u003e- Photography \u003cbr\u003e- Item #: 978-1781454770","brand":"INGRAM PUBLISHERS SERVICES","offers":[{"title":"Default Title","offer_id":43859409699008,"sku":"9781781454770","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/978-1781454770_a.jpg?v=1696006385"},{"product_id":"arthur-tress-rambles-dreams-and-shadows-exhibition-poster","title":"Arthur Tress: Rambles, Dreams, and Shadows Exhibition Poster","description":"Poster reproduction of the Arthur Tress photograph, \u003cem\u003eFlood Dream, Ocean City, Maryland \u003c\/em\u003efeatured in the exhibition \u003cem\u003eArthur Tress: Rambles, Dreams, and Shadows\u003c\/em\u003e on view at the Getty Center for Photographs October 31, 2023 to February 18, 2024\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e- Dimensions: 22 x 28 inches\u003cbr\u003e- Materials: Lithograph \u003cbr\u003e- Printed in Los Angeles\u003cbr\u003e- Item #: TRPOS\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \n\u003cp\u003eArthur Tress (American, born 1940) was a trailblazer in the field of staged photography, directing his subjects in fictional and often surreal scenes. Born in Brooklyn, New York, he began his career as a social documentary photographer in the late 1960s, focusing his lens on the people of New York and the Appalachian region of the eastern United States. Initially concerned with such societal issues as poverty, pollution, and the lack of open space for urban recreation, by the mid-1970s he began channeling his creative energy into more personal artistic projects that delved into his imagination, dreams, and his own queer identity.\u003c\/p\u003e\nArthur Tress (American, born 1940)\u003cbr\u003e \u003cem\u003eFlood Dream, Ocean City, Maryland, \u003c\/em\u003e1971, print later Gelatin silver print, image: 18.9 x 18.9 cm (7 7⁄16 x 7 7⁄16 in.)\u003cbr\u003e J. Paul Getty Museum, 2013.68.17\u003cbr\u003e © Arthur Tress Archive LLC\u003cbr\u003e \u003cem\u003ePoster © 2023 J. Paul Getty Trust.\u003c\/em\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44157219307712,"sku":"TRPOS","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TRPOS_R_a.jpg?v=1701130262"},{"product_id":"hockney-pearblossom-hwy-11-18th-april-1986-2-poster","title":"David Hockney Pearblossom Hwy., 11-18th April 1986, #2 Poster","description":"Poster of David Hockney's \u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e- Dimensions: 36 in. L x 27 in. W\u003cbr\u003e- Posters are rolled and tubed for shipping\u003cbr\u003e - FSC certified paper\u003cbr\u003e- Item #: HOCKPO4\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003ePearblossom Highway\u003c\/i\u003e shows a crossroads in a very wide open space, which you only get a sense of in the western United States. . . . [The] picture was not just about a crossroads, but about us driving around. I'd had three days of driving and being the passenger. The driver and the passenger see the road in different ways. When you drive you read all the road signs, but when you're the passenger, you don't, you can decide to look where you want. And the picture dealt with that: on the right-hand side of the road it's as if you're the driver, reading traffic signs to tell you what to do and so on, and on the left-hand side it's as if you're a passenger going along the road more slowly, looking all around. So the picture is about driving without the car being in it.\"\u003cbr\u003e\u003cbr\u003eThus David Hockney described the circumstances leading to the creation of this photocollage of the scenic Pearblossom Highway north of Los Angeles. His detailed collage reveals the more mundane observations of a road trip. The littered cans and bottles and the meandering line where the pavement ends and the sand begins point to the interruption of the desert landscape by the roads cutting through it and the imprint of careless travelers. \u003cbr\u003e\u003cbr\u003eDavid Hockney (English, born 1937)\u003cbr\u003e\u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e\u003cbr\u003ePhotographic collage of chromogenic prints\u003cbr\u003e198 x 282 cm (78 x 11in.)\u003cbr\u003eJ. Paul Getty Museum, 97.XM.39\u003cbr\u003e Photograph © 1986 David Hockney\u003cbr\u003ePoster text and design © 2023 J. Paul Getty Trust","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44275158352064,"sku":"HOCKPO4","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/HOCKPO4_a.jpg?v=1701896601"},{"product_id":"sun-print-kit","title":"Sun Print Kit","description":"\u003cdiv data-mce-fragment=\"1\"\u003eOriginally developed by educators at the Lawrence Hall of Science on the UC Berkeley campus. Sunprints encourage an interest in the photographic process by using only the sun, water, and a bit of imagination. