{"title":"Paintings\/Drawings\/Sculpture","description":"\u003cp\u003eFrom Renaissance masterpieces and Impressionist icons to contemporary explorations of color and form, these titles highlight the stories, techniques, and cultural impact of art across centuries.\u003c\/p\u003e","products":[{"product_id":"insects-and-flowers-978-0892369294","title":"Insects and Flowers: The Art of Maria Sibylla Merian","description":"\u003cp\u003e\u003cstrong\u003eDavid Brafman and Stephanie Schrader\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThe artist and scientist Maria Sibylla Merian (1647–1717) was born in Frankfurt, Germany, into a middle-class family of publishers and artists. With her meticulous depictions of insect metamorphosis, she raised the standards of natural history illustration and helped give birth to the field of entomology. At the age of fifty-two, Merian traveled with her younger daughter to Suriname, a Dutch territory in South America, to paint its exotic flora and fauna.\u003c\/p\u003e\n\u003cp\u003eMany of the drawings produced by Merian in the South American jungle were later published as hand-colored counterproofs in her book \u003ci\u003eMetamorphosis of the Insects of Suriname\u003c\/i\u003e (1705), which brought her widespread fame. A copy of the second edition is held in the collections of the Research Library at the Getty Research Institute.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInsects and Flowers\u003c\/i\u003e, a delightful gift book that reproduces vivid color details of sixteen plates from the Getty's copy, is a vibrant encapsulation of Merian's book and features an engaging essay on Merian's life and work as well as an insect and plant identification guide. This book coincided with an exhibition of Merian's work that was held at the J. Paul Getty Museum from June 10 through August 31, 2008.\u003c\/p\u003e\n\u003cp\u003eDavid Brafman is curator of rare books at the Getty Research Institute. Stephanie Schrader is curator of drawings at the J. Paul Getty Museum.  \u003c\/p\u003e\n\u003cp\u003e52 pages\u003cbr\u003e4 1\/2 x 6 1\/4 inches\u003cbr\u003e22 color illustrations\u003cbr\u003eISBN 978-0-89236-929-4\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2008\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017910677696,"sku":"9780892369294","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-929-4.jpeg?v=1598897869"},{"product_id":"the-blind-spot-978-0892368921","title":"The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age","description":"\u003cp\u003e\u003cb\u003eJacqueline Lichtenstein\u003cbr\u003e Translation by Chris Miller\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBeginning in the seventeenth century, the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture, touch or sight, color or design, ancients or moderns. The author guides readers through these historic quarrels, decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes, Roger de Piles, Denis Diderot, Charles Baudelaire, and Émile Zola, among others, \u003ci\u003eThe Blind Spot \u003c\/i\u003elets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years.\u003c\/p\u003e\n\u003cp\u003eJacqueline Lichtenstein is a professor of philosophy at the University of Paris-IV-Sorbonne specializing in the history and criticism of art and aesthetics. Chris Miller is a member of the Institute of Translation and Interpreting and a widely published literary critic.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892368921');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n232 pages \u003cbr\u003e6 3\/4 x 9 3\/8 inches \u003cbr\u003e16 color and 24 b\/w illustrations \u003cbr\u003eISBN 978-0-89236-892-1 \u003cbr\u003ehardcover \u003cbr\u003e\u003cbr\u003eGetty Publications \u003cbr\u003eImprint: Getty Research Institute \u003cbr\u003e\u003cbr\u003e2008\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018150670528,"sku":"9780892368921","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-892-1.jpeg?v=1600797591"},{"product_id":"from-caspar-david-friedrich-to-gerhard-richter-978-092368631","title":"From Caspar David Friedrich to Gerhard Richter: German Paintings from Dresden","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eUlrich Bischoff, Elisabeth Hipp, and Jeanne Nugent\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue of an exhibition at the J. Paul Getty Museum held from October 10, 2006, to April 29, 2007, brings together a select group of paintings from Dresden's Galerie Neue Meister, which houses one of the most significant collections of nineteenth- and twentieth-century German art. The exhibition placed at its core works from the two best-known painters from Dresden: Caspar David Friedrich (1774–1840), a key voice of German Romanticism, and Gerhard Richter (b. 1932), the most celebrated German artist working today.\u003c\/p\u003e\n\u003cp\u003eThe catalogue, one of the few resources in English on the subject, features paintings by Carl Gustav Carus, J.C. Dahl, Otto Dix, and Karl Schmidt-Rottluff from the period between 1800 and World War I, the heyday of painting in Dresden. It also introduces unfamiliar artists to a wider audience and juxtaposes well-known painters in new ways. Included are essays on the history of the Neue Meister galleries and German painting from this period, entries on individual paintings, and an interview with Gerhard Richter.\u003c\/p\u003e\n\u003cp\u003eUlrich Bischoff is director of the Galerie Neue Meister. Elisabeth Hipp is research assistant at the Gemldegalerie Alte Meister. Jeanne Nugent is assistant professor of art history at New York University and an expert on the work of Gerhard Richter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e120 pages\u003cbr\u003e8 1\/2 x 10 5\/8 inches\u003cbr\u003e43 color and 16 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-863-1\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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Glass terminology and the often arcane technical terms relating to the production and decoration of glass, as well as names of special shapes of glass beakers, are defined succinctly.\u003c\/p\u003e\n\u003cp\u003eIllustrated with samples of Roman, Renaissance, Victorian, and modern glass, as well as engravings showing glassmakers at work, the book is both a visual delight and an informative small reference work. Objects shown are from the collections of the J. Paul Getty Museum; the Corning Museum of Glass in Corning, New York; and the Victoria and Albert Museum in London. A short bibliography rounds out the volume.\u003c\/p\u003e\n\u003cp\u003eCatherine Hess is the former associate curator in the Department of Sculpture at the J. Paul Getty Museum. Karol Wight is the former associate curator in the Department of Antiquities at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e\n\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\n\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892367504');\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003c\/p\u003e\n108 pages\u003cbr\u003e6 1\/4 x 9 1\/4 inches\u003cbr\u003e75 color and 6 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-750-4\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Looking At\u003cbr\u003e\u003cbr\u003e2005\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017962451136,"sku":"9780892367504","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-750-4.jpeg?v=1598980484"},{"product_id":"master-drawings-close-up-978-1606060193","title":"Master Drawings Close-Up","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eJulian Brooks\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe purpose of this volume is to introduce the reader to the pleasure of looking at master drawings. Through forty-five spectacular works of art, each shown in full and with an enlarged detail, the book simulates the experience of looking at a drawing through a magnifying glass: we can see the techniques and materials used and get close to the artist's creativity. They are roughly ordered by date and were chosen for inclusion because, in addition to yielding beautiful details, they encompass a wide variety of media and techniques. Accompanying short texts highlight particular aspects of each work; italicized technical terms are explained in an accessible and informative glossary at the back. Works by some of the greatest masters of the craft―Leonardo da Vinci, Dürer, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh—are included.\u003c\/p\u003e\n\u003cp\u003eThe reader will gain insights into why artists made drawings, how they used the media available to them—including red chalk, watercolor, pen and ink, and pastel—and their techniques, such as hatching, stumping, squaring, and heightening. This beautiful and unpretentious book has a wide appeal and is especially invaluable for art students, practicing artists, and those who study art and art history.\u003c\/p\u003e\n\u003cp\u003eJulian Brooks is curator in the Department of Drawings at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e124 pages\u003cbr\u003e9 1\/2 x 9 1\/2 inches\u003cbr\u003e90 color and 5 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-019-3\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2010\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017979326656,"sku":"9781606060193","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-019-3.jpeg?v=1599591404"},{"product_id":"fernand-khnopff-portrait-of-jeanne-kefer-978-0-92367306","title":"Fernand Khnopff: Portrait of Jeanne Kéfer","description":"\u003cp\u003e\u003cb\u003eMichel Draguet\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858–1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie. As in the provocative yet hauntingly beautiful \u003ci\u003ePortrait of Jeanne Kéfer\u003c\/i\u003e, which is the focus of this book, he frequently posed his models leaning against a closed door, flattening the space and resulting in a meditative, hermetically sealed image. Jeanne Kéfer was the daughter of a composer friend of the artist, and Khnopff deftly captured the child's vulnerability to the outside world in the small gesture of her tiny thumb catching the edge of her bow.\u003c\/p\u003e\n\u003cp\u003eThe book places this painting in the historical context of Khnopff's times and social milieu, such as the advent of symbolism as a literary and artistic movement and the influence of James McNeill Whistler. The analysis of the portrait is supported by a stunning array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a springboard for a broader discussion of symbolist art.\u003c\/p\u003e\n\u003cp\u003eMichel Draguet is professor of modern and contemporary art and director of the center for research on René Magritte at the Free University of Brussels. He is a widely published author, most recently of the important monograph \u003ci\u003eJames Ensor \u003c\/i\u003eand \u003ci\u003eTreasures of Art Nouveau: Through the Collections of Anne-Marie Gilbert.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e120 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e51 color and 28 b\/w illustrations\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-730-6\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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However, by the early nineteenth century many of their works had been dispersed by the upheavals of the French Revolution.\u003c\/p\u003e\n\u003cp\u003eRather than offering a chronological discussion, this book presents Early Netherlandish paintings as individual objects that have confronted scholars with countless interpretive challenges. The first part of the book analyzes the style and provenance of each work, the insights gained from it, and the questions that remain; the second part is devoted to the history of collecting and of art-historical research and interpretation during the nineteenth and first half of the twentieth century. The third part addresses how three fields of modern art-historical research—technical examination, archival research into patronage, and iconology—have produced analyses of these artworks.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEarly Netherlandish Paintings\u003c\/i\u003e advances the scholarly dialogue about an important period in European art by assembling the current scholarly research in the field and underscoring the common ground among scholars from different disciplines.\u003c\/p\u003e\n\u003cp\u003eBernhard Ridderbos and Henk van Veen teach art history at the University of Groningen, The Netherlands; Anne van Buren previously taught at Tufts University.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e481 pages\u003cbr\u003e6 1\/2 x 9 1\/2 inches\u003cbr\u003e52 color and 118 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-816-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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This is the enticing scene in the Getty Museum's painting \u003ci\u003eDance Before a Fountain \u003c\/i\u003eby Nicolas Lancret (1690–1743), an excellent example of the \u003ci\u003ef\u003c\/i\u003eê\u003ci\u003ete galante\u003c\/i\u003e, a genre that reached its peak of popularity in France during the first half of the eighteenth century. This monograph seeks to familiarize American audiences with Lancret, a master of this genre, who was a revered painter in his own time, rivaling his contemporaries Antoine Watteau and François Boucher, and a favorite of crowned heads across Europe. The author's lively, engrossing text uses the painting as a springboard to reveal a remarkable amount about Lancret, his mode of painting, contemporary Paris, and eighteenth-century dance.\u003c\/p\u003e\n\u003cp\u003eLavishly illustrated with comparative paintings by artists such as Watteau, Boucher, Peter Paul Rubens, Jean-François De Troy, Jean-Baptiste Oudry, and Hubert Robert, this fascinating peek into a bygone Parisian era is a treat for the eyes and the intellect alike.\u003c\/p\u003e\n\u003cp\u003eMary Tavener Holmes is an independent scholar from New York who specializes in French eighteenth-century paintings and drawings. Mark Leonard is a former conservator of paintings at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n100 pages\u003cbr\u003e 7 1\/2 x 9 1\/4 inches\u003cbr\u003e 58 color and 36 b\/w illustrations\u003cbr\u003e ISBN 978-0-89236-832-7\u003cbr\u003e paperback\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. 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Although he considered the painting more a study than a finished picture, his brother Theo submitted it to the \u003ci\u003eSalon des Indépendants\u003c\/i\u003e in September 1889. Its energy and theme―the regenerative powers of the earth―express the artist's deeply held belief in the divinity of art and nature.\u003c\/p\u003e\n\u003cp\u003eThis groundbreaking book fills a gap in Van Gogh scholarship with an in-depth study of \u003ci\u003eIrises\u003c\/i\u003e―among the J. Paul Getty Museum's most famous paintings―placed in the context of his glorious flower and garden paintings. Full-color reproductions include not only \u003ci\u003eIrises\u003c\/i\u003e but also a panoply of nature paintings by Van Gogh and the artists who inspired him, such as Albrecht Dürer, Leonardo da Vinci, Claude Monet, and Paul Gauguin.\u003c\/p\u003e\n\u003cp\u003eJennifer Helvey is an independent scholar living in Ithaca, New York. She was assistant curator in the Department of Paintings at the J. 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A virtual exhibition of the paintings and information for visiting each of the museums can be found at www.rembrandtinsocal.org.\u003c\/p\u003e\n\u003cp\u003eAnne T. Woollett is curator in the Department of Paintings at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e64 pages\u003cbr\u003e5 x 6 1\/4 inches\u003cbr\u003e26 color illustrations\u003cbr\u003e1 map\u003cbr\u003eISBN 978-0-89236-993-5\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2009\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018104991936,"sku":"9780892369935","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-993-5.jpeg?v=1600194833"},{"product_id":"drawings-by-rembrandt-and-his-pupils-978-0892369799","title":"Drawings by Rembrandt and His Pupils: Telling the Difference - Paperback","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eHolm Bevers, Lee Hendrix, William W. Robinson, and Peter Schatborn\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models.\u003c\/p\u003e\n\u003cp\u003eOrganized chronologically, \u003ci\u003eDrawings by Rembrandt and His Pupils\u003c\/i\u003e is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings, and defines the styles of his pupils and followers with ever-greater precision.\u003c\/p\u003e\n\u003cp\u003eThis is an essential book for anyone interested in the Dutch Golden Age or the lives and careers of Rembrandt and the artists in his immediate circle. A major exhibition of these drawings was on view at the J. Paul Getty Museum December 8, 2009, to February 28, 2010.\u003c\/p\u003e\n\u003cp\u003eHolm Bevers is curator of Netherlandish drawings at the Berlin Kupferstichkabinett. Lee Hendrix is senior curator in the Department of Drawings at the J. Paul Getty Museum. William W. Robinson is the Maida and George Abrams Curator of Drawings at the Fogg Art Museum, Harvard University. Peter Schatborn is Emeritus Head of the Rijksprentenkabinet at the Rijksmuseum, Amsterdam.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e304 pages\u003cbr\u003e11 5\/8 x 11 inches\u003cbr\u003e202 color and 3 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-979-9\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2010\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017705713856,"sku":"9780892369799","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-979-9.jpeg?v=1598300176"},{"product_id":"capturing-natures-beauty-978-0892369959","title":"Capturing Nature's Beauty: Three Centuries of French Landscapes","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eÉdouard Kopp\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis lovely book highlights key moments of the French landscape tradition from its emergence in the 1600s to its preeminence in the 1800s. The selection of drawings from the Getty's collection shows a variety of techniques, functions, and styles, and includes examples by François Boucher, Vincent van Gogh, Claude Lorrain, Jean-Baptiste Oudry, Camille Pissarro, Théodore Rousseau, and Georges Seurat. Together these images reveal a fascinating tension between a passion for the real and the quest for an ideal. The author provides a general introduction to landscape drawings and brief explanations of each of the works.\u003c\/p\u003e\n\u003cp\u003eAlong with drawings, pages from artists' sketchbooks are also included. An exhibition of the same name was on view at the J. Paul Getty Museum from July 28 through November 1, 2009.\u003c\/p\u003e\n\u003cp\u003eÉdouard Kopp is assistant curator in the Department of Drawings at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e96 pages\u003cbr\u003e9 x 7 5\/8 inches\u003cbr\u003e45 color illustrations\u003cbr\u003eISBN 978-0-89236-995-9\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2009\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017651548352,"sku":"9780892369959","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-995-9.jpeg?v=1598296274"},{"product_id":"seeing-venice-978-0892366583","title":"Seeing Venice: Bellotto's Grand Canal","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eEssay by Mark Doty\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBernardo Bellotto's magnificent \u003ci\u003eView of the Grand Canal\u003c\/i\u003e provides a rich visual record of life in eighteenth-century Venice. This painting—one of the most popular in the J. Paul Getty Museum—is so sweeping in its scope and so detailed that it requires repeated viewings to take in its portrait of daily life in Venice in the 1740s.\u003c\/p\u003e\n\u003cp\u003eThis small book presents Bellotto's great painting in a series of beautiful details that allow the reader to examine the painting closely and enjoy the colorful and busy goings-on of Venetian life captured so unforgettably by Bellotto. The book jacket unfolds to become a small poster of the painting in its entirety. Accompanying these delightful images is a lyrical essay by noted American poet Mark Doty. Together, Bellotto's painting and Doty's prose make for an unforgettable encounter with the art and life of Venice.\u003c\/p\u003e\n\u003cp\u003eMark Doty's most recent book of poems is \u003ci\u003eSource.\u003c\/i\u003e In 2001 he published the book-length essay \u003ci\u003eStill Life with Oysters and Lemon.\u003c\/i\u003e A Guggenheim, Ingram-Merrill, and Whiting Fellow, he has also received the National Book Critics Circle Award and the PEN\/Martha Allrand Prize for Nonfiction. He teaches at the University of Houston, and divides his time between Houston and Provincetown, Massachusetts.\u003cbr\u003e\u003cbr\u003e\"A book for people who appreciate beauty in its many guises.