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eEasy to use. Just place a fern, flower, or any interesting object on the cyanotype Sunprint Solar Paper, exposing it to the sun. Save the print by soaking it in water and then drying it. \u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e- Contains 12 4 x 4 inches sheets and 1 acrylic overlay\u003cbr\u003e- Ages 6+\u003cbr\u003e- Item: #: W110\u003c\/p\u003e","brand":"DISCOVERY CORNER","offers":[{"title":"Default Title","offer_id":44362306486464,"sku":"W110","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/W110Sunprintkit_A.jpg?v=1704837554"},{"product_id":"limited-edition-arthur-tress-rambles-dreams-and-shadows-exhibition-poster","title":"Limited Edition Arthur Tress: Rambles, Dreams, and Shadows Signed Exhibition Poster","description":"\u003cp\u003eLimited to 100 units, this artist signed and numbered poster of the Arthur Tress' photograph, \u003cem\u003eFlood Dream, Ocean City, Maryland \u003c\/em\u003efeatured in the exhibition \u003ca title=\"Arthur Tress: Rambles, Dreams, and Shadows Exhibition Page\" href=\"https:\/\/www.getty.edu\/art\/exhibitions\/tress\/\" target=\"_blank\"\u003e\u003cem\u003eArthur Tress: Rambles, Dreams, and Shadows\u003c\/em\u003e\u003c\/a\u003e on view at the Getty Center for Photographs October 31, 2023 to February 18, 2024.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e- Dimensions: 22 x 28 inches\u003cbr\u003e- Materials: Textured 80# \/ 118 gsm acid free FSC certified premium paper with archival pigments. \u003cbr\u003e- Printed in Los Angeles\u003c\/div\u003e\n\u003cdiv\u003e- Individually signed and numbered by Arthur Tress\u003c\/div\u003e\n\u003cdiv\u003e- Limited edition of 100 units \u003cbr\u003e- Item #: TRPOG\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eAll sales are final.\u003cbr\u003e\u003cbr\u003eThis item qualifies for Oversized Shipping and is not eligible for Free Shipping promotions. Please note that specific number requests cannot be accommodated. \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003eArthur Tress (American, born 1940) was a trailblazer in the field of staged photography, directing his subjects in fictional and often surreal scenes. Born in Brooklyn, New York, he began his career as a social documentary photographer in the late 1960s, focusing his lens on the people of New York and the Appalachian region of the eastern United States. Initially concerned with such societal issues as poverty, pollution, and the lack of open space for urban recreation, by the mid-1970s he began channeling his creative energy into more personal artistic projects that delved into his imagination, dreams, and his own queer identity.\u003c\/p\u003e\nArthur Tress (American, born 1940)\u003cbr\u003e\u003cem\u003eFlood Dream, Ocean City, Maryland, \u003c\/em\u003e1971, print later Gelatin silver print, image: 18.9 x 18.9 cm (7 7⁄16 x 7 7⁄16 in.)\u003cbr\u003eJ. Paul Getty Museum, 2013.68.17\u003cbr\u003e© Arthur Tress Archive LLC\u003cbr\u003e\u003cem\u003ePoster © 2023 J. Paul Getty Trust.\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44454330171584,"sku":"TRPOG","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TRPOG_a.jpg?v=1706123850"},{"product_id":"super-sunprint-kit","title":"Super Sunprint Kit","description":"\u003cdiv\u003e\n\u003cdiv\u003eOriginally developed by educators at the Lawrence Hall of Science on the UC Berkeley campus. Sunprints encourage an interest in the photographic process by using only the sun, water, and a bit of imagination. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEasy to use. Just place a fern, flower, or any interesting object on the cyanotype SunPrint Solar Paper, exposing it to the sun. Save the print by soaking it in water and then drying it. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e- Contains 15 8 x 12 inch sheets and one acrylic overlay\u003cbr\u003e- Ages 6+\u003cbr\u003e- Item: #W330\u003c\/div\u003e","brand":"DISCOVERY CORNER","offers":[{"title":"Default Title","offer_id":44630043787456,"sku":"W330","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/W330SuperSunprintkit_1_A.jpg?v=1709836731"},{"product_id":"anna-atkins-napkins-set-of-6","title":"Anna Atkins Napkins - Set of 6","description":"This napkin set was inspired by 19th-Century cyanotype prints by botanist, and pioneering photographer, Anna Atkins. Set includes six napkins each with a different design.