\"\u003cbr\u003e\u003cem\u003e—Windy City Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Selected one of Season's Readings in Art, 2002\"\u003cbr\u003e\u003cem\u003e—New York Newsday\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Cited in Best Books Issue\"\u003cbr\u003e\u003cem\u003e—Los Angeles Times Book Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"An agreeable little essay, on a beautiful painting which this book may just help you to experience more richly.\"\u003cbr\u003e\u003cem\u003e—Times Literary Supplement\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Exquisite.\"\u003cbr\u003e\u003cem\u003e—Easy Reader\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Remarkable for [its] physical beauty and for the wide-ranging writing that uses the artwork to explore themes of grief, love, creativity, and time.\"\u003cbr\u003e\u003cem\u003e—Ruminator Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eIncluded in \"Gifts for Book Lovers 2002\"\u003cbr\u003e\u003cem\u003e—Bloomsbury Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e64 pages\u003cbr\u003e5 1\/4 x 5 3\/4 inches\u003cbr\u003e40 color illustrations\u003cbr\u003eISBN 978-0-89236-658-3\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018130616512,"sku":"9780892366583","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-658-3.jpeg?v=1600372719"},{"product_id":"taddeo-and-federico-zuccaro-978-0892369027","title":"Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome","description":"\u003cp\u003e\u003cb\u003eJulian Brooks\u003cbr\u003e With essays by Robert Williams, Peter Lukehart, and Christina Strunck\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most important series of drawings in late-sixteenth-century Italian art―the twenty large sheets by Federico Zuccaro (ca. 1541–609) showing the early life of his older brother, Taddeo (1529–1566)―was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo's trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right.\u003c\/p\u003e\n\u003cp\u003eThis volume―published to coincide with an exhibition at the J. Paul Getty Museum held from October 2, 2007, to January 6, 2008―presents Federico Zuccaro's twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists.\u003c\/p\u003e\n\u003cp\u003eJulian Brooks is curator of drawings at the J. Paul Getty Museum. Robert Williams is professor of the history of art at the University of California, Santa Barbara. Peter Lukehart is associate dean of the Center for Advanced Study of the Visual Arts, Washington, D.C. Christina Strunck is the Rush H. Kress Fellow at the Villa I Tatti, Florence.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892369027');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n144 pages\u003cbr\u003e 9 3\/4 x 10 inches\u003cbr\u003e 95 color and 60 b\/w illustrations\u003cbr\u003e ISBN 978-0-89236-902-7\u003cbr\u003e hardcover\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum\u003cbr\u003e \u003cbr\u003e 2007\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018145853632,"sku":"9780892369027","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-902-7.jpeg?v=1600373466"},{"product_id":"fragonards-allegories-of-love-978-0892368976","title":"Fragonard's Allegories of Love","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eAndrei Molotiu\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJean-Honor Fragonard (1732–1806) was a French painter whose late manner is distinguished by remarkable facility, exuberance, and hedonism. A prolific artist, Fragonard produced more than 550 paintings. The J. Paul Getty Museum's Fragonard masterpiece, \u003ci\u003eThe Fountain of Love\u003c\/i\u003e, is part of a series of his most striking works called the Allegories of Love—exquisite paintings that convey an atmosphere of intimacy and eroticism.\u003c\/p\u003e\n\u003cp\u003eThis lavishly illustrated book compares and analyzes the compositions, iconography, and sources of the Allegories in the context of ancient régime Preromanticism. The author discusses the transcendental aspect of love in the Allegories and the concept of Romantic love and painting on the eve of the French Revolution. The book accompanied \u003ci\u003eConsuming Passion: Fragonard's Allegories of Love\u003c\/i\u003e, an exhibition of the artist's work that opened at the Sterling and Francine Clark Art Institute on October 28, 2007, and at the J. Paul Getty Museum on February 12, 2008.\u003c\/p\u003e\n\u003cp\u003eAndrei Molotiu received his Ph.D. from the Institute of Fine Arts, New York University. He has taught art history at the University of Rochester, Indiana University, and the University of Louisville and has published articles on eighteenth-century French painting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e128 pages\u003cbr\u003e8 1\/4 x 10 1\/2 inches\u003cbr\u003e53 color and 24 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-897-6\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2007\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017733304512,"sku":"9780892368976","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-897-6.jpeg?v=1598634287"},{"product_id":"elementary-instructions-for-students-of-sculpture-978-0892366880","title":"Elementary Instructions for Students of Sculpture","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eFrancesco Carradori\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTranslated and introduction by Matti Kalevi Auvinen\u003cbr\u003eEssay by Paolo Bernardini\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori (1747–1824), a sculptor, restorer, and instructor of sculpture at the Accademia in Florence from 1786 to 1821.\u003c\/p\u003e\n\u003cp\u003eCarradori's instructions are vital to understanding the art and craft of sculpting as they were practiced before the twentieth century, since little substantial material exists that demonstrates, in an informed, didactic manner, the various tools and techniques used by ancient sculptors to execute work. Carradori's work is the most comprehensive and instructive and includes thirteen articles that explain how to restore marble sculpture, model clay, work with stucco and wax, cast and finish bronze, and carve and enlarge models into marble and stone, as well as seventeen tables that illustrate the arrangement, methods, and tools used in each of these processes.\u003c\/p\u003e\n\u003cp\u003ePaolo Bernardini discusses the historical and theoretical aspects of sculptural practice in nineteenth-century Italy. Translator Matti Auvinen gives an introduction to sculptural studio practice in the nineteenth century. In addition, the complete Italian text is reprinted.\u003c\/p\u003e\n\u003cp\u003eAuvinen is a marble sculptor and professor of sculpture at Studio Art Centers International in Florence. Paolo Bernardini teaches modern and contemporary European history and is the resident director of Boston University in Padova.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e144 pages\u003cbr\u003e8 3\/16 x 11 1\/4 inches\u003cbr\u003e17 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-688-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017711251648,"sku":"9780892366880","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-688-0.jpeg?v=1598463667"},{"product_id":"objects-of-virtue-978-0892366576","title":"Objects of Virtue: Art in Renaissance Italy","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eLuke Syson and Dora Thornton\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eYou are what you own. So believed many of the elite men and women of Renaissance Italy. The notion that a person's belongings transmit something about their personal history, status, and character was renewed in the fifteenth and early sixteenth centuries. \u003ci\u003eObjects of Virtue\u003c\/i\u003e explores the multiple meanings and values of the objects with which families like the Medici, Este, and Gonzaga surrounded themselves.\u003c\/p\u003e\n\u003cp\u003eThis lavishly illustrated volume examines the complicated relationships between the so-called fine arts—painting and sculpture—and artifacts of other kinds for which artistry might be as important as utility―furniture, jewelry, and vessels made of gold, silver, and bronze, precious and semi-precious stone, glass, and ceramic. The works examined were designed and made by artists as famous as Andrea Mantegna, Raphael, and Michelangelo, as well as by lesser-known specialists—goldsmiths, gem-engravers, glassmakers, and maiolica painters.\u003c\/p\u003e\n\u003cp\u003eLuke Syson is curator of metals at the British Museum. He is coeditor of \u003ci\u003eThe Image of the Individual: Portraits in the Renaissance\u003c\/i\u003e and the coauthor of \u003ci\u003ePisanello.\u003c\/i\u003e Dora Thornton is curator of Renaissance collections in the Department of Medieval and Modern Europe in the British Museum and the author of \u003ci\u003eThe Scholar in His Study: Ownership and Experience in Renaissance Italy. \u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"An intimate and wholly satisfying account of the structure of Renaissance life by way of art objects and those who treasured them.\"\u003ci\u003e\u003cbr\u003e—Library Journal\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"A fascinating and original book, handsome to look at and full of unfamiliar material.\"\u003ci\u003e\u003cbr\u003e—New York Review of Books\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e272 pages\u003cbr\u003e8 1\/2 x 10 5\/8 inches\u003cbr\u003e136 color and 79 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-657-6\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018039455936,"sku":"9780892366576","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-657-6.jpeg?v=1600109856"},{"product_id":"willem-de-kooning-978-1606060216","title":"Willem de Kooning: The Artist's Materials","description":"\u003cp\u003e\u003cb\u003eSusan F. Lake\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis in-depth study of the paintings of Willem de Kooning (1904–1997) from the 1940s through the 1970s breaks new ground in its analysis of the artist's working methods and yields new information about previously unreported materials. De Kooning's idiosyncratic working methods have long engendered intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first systematic study of de Kooning's creative process to use comprehensive scientific examinations of the artist's pigments, binders, and supports to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist's work.\u003c\/p\u003e\n\u003cp\u003eWritten for conservation scientists, conservators, specialists in modern art history, museum curators, and practicing artists, this book offers insights into the way an artist can achieve radical changes in style. The technical discussions will have practical applications for conservators, curators, collections managers, and collectors who care for twentieth-century art.