\u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs.\u003cbr\u003e\u003cbr\u003e- 100% Organic Linen\u003cbr\u003e- Dimensions: Luncheon size 12.5 x 12.5 inches each\u003cbr\u003e- Care: Warm wash, Hang dry, Iron on reverse for best results\u003cbr\u003e- Made Lithuania\u003cbr\u003e- Item #: NPKNLATKINS","brand":"PRINTS ON LINEN","offers":[{"title":"Default Title","offer_id":44632031264960,"sku":"NPKNLATKINS","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/Soona_NPKNLATKINS_TTATKINS_Lifestyle_Web_a.jpg?v=1754411581"},{"product_id":"anna-atkins-tea-towel","title":"Anna Atkins Tea Towel","description":"This tea towel design was inspired by a 19th-Century cyanotype print by botanist, and pioneering photographer, Anna Atkins.\u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs. \u003cbr\u003e\u003cbr\u003e- 100% Organic Linen\u003cbr\u003e- Dimensions: 17 x 27.5 inches\u003cbr\u003e- Care: Warm wash, Hang dry, Iron on reverse for best results\u003cbr\u003e- Made Lithuania\u003cbr\u003e\n\u003cp\u003e- Item #: TTATKINS\u003c\/p\u003e","brand":"PRINTS ON LINEN","offers":[{"title":"Default Title","offer_id":44632039194816,"sku":"TTATKINS","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TTATKINSAAtkinsTeaTwl_a.jpg?v=1754411500"},{"product_id":"holga-135fc-35mm-film-camera-black","title":"Holga 135FC 35mm Film Camera - Black","description":"\u003cp\u003eThe Holga Sparkle with flash is a unique film camera that offers a distinct photographic experience. This is not your typical film camera as a Holga produces photos with sharp center and soft, fuzzy edges, creating a dream-like and nostalgic effect. This camera is simple enough for any photographer, but offers the ability to adjust focus and aperture settings for more control than any other point-and-shoot or disposable cameras.\u003cbr\u003e\u003cbr\u003eHolga is for those who want to create truly unique images - for those who appreciate light leaks, enjoy slight soft focus and welcome retro vignetting. Due to its simple and inexpensive design, Holga is categorized as a toy camera. The very features that personify the Holga would be considered defects in any other camera. Holga's lo-fi attributes create distinctive images not created with any other conventional camera. These are the reasons the Holga camera has gained a huge following.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNot eligible for discounts, sales, or promotions.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e- For use with 35mm film\u003cbr\u003e- Bulb setting  \u003cbr\u003e- Tripod socket \u003cbr\u003e- Threaded shutter release button \u003cbr\u003e- Standard hot shoe adapter \u003cbr\u003e- Aperture at f\/8 and f\/11 \u003cbr\u003e- Shutter speed approximately 1\/100 of a second and bulb \u003cbr\u003e- Focal length is approximately 47mm \u003cbr\u003e- Item #: 272135\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FREESTYLE","offers":[{"title":"Default Title","offer_id":45371922284736,"sku":"272135","price":65.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/272135_Black_Sparkle_01_a.jpg?v=1720820398"},{"product_id":"holga-135fc-35mm-film-camera-pink","title":"Holga 135FC 35mm Film Camera - Pink","description":"\u003cp\u003eThe Holga Sparkle with flash is a unique film camera that offers a distinct photographic experience. This is not your typical film camera as a Holga produces photos with sharp center and soft, fuzzy edges, creating a dream-like and nostalgic effect. This camera is simple enough for any photographer, but offers the ability to adjust focus and aperture settings for more control than any other point-and-shoot or disposable camera.\u003cbr\u003e\u003cbr\u003eHolga is for those who want to create truly unique images - for those who appreciate light leaks, enjoy slight soft focus and welcome retro vignetting. Due to its simple and inexpensive design, Holga is categorized as a toy camera. The very features that personify the Holga would be considered defects in any other camera. Holga's lo-fi attributes create distinctive images not created with any other conventional camera. 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