\u003c\/p\u003e\n\u003cp\u003eSusan F. Lake is head of collection management and chief conservator at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.\u003cbr\u003e\u003cbr\u003e\"The smartest and most engaging book published about art this year.\"\u003cbr\u003e—Tyler Green, \u003cem\u003eModern Art Notes\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9781606060216');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n112 pages\u003cbr\u003e 7 1\/2 x 10 inches\u003cbr\u003e 34 color and 17 b\/w illustrations\u003cbr\u003e 6 graphs\u003cbr\u003e ISBN 978-1-60606-021-6\u003cbr\u003e paperback\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Conservation Institute\u003cbr\u003e Series: The Artist's Materials\u003cbr\u003e \u003cbr\u003e 2010\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\n\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018267062464,"sku":"9781606060216","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-021-6.jpeg?v=1601402672"},{"product_id":"a-royal-menagerie-978-0892366446","title":"A Royal Menagerie: Meissen Porcelain Animals","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eSamuel Wittwer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHeroic is perhaps the only word to describe the Meissen porcelain animals made for the Elector of Saxony, Frederick-Augustus. They were commissioned in 1728 and modeled and executed by 1735. The great size of the figures presented many technical difficulties in creation and firing. Their mere completion in so many cases was itself a tour de force, making it arguably the most significant commission for porcelain executed in Europe.\u003c\/p\u003e\n\u003cp\u003ePresented here are the large figures of animals from the collection of Frederick-Augustus, which were on exhibition at the Getty Museum from May 2001 to January 2002. Frederick-Augustus had long been a collector of Japanese and Chinese porcelain. He created the most ambitious interior for porcelain planned anywhere in Europe, the famous Japanese Palace in Dresden. On the upper floor was a gallery devoted to Meissen porcelain, filled with vases, great dishes, and the animal figures displayed in this beautifully illustrated book.\u003c\/p\u003e\n\u003cp\u003eSamuel Wittwer is curator of the ceramics collections at the Prussian Palaces and Gardens Foundation and of the archives of the Royal Porcelain Manufactory, Berlin.\u003cbr\u003e\u003cbr\u003e\"Slim but informative.\"\u003cbr\u003e\u003cem\u003e—Los Angeles Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"A superbly presented survey of extraordinary 18th-century porcelain animals from Dresden.\"\u003cbr\u003e\u003cem\u003e—Bookwatch\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Skillfully crafted gleaming white and colored monkeys, wolves, foxes and a wide variety of birds illustrate the informed text.\"\u003cbr\u003e\u003cem\u003e—Copley News Service\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e48 pages\u003cbr\u003e8 x 10 1\/4 inches\u003cbr\u003e30 color and 17 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-644-6\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2001\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017555341504,"sku":"9780892366446","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-644-6.jpeg?v=1597697564"},{"product_id":"edgar-degas-waiting-978-0892362851","title":"Edgar Degas: Waiting","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eRichard Thomson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDegas's pastel \u003ci\u003eWaiting\u003c\/i\u003e (L'Attente) is an extraordinary object in its craftsmanship and color, as well as in the emotional pull it immediately exerts upon the viewer. But in addition to those qualities that we expect from a great work of art, \u003ci\u003eWaiting\u003c\/i\u003e also has an aura of ambiguity and even mystery. It is both its aesthetic qualities and the deeper questions the work arouses that are the subjects of this study.\u003c!--?p--\u003e\u003c\/p\u003e\n\u003cp\u003eThe book features a discussion of Degas's pastel as well as a detailed analysis of the broader context in which the work was created.\u003c\/p\u003e\n\u003cp\u003eRichard Thomson is senior lecturer in art history at the University of Manchester in England.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e102 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e25 color and 50 duotone illustrations\u003cbr\u003eI color foldout\u003cbr\u003eISBN 978-0-89236-285-1\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e1995\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017708204224,"sku":"9780892362851","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-285-1.jpeg?v=1598463480"},{"product_id":"european-drawings-2-978-0892362196","title":"European Drawings 2: Catalogue of the Collections","description":"\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eGeorge R. Goldner and Lee Hendrix with the assistance of Kelly Pask\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Getty Museum's collection of drawing was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume (published in 1988 in English and Italian editions), the text is organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.\u003cbr\u003e\u003cbr\u003e\"The second volume of drawings in the J. Paul Getty Museum comes out four years after the first and is equally welcome.\"\u003cbr\u003e\u003cem\u003e—Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e362 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e16 color and 173 duotone illustrations\u003cbr\u003eISBN 978-0-89236-219-6\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1992\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017715183808,"sku":"9780892362196","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-219-6.jpeg?v=1598464172"},{"product_id":"european-drawings-3-978-0892364800","title":"European Drawings 3: Catalogue of the Collections","description":"\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eNicholas Turner and Lee Hendrix with Carol Plazzotta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude; it has since become one of the world's most important repositories of European works from the fifteenth through the nineteenth century.\u003c\/p\u003e\n\u003cp\u003eThis third volume of the catalogue of the drawings collection reproduces and describes 132 works acquired by the J. Paul Getty Museum since 1992, including the incomparable \u003ci\u003eThe Holy Family\u003c\/i\u003e by Michelangelo. The text is organized first by national school, then by artist, with individual works arranged chronologically.\u003c\/p\u003e\n\u003cp\u003eNicholas Turner is former curator of drawings and Lee Hendrix is curator of drawings at the J. Paul Getty Museum. Carol Plazzotta is a special assistant in the department of prints and drawings at the British Museum.\u003cbr\u003e\u003cbr\u003e\"Beautifully printed and illustrated.\"\u003cbr\u003e—\u003cb\u003eArt Book\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e318 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e17 color and 175 duotone illustrations\u003cbr\u003eISBN 978-0-89236978-2\u003cbr\u003ehardcover\u003cbr\u003e\u003cb\u003e\u003cspan color=\"#990000\" style=\"color: #990000;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1997\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017715347648,"sku":"9780892364800","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-480-0.jpeg?v=1598464198"},{"product_id":"european-drawings-4-978-0892365845","title":"European Drawings 4: Catalogue of the Collections","description":"\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eNicholas Turner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude; it has since become one of the world's most important repositories of European works from the fifteenth through the nineteenth century.\u003c\/p\u003e\n\u003cp\u003eThis fourth volume of the catalogue of the drawings collection reproduces and describes all the works acquired by the Getty Museum from 1995 to 1998, a time where particular emphasis was placed on strengthening the Museum's collection of French drawings.\u003c\/p\u003e\n\u003cp\u003eIncluded in this volume are Édouard Manet's \u003ci\u003eBullfight\u003c\/i\u003e (ca. 1864), a self-portrait by a young Edgar Degas, Nicolas Poussin's \u003ci\u003ePath Leading into a Forest Clearing,\u003c\/i\u003e and \u003ci\u003eA Lady Walking in a Garden with a Child by her Side\u003c\/i\u003e by Thomas Gainsborough. Also acquired during this period and catalogued here are a Degas sketchbook (ca. 1877), and a notebook (1812-14) by Theodore Gericault. The book is organized first by national school, then by artist, with individual works arranged chronologically; it includes drawings from every Western European school.\u003c\/p\u003e\n\u003cp\u003eNicholas Turner was curator of drawings at the Getty Museum from 1994 to 1998.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e320 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e20 color and 210 b\/w illustrations\u003cbr\u003ehardcover\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2001\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017715380416,"sku":"9780892365845","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-584-5.jpeg?v=1598464225"},{"product_id":"french-tapestries-and-textiles-in-the-j-paul-getty-museum-978-0892363797","title":"French Tapestries and Textiles in the J. Paul Getty Museum","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eCharissa Bremer-David\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFrench Tapestries and Textiles\u003c\/i\u003e is a survey of the J. Paul Getty Museum's seventeenth- and eighteenth-century French textiles—one of the world's finest collections. Featuring twenty-five extraordinary tapestries woven at the Gobelins and Beauvais manufactories, the catalogue also highlights three carpets, two knotted-pile screens, and two sets of embroidered bed hangings, one of which is the only complete \u003ci\u003elit la duchesse\u003c\/i\u003e surviving from the period.\u003c\/p\u003e\n\u003cp\u003eAmong the magnificent textiles discussed in this lavish volume, are the Emperor of China tapestry series, the whimsical Story of Don Quixote, and Boucher's cycle \u003ci\u003eThe Story of Psyche.\u003c\/i\u003e A gatefold in the book opens to reveal a photograph of the stately twenty-nine-foot carpet commissioned for Louis XIV's Galerie du Bord de l'Eau at the Louvre, a piece never publicly displayed in this century.\u003c\/p\u003e\n\u003cp\u003eEach entry includes a listing of artists and weavers, date and place of manufacture, and materials and techniques used, followed by a complete description and a condition statement. The accompanying commentary provides information on the literary, historical, and visual source of design imagery as well as the context of the textile's commission and production. In addition, each textile shown has a complete provenance, exhibition history, and bibliography.\u003c\/p\u003e\n\u003cp\u003eFor lovers of French decorative arts and connoisseurs of textiles, this book offers a study both of the art of tapestry- and textile-making and of the aesthetic tradition exemplified by these remarkable objects.\u003c\/p\u003e\n\u003cp\u003eCharissa Bremer-David is curator in the Department of Decorative Arts at the Getty Museum and a coauthor of \u003ci\u003eDecorative Arts: An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e188 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e55 color and 146 duotone illustrations\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-379-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1997\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017741955264,"sku":"9780892363797","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-379-7.jpeg?v=1598634407"},{"product_id":"pieter-de-hooch-a-woman-preparing-bread-and-butter-for-a-boy-978-0892368440","title":"Pieter de Hooch: A Woman Preparing Bread and Butter for a Boy","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eWayne E. Franits\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. \u003ci\u003eA Woman Preparing Bread and Butter for a Boy\u003c\/i\u003e was executed by the Dutch painter Pieter de Hooch (1629–1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities.\u003c\/p\u003e\n\u003cp\u003eThis book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.\u003c\/p\u003e\n\u003cp\u003eWayne Franits is professor of fine arts at Syracuse University and a specialist in seventeenth-century Dutch art. He is the author of numerous publications, including \u003ci\u003eDutch Seventeenth-Century Genre Painting: Its Thematic and Stylistic Evolution\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e100 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e34 color and 25 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-844-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2007\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018074714304,"sku":"9780892368440","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-844-0.jpeg?v=1600193899"},{"product_id":"jan-steen-the-drawing-lesson-978-0892363926","title":"Jan Steen: The Drawing Lesson","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eJohn Walsh\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eClear, solid, palpable, this is the world of the Dutch painters of the seventeenth century—a world in which the surfaces and scenes of everyday life are rendered with impeccable care and illuminated by clear, soft light. Through the countless reproductions of the works of painters like de Hooch and Vermeer, these scenes have become intimately familiar: servants at their kitchen chores; women reading, daydreaming, or playing music; risqué and often riotous scenes in bedrooms or inns. Jan Steen's \u003ci\u003eThe Drawing Lesson\u003c\/i\u003e is one of the finest and most intriguing examples of the art of the Netherlands in its Golden Age. Through the interior Steen creates is familiar, the subject as celebration of the art of the painter is unusual and only subtly announced.\u003c\/p\u003e\n\u003cp\u003eIn this fascinating exploration of \u003ci\u003eThe Drawing Lesson,\u003c\/i\u003e the author offers an explanation of the individual parts and larger patterns of the work, allowing us to see how each prop and pose contribute to the larger theme―the art of painting and the education of the artist. He also recounts Steen's career and a history of the picture itself, presenting, in sum, not only an examination of a fine painting but a lesson in how to look at and read a complex work of art.\u003c\/p\u003e\n\u003cp\u003eJohn Walsh is director emeritus of the J. Paul Getty Museum. Previously, he was curator of paintings at the Museum of Fine Arts, Boston. He is the author of \u003ci\u003eThe J. Paul Getty Museum and Its Collections\u003c\/i\u003e (Getty Publications, 1997) with Deborah Gribbon. \u003cbr\u003e\u003cbr\u003e\"Serves as a model of how to think about subject-matter in Dutch seventeenth century genre painting.\"\u003cbr\u003e\u003cem\u003e—Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e88 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e30 color and 35 duotone illustrations\u003cbr\u003eI color foldout\u003cbr\u003eISBN 978-0-89236-392-6\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e1996\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":215612966,"sku":"9780892363926","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-392-6.jpeg?v=1598904234"},{"product_id":"jean-baptiste-greuze-the-laundress-978-0892365647","title":"Jean-Baptiste Greuze: The Laundress","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eColin B. Bailey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDenis Diderot said of \u003ci\u003eThe Laundress,\u003c\/i\u003e\" [She]… is charming; but she's a rascal I wouldn't trust an inch.\" Jean-Baptiste Greuze's diminutive picture of a rosy-cheeked girl wringing out her linen was one of fourteen works that he exhibited at the Salon of 1761 in Paris. Despite its small size, it commanded tremendous attention from critics who responded to the painting's vivid color and handling, and especially to the flirtatious attitude of the laundress, with her provocative glance and disheveled appearance.\u003c\/p\u003e\n\u003cp\u003eThis lively and engrossing book traces the history of the J. Paul Getty Museum's painting, compares the work to other laundresses painted by Greuze, and explores social mores and the role of the artist's model in the eighteenth century. It provides an enlightening account of Greuze's life and times and the influences on his work.\u003c\/p\u003e\n\u003cp\u003eColin B. Bailey is chief curator of The Frick Collection in New York. He is a coauthor of \u003ci\u003eRenoir's Portraits: Impressions of an Age.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e90 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e40 color and 32 b\/w illustrations\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-564-7\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e1999\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":215612972,"sku":"9780892365647","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-564-7.jpeg?v=1598977279"},{"product_id":"joachim-wtewael-mars-and-venus-surprised-by-vulcan-978-0892363049","title":"Joachim Wtewael: Mars and Venus Surprised by Vulcan - Paperback","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eAnne W. Lowenthal\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dutch artist Joachim Wtewael was a history painter especially admired for his astonishing small paintings on copper. The J. Paul Getty Museum's \u003ci\u003eMars and Venus Surprised by Vulcan\u003c\/i\u003e is one of his finest works in this unusually demanding medium. Though only eight inches high, this Mannerist painting contains eleven figures in three different spaces, captured in a dramatically complex moment from the famous story told by Ovid in his \u003ci\u003eMetamorphoses\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThis book features a discussion of Wtewael's painting as well as a detailed analysis of the broader context in which the work was created, considering relevant historical, cultural, chronological, and similar issues.\u003c\/p\u003e\n\u003cp\u003eAnne W. Lowenthal's dissertation, \u003ci\u003eJoachim Wtewael and Dutch Mannerism\u003c\/i\u003e, was published in 1986. She has taught at Barnard College, Columbia University, Hunter College, the Metropolitan Museum of Art, and the Toledo Museum of Art. She has published numerous articles on Dutch painting and is a founding member and past president of the Historians of Netherlandish Art.\u003c\/p\u003e\n\u003cp\u003e88 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e16 color and 53 b\/w illustrations\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-304-9\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1995\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":215612982,"sku":"9780892363049","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-304-9.jpeg?v=1598977466"},{"product_id":"looking-at-european-ceramics-978-0892362165","title":"Looking at European Ceramics: A Guide to Technical Terms","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDavid Harris Cohen and Catherine Hess\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eProvides definitions of terms related to the techniques, processes, and materials used in the production of European ceramics from the Middle Ages through the beginning of the twentieth century. Illustrations of works in the collections of the J. Paul Getty Museum and the British Museum accompany the concise and readable explanations.\u003cbr\u003e\u003cbr\u003e\"A handy source of quick, understandable information.\"\u003cbr\u003e\u003cem\u003e—Academic Library Book Review\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e92 pages\u003cbr\u003e6 1\/4 x 9 1\/4 inches \u003cbr\u003e54 color and 32 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-216-5\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Looking At\u003cbr\u003e\u003cbr\u003e1993\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017962123456,"sku":"9780892362165","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-216-5.jpeg?v=1598980413"},{"product_id":"looking-at-european-sculpture-978-0892362912","title":"Looking at European Sculpture: A Guide to Technical Terms","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eJane Bassett and Peggy Fogelman\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume provides definitions of the technical terms most often encountered by museum-goers and students of post-antique European sculpture. The book enhances the appreciation of the art form by explaining the methods used in creating sculpture and the terms used by scholars to describe it. Featured are clear, concise explanations to questions such as: What is a socle? What are the steps in bronze casting? What is contrapposto?\u003c\/p\u003e\n\u003cp\u003eWritten for the nonspecialist and lavishly illustrated with objects from the collections of the J. Paul Getty Museum and the Victoria and Albert Museum in London, this book is invaluable to anyone who wants to learn more about the art of sculpture.\u003c\/p\u003e\n\u003cp\u003eJane Bassett is associate conservator in the J. Paul Getty Museum's Department of Decorative Arts and Sculpture Conservation. Peggy Fogelman is associate curator in the Department of Sculpture and Works of Art at the Museum. She is a coauthor of \u003ci\u003eDecorative Arts: An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"A 'page turner.' Leaves the reader wishing for more.\" \u003cbr\u003e\u003cem\u003e—Apollo\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"An excellent small dictionary…highly recommended.\" \u003cbr\u003e\u003cem\u003e—Library Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892362912');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e104 pages\u003cbr\u003e6 1\/4 x 9 1\/4 inches\u003cbr\u003e65 color and 34 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-291-2\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Looking At\u003cbr\u003e\u003cbr\u003e1997\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017962320064,"sku":"9780892362912","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-291-2.jpeg?v=1598980461"},{"product_id":"the-craftsman-revealed-978-0892369195","title":"The Craftsman Revealed: Adriaen de Vries, Sculptor in Bronze","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eJane Bassett\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWith contributions by Peggy Fogelman, David A. Scott, and Ronald C. Schmidtling II\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe sculptor Adriaen de Vries (1556–1626) spent much of his life working for the most discerning royal courts of the age, including that of Holy Roman Emperor Rudolf II in Prague. A master of composition and technique, De Vries was relatively unknown until the J. Paul Getty Museum's groundbreaking 1999 exhibition \u003ci\u003eAdriaen de Vries: Imperial Sculptor\u003c\/i\u003e, which firmly established the artist's reputation and afforded a rare opportunity to study in depth a large group of bronzes.\u003c\/p\u003e\n\u003cp\u003eThis heavily illustrated volume presents the results of the technical study of twenty-five bronzes from the exhibition. Introductory chapters provide background on the artist and technical methodologies. Subsequent chapters present case studies of individual statues, revealing the methods and materials used in their creation. The book will be of great interest to conservators, conservation scientists, art historians, curators, and sculptors.\u003c\/p\u003e\n\u003cp\u003eJane Bassett is associate conservator of decorative arts and sculpture at the J. Paul Getty Museum. Peggy Fogelman is director of education and interpretation at the Peabody Essex Museum. David A. Scott is chair of the UCLA\/Getty Conservation Program. Ronald C. Schmidtling II is a geologist in private practice in Los Angeles.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892369195');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e352 pages\u003cbr\u003e8 x 10 1\/2 inches\u003cbr\u003e100 color and 220 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-919-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Conservation Institute\u003cbr\u003e\u003cbr\u003e2008\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018153521344,"sku":"9780892369195","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-919-5.jpeg?v=1600798255"},{"product_id":"french-furniture-and-gilt-bronze-baroque-and-regence-978-0892368747","title":"French Furniture and Gilt Bronzes: Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eGillian Wilson, Charissa Bremer-David, and Jeffrey Weaver\u003cbr\u003eWith Brian Considine and the staffs of the Department of Decorative Arts and Sculpture Conservation and the Getty Conservation Institute\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe exceptional collection of French decorative arts in the J. Paul Getty Museum contains more than four hundred objects, most of them dating from the seventeenth and eighteenth centuries. This gorgeously illustrated volume brings together forty-four objects from the Baroque and Régence periods, roughly corresponding to the reign of Louis XIV and the years immediately following his death in 1715. The selection includes richly veneered cabinets, commodes, and desks; carved tables and chairs; and gilt-bronze light fixtures and firedogs that exemplify the superior craftsmanship and elaborate design characteristic of the Baroque style.\u003c\/p\u003e\n\u003cp\u003eEach object is described and analyzed in terms of its style, use, provenance and published history, as well as its construction and alterations, materials, and conservation. With its painstaking attention to detail, this sumptuous volume is the definitive catalogue of the J. Paul Getty Museum's collection of French Baroque furniture and will be of interest to scholars, conservators, and all students of the French decorative arts.\u003c\/p\u003e\n\u003cp\u003eGillian Wilson is curator emerita in the Department of Decorative Arts and Sculpture at the J. Paul Getty Museum, and Charissa Bremer-David and Jeffrey Weaver are curator and associate curator, respectively, in the same department. Brian Considine is senior conservator in the Department of Decorative Arts and Sculpture Conservation at the J. Paul Getty Museum.\u003cbr\u003e\u003cbr\u003e\"The J. Paul Getty Museum and the authors are to be congratulated on a sumptuous catalogue of a magnificent collection, a splendid contribution to the literature on French furniture.\"\u003cbr\u003e\u003cem\u003e—Burlington\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"This is a model catalogue of a major collection.\"\u003cbr\u003e\u003cem\u003e—The Furniture History Society\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e404 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e107 color and 432 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-874-7\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2008\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017739432128,"sku":"9780892368747","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-874-7.jpeg?v=1598634320"},{"product_id":"murano-978-0892365982","title":"Murano","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePoem by Mark Doty\u003cbr\u003eGlass from the J. Paul Getty Museum\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMurano\u003c\/i\u003e—a recent work by the distinguished American poet Mark Doty—is a contemplative meditation on human mortality and the mystery of artistic creation. Addressed to his late friend, the poet Lynda Hull, the musings are set against the backdrop of Venice and the glassmaker's art, as practiced for centuries on the island of Murano in the Venetian lagoon.\u003c\/p\u003e\n\u003cp\u003eThis moving poem is illustrated with details of sixteen pieces of dazzling Murano glass from the collection of the J. Paul Getty Museum. These fine, delicate objects paired with Doty's stirring words create an exceptional visual and verbal experience.\u003c\/p\u003e\n\u003cp\u003eMark Doty is the author of \u003ci\u003eSweet Machine\u003c\/i\u003e (1998) and the memoir \u003ci\u003eFirebird\u003c\/i\u003e (1999). He teaches at the University of Houston.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The pages of \u003cem\u003eMurano\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003esuggest radiant worlds, where instead of lonely craters and blasted plains, glowing surfaces have been etched by a loving hand.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Ruminator Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The photographic images provide a dreamy, surrealistic backdrop.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Windy City Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Gorgeous…a wonderful marriage.\"\u003c\/span\u003e\u003cbr\u003e—Marcos Villatorro, \u003cem\u003eKPFK\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Showcases a beautiful poem in a unique way.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Gay \u0026amp; Lesbian Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A celebration of the Getty Museum's collection of Murano glass.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Bloomsbury Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Extravagantly attractive…revealing the flow and the flaws of both glass and time.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Lambda Book Report\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Murano invites a meditation on the mortality of all things and the fragility of beauty.\"\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e—Palisadian Post\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892365982');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e56 pages\u003cbr\u003e7 x 5 1\/2 inches\u003cbr\u003e28 color illustrations\u003cbr\u003eISBN 978-0-89236-598-2\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2000\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Murano","offer_id":215613150,"sku":"9780892365982","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-598-2.jpeg?v=1599592154"},{"product_id":"pontormo-portrait-of-a-halberdier-978-0892363667","title":"Pontormo: Portrait of a Halberdier","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eElizabeth Cropper\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMuch has been written about the identity of the sitter in this portrait by Pontormo. In 1568 the most famous contemporary recorder of artists' lives, the painter Giorgio Vasari, noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi depicted as a soldier during the 1528 siege of Florence. However, in 1612 the name of Cosimo de' Medici was attached to a description of the portrait.\u003c\/p\u003e\n\u003cp\u003eIn this volume, the author argues that the subject of the painting―widely considered to be Pontormo's masterpiece―is Francesco Guardi. The book discusses not only the specific determination of the sitter, but the tools and methods used in general for establishing the people and places portrayed in works of art.\u003c\/p\u003e\n\u003cp\u003eElizabeth Cropper is professor of the history of art at Johns Hopkins University. Among her publications are \u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ci\u003eThe Idea of Painting: Pietro Testa's D\u003ci\u003e\u003cspan\u003eü\u003c\/span\u003e\u003c\/i\u003esseldorf Notebook, Pietro Testa: 1612–1650\u003c\/i\u003e (a catalogue), and \u003ci\u003eNicolas Poussin: Friendship and the Love of Painting\u003c\/i\u003e (with Charles Dempsey).\u003cbr\u003e\u003cbr\u003e\"In taking on every significant issue attendant on our understanding of this painting, Cropper has produced an estimable book.\"\u003cbr\u003e\u003cem\u003e—College Art Association Reviews\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e132 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e21 color and 32 b\/w illustrations\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-366-7\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e1997\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018090082496,"sku":"9780892363667","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-366-7.jpeg?v=1600194070"},{"product_id":"the-fran-and-ray-stark-collection-of-20th-century-sculpture-in-the-j-paul-getty-museum-978-0892369041","title":"The Fran and Ray Stark Collection of 20th-Century Sculpture at the J. Paul Getty Museum","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Antonia Boström\u003cbr\u003eWith contributions by Christopher Bedford, Penelope Curtis, and John Dixon Hunt\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue celebrates the installed collection of twentieth-century sculpture donated to the J. Paul Getty Museum in 2005, after the deaths of Fran and Ray Stark. The book takes the reader on a visual tour of the Museum's sculpture gardens and installations, which feature twenty-eight works by artists including Alexander Calder, Alberto Giacometti, Fernand Léger, Roy Lichtenstein, René Magritte, Aristide Maillol, Joan Miró, Henry Moore, and Isamu Noguchi. The book offers essays on the curatorial decisions involved in establishing harmonious groupings; a history of European and American sculpture within built outdoor environments and gardens; and catalogue entries that discuss individual pieces within their broader art-historical contexts.\u003c\/p\u003e\n\u003cp\u003eAntonia Boström is the former curator of sculpture and decorative arts at the J. Paul Getty Museum. Christopher Bedford is research assistant in the Department of Contemporary Art at the Los Angeles County Museum of Art. Penelope Curtis is curator of the Henry Moore Institute in Leeds, England. John Dixon Hunt is professor of the history and theory of landscape at the University of Pennsylvania in Philadelphia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e208 pages\u003cbr\u003e10 x 11 inches\u003cbr\u003e100 color and 64 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-904-1\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2008\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018156175552,"sku":"9780892369041","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-904-1.jpeg?v=1600798989"},{"product_id":"jan-brueghel-the-elder-978-0892367702","title":"Jan Brueghel the Elder: The Entry of the Animals into Noah's Ark","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eArianne Faber Kolb\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Brussels and trained by his grandmother, Jan Brueghel the Elder (1568–1625) was called \"Velvet Brueghel\" for his skill at painting rich and delicate textures. The story of Noah's ark provided a subject well suited to Brueghel's abilities. In his painting, a few curious villagers stand beside a stream, which foreshadows the coming deluge, and watch as Noah herds ostriches, camels, and other exotic animals toward the ark. Next to a prancing white stallion, a lion and lioness chase each other's tails, while a pair of leopards frolic and play under the watchful eye of a bull. Brueghel has created a delightful scene celebrating the beauty and variety of creation.\u003c\/p\u003e\n\u003cp\u003eThis monograph takes an interdisciplinary approach to the study of Brueghel's fascinating paradise landscape, exploring Renaissance zoology, religious views on nature, and the culture of collecting and cataloguing animals and natural specimens. The volume is brilliantly illustrated with paintings of landscapes and animals by artists such as Albrecht Dürer, Peter Paul Rubens, and Lucas Cranach the Elder as well as by Brueghel himself. It presents an overview of the tradition of this type of painting and discusses both the cultural context and the artist's background, crucial to understanding Brueghel's approach to nature.\u003c\/p\u003e\n\u003cp\u003eArianne Faber Kolb is codirector of the Mendoza Research Project in Berkeley. She has previously worked in the J. Paul Getty Museum's Paintings Department and at The Metropolitan Museum of Art, New York.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892367702');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e100 pages\u003cbr\u003e11 x 8 inches\u003cbr\u003e45 color and 33 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-770-2\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e2005\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017922277568,"sku":"9780892367702","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-770-2.jpeg?v=1598904207"},{"product_id":"masaccio-978-0892362868","title":"Masaccio: Saint Andrew and the Pisa Altarpiece","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEliot W. Rowlands\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRanked by many scholars as the greatest master of early Italian Renaissance painting, Masaccio (1401–1428) was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement, revolutionary in Masaccio's day, is one of the painter's significant contributions to art history.\u003c\/p\u003e\n\u003cp\u003eThis book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which the \u003ci\u003eSaint Andrew\u003c\/i\u003e panel is thought to have once formed a part: the \u003ci\u003ePisa Altarpiece\u003c\/i\u003e—one of the truly great polyptychs in the history of Italian Renaissance art, produced in 1426 for a chapel in the church of Santa Maria del Carmine, Pisa.\u003c\/p\u003e\n\u003cp\u003eThe text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally, after examining the polyptych's individual panels, the book traces their subsequent history and recounts how art historians came to identify them.\u003c\/p\u003e\n\u003cp\u003eEliot Rowlands is a senior researcher at Wildenstein and Company in New York. He is the author of \u003ci\u003eThe Collections of the Nelson-Atkins Museum of Art I: Italian Painting, 1300–1800.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e128 pages\u003cbr\u003e7 1\/2 x 9 1\/4 inches\u003cbr\u003e29 color and 47 b\/w illustrations\u003cbr\u003e1 drawing\u003cbr\u003e1 color foldout\u003cbr\u003eISBN 978-0-89236-286-8\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003eSeries: Getty Museum Studies on Art\u003cbr\u003e\u003cbr\u003e2003\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017979228352,"sku":"9780892362868","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-286-8.jpeg?v=1599591380"},{"product_id":"summary-catalogue-of-european-decorative-arts-in-the-j-paul-getty-museum-978-0892366323","title":"Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eGillian Wilson and Catherine Hess\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJ. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, who was curator of decorative arts since 1971, broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Getty Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths' work, \u003ci\u003epietre dure,\u003c\/i\u003e and furniture from Italy and Northern Europe.\u003c\/p\u003e\n\u003cp\u003eThis book is a revised and expanded edition of \u003ci\u003eDecorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum.\u003c\/i\u003e In addition to more than forty added acquisitions—among these, four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.\u003c\/p\u003e\n\u003cp\u003eGillian Wilson is curator emerita in the Department of Decorative Arts and Sculpture at the J. Paul Getty Museum. Catherine Hess is the former associate curator of sculpture and works of art at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e320 pages\u003cbr\u003e9 x 10 inches\u003cbr\u003e597 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-632-3\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018145296576,"sku":"9780892366323","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-632-3.jpeg?v=1600373254"},{"product_id":"summary-catalogue-of-european-sculpture-in-the-j-paul-getty-museum-978-0892364886","title":"Summary Catalogue of European Sculpture in the J. Paul Getty Museum","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eIntroduction by Peter Fusco\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough one of the newer collections in the J. Paul Getty Museum, European sculpture occupies an important place in the Museum's acquisition efforts. For the first time, the entire European sculpture collection is catalogued in a book designed for scholars and students of sculpture. Reproductions of each piece are accompanied by text that identifies the sculptor, the medium, the dimensions, and the year the work was created.\u003c\/p\u003e\n\u003cp\u003ePeter Fusco is former curator of sculpture and works of art at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e88 pages\u003cbr\u003e8 1\/2 x 9 inches\u003cbr\u003e153 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-488-6\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1997\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018145329344,"sku":"9780892364886","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-488-6.jpeg?v=1600373281"},{"product_id":"vincennes-and-sevres-porcelain-978-0892361731","title":"Vincennes and Sèvres Porcelain: Catalogue of the Collections, The J. Paul Getty Museum","description":"\u003cp\u003e\u003cb\u003eAdrian Sassoon\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume documents the J. Paul Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, a complete bibliography, and an exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e206 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e53 color and 136 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-173-1\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. 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As a French Catholic heritage gave way to more civic-minded and secular views of posterity, how was the monument reinterpreted? How did works by Clodion, Jean-Antoine Houdon, Augustin Pajou, Marie-Joseph Peyre, and Jacques Germain Soufflot, among others, speak to the aesthetic philosophies of Denis Diderot, Jean-Jacques Rousseau, and Voltaire?\u003c\/p\u003e\n\u003cp\u003eAnalyzing an extraordinary range of artistic projects―from unrealized plans for a Bourbon memorial to the sculptural program for the Pantheon―the author appraises how the Enlightenment art of res publica intersected with historical forces, social movements, and continental philosophies that brought Western culture to the cusp of modernity.\u003c\/p\u003e\n\u003cp\u003eErika Naginski is associate professor of architectural history at the Graduate School of Design at Harvard University.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e\u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892369591');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n336 pages\u003cbr\u003e 7 1\/2 x 10 1\/2 inches\u003cbr\u003e 31 color and 78 b\/w illustrations\u003cbr\u003e ISBN 978-0-89236-959-1\u003cbr\u003e hardcover\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e \u003cbr\u003e 2009\n","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018120523968,"sku":"9780892369591","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-959-1.jpeg?v=1600371816"},{"product_id":"italian-ceramics-978-0892366705","title":"Italian Ceramics: Catalogue of the J. Paul Getty Museum Collections","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eCatherine Hess\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1984 the J. Paul Getty Museum acquired an exceptional collection of Italian Renaissance maiolica, or tin-glazed earthenware. These often brilliantly colored objects range from an early Florentine jar with oak leaf decoration to a much later Mannerist dish with grotesque ornament. \u003ci\u003eItalian Ceramics\u003c\/i\u003e catalogues this fine collection of forty-five objects spanning four hundred years, including a pair of eighteenth-century candlesticks representing mythological scenes, a tabletop with hunting scenes, and, from the 1790s, the beautifully modeled and painted \u003ci\u003eSaint Joseph with the Christ Child.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThe entries in this book amplify and update the earlier volume \u003ci\u003eItalian Maiolica,\u003c\/i\u003e published in 1988. Containing the most recent scientific, historical, and iconographic information about the Museum's holdings, the volume offers a wealth of new information about the Getty Museum's superb collection of Italian ceramic art. A historical introduction and individual commentaries are provided by Catherine Hess, the former associate curator in the Department of Sculpture at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e224 pages\u003cbr\u003e9 x 12 inches\u003cbr\u003e53 color and 227 duotone illustrations\u003cbr\u003e17 line drawings\u003cbr\u003e1 map\u003cbr\u003eISBN 978-0-89236-670-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017917526208,"sku":"9780892366705","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/italian_ceramics.jpg?v=1598898152"},{"product_id":"the-joys-of-collecting-978-1606060872","title":"The Joys of Collecting","description":"\u003cp\u003e\u003cb\u003eJ. Paul Getty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eWritten when he believed his collecting days were over, Getty recounts personal anecdotes, discusses his philosophy of collecting, dispenses advice, recalls his major triumphs, and encourages everyone to collect art. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJ. Paul Getty (1892–1976) was an American businessman and art collector, who viewed art as a civilizing influence in society.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn 1965, a decade after founding his namesake museum in Malibu, California, J. Paul Getty penned a brief reminiscence discussing what he had become his lifelong vocation. He wanted to convey “the romance and zest—the excitement, suspense, thrills, and triumphs—that make art collecting one of the most exhilarating and satisfying of all human endeavors.”  \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis book offers a fascinating portrait of an idiosyncratic and highly personal passion for art, which began in the 1930s and continued for more than four decades. The text, adorned with revealing anecdotes, covers paintings, Greek and Roman antiquities, and decorative arts and furniture, with conversational asides discussing Getty’s philosophy of collecting, as well as advice.\u003c\/p\u003e\n\u003cp\u003eJ. Paul Getty made his fortune in the oil business and was named the richest living American by \u003ci\u003eForbes\u003c\/i\u003e magazine in 1957. He is the author of \u003ci\u003eHow To Be Rich\u003c\/i\u003e (Playboy Press, 1965),\u003ci\u003e The Golden Age\u003c\/i\u003e (Trident Press, 1968), and \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/as-i-see-it-978-0892367009\"\u003eAs I See It: The Autobiography of J. Paul Getty\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2003).\u003c\/p\u003e\n\u003cp\u003e80 pages\u003cbr\u003e5 3\/8 x 8 1\/2 inches\u003cbr\u003e15 b\/w illustrations \u003cbr\u003eISBN 978-1-60606-087-2 \u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2011\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018165874880,"sku":"9781606060872","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-087-2.jpeg?v=1600806042"},{"product_id":"miraculous-bouquets-978-1606060902","title":"Miraculous Bouquets: Flower and Fruit Paintings by Jan van Huysum","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eAnne T. Woollett\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePrecisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682–1749) were among the most avidly collected paintings of the eighteenth century. The arrangements were painstakingly executed over many months and commanded exceptionally high prices from admirers throughout Europe.\u003c\/p\u003e\n\u003cp\u003eThis delightful book explores two of Van Huysum's most important still-life paintings, \u003ci\u003eVase of Flowers \u003c\/i\u003eand \u003ci\u003eFruit Piece\u003c\/i\u003e, both in the collection of the J. Paul Getty Museum. Executed in 1722, they are among the first works to feature the innovations Van Huysum introduced to a beloved Dutch tradition. Like his seventeenth-century predecessors, Van Huysum combined flowers and fruits that flourished at different times of the year into a single bouquet. He worked directly from nature rather than from sketchbooks and animated the arrangements with crawling insects and butterflies. His inimitable technique resulted in an illusionism that continues to captivate us today. The book's sumptuous plates reveal the artist's highly nuanced palette, and his exuberant, asymmetrical arrangements reflect emerging rococo rhythms.\u003c\/p\u003e\n\u003cp\u003eAnne T. Woollett is curator in the Department of Paintings at the J. Paul Getty Museum. She is the author of \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/rembrandt-in-southern-california-978-0892369935\"\u003eRembrandt in Southern California\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2009), and coauthor of \u003ci\u003e\u003ca href=\"http:\/\/shop.getty.edu\/products\/looking-at-paintings-978-0892369720\"\u003eLooking at Paintings: A Guide to Technical Terms\u003c\/a\u003e\u003c\/i\u003e (Getty Publications, 2009) and \u003ca href=\"https:\/\/shopgetty.myshopify.com\/products\/drama-and-devotion-978-1606061121\"\u003e\u003ci\u003eDrama and Devotion: Heemskerck's \u003c\/i\u003eEcce Homo\u003c\/a\u003e\u003ci\u003e\u003ca href=\"https:\/\/shopgetty.myshopify.com\/products\/drama-and-devotion-978-1606061121\"\u003e Altarpiece from Warsaw\u003c\/a\u003e \u003c\/i\u003e(Getty Publications, 2012). \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e48 pages\u003cbr\u003e4 1\/4\" x 6 1\/4\"\u003cbr\u003e24 color illustrations \u003cbr\u003eISBN 978-1-60606-090-2\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2011\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018005967040,"sku":"9781606060902","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-090-2.jpeg?v=1599591769"},{"product_id":"the-goldfish-in-the-chandelier-978-1606060940","title":"The Goldfish in the Chandelier","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eCasie Kesterson \u003cbr\u003eIllustrations by Gary Hovland\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA different kind of adventure story, \u003ci\u003eThe Goldfish in the Chandelier\u003c\/i\u003e takes place just outside Paris in the early 1800s. Uncle Henri is stuck. He has been commissioned to design a chandelier for a great house in Paris, but he can't figure out what form it should take. His young nephew, Louis Alexandre, comes to the rescue with some dazzling ideas—inspired by Alexander the Great and the first hot-air balloon flights over Paris—that surprise them both. Together, they use a lot of imagination to create something that never existed before—something new, unexpected, and very beautiful.\u003c\/p\u003e\n\u003cp\u003eThis delightful story was inspired by the Gérard-Jean Galle chandelier, one of the most popular pieces in the J. Paul Getty Museum's impressive collection of French decorative arts.\u003c\/p\u003e\n\u003cp\u003eAges seven to ten.\u003c\/p\u003e\n\u003cp\u003eFormerly on staff at the Getty Research Institute, Casie Kesterson currently is a consultant specializing in matters relating to the history of collecting. Gary Hovland's illustrations have appeared in such nationally and internationally known publications as the \u003ci\u003eNew Yorker\u003c\/i\u003e, the \u003ci\u003eWall Street Journal\u003c\/i\u003e, and \u003ci\u003eThe New York Times\u003c\/i\u003e. His illustrations for \u003ci\u003eIf the Walls Could Talk: Family Life at the White House\u003c\/i\u003e (Simon \u0026amp; Schuster, 2004) won a Toy Portfolio Platinum Book Award in 2005.\u003cbr\u003e\u003cbr\u003e“The whimsical pen-and-ink and watercolor drawings enhance the time period.”\u003cbr\u003e\u003cem\u003e—School Library Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32 pages\u003cbr\u003e7 1\/2 x 11 3\/4 inches\u003cbr\u003e24 color illustrations\u003cbr\u003eISBN 978-1-60606-094-0\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018157715648,"sku":"9781606060940","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-094-0.jpeg?v=1600799095"},{"product_id":"modern-sculpture-reader-978-1606061060","title":"Modern Sculpture Reader","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Jon Wood, David Hulks, and Alex Potts \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn many anthologies of art, sculpture is given short shrift in relation to other media, if it is treated at all. \u003ci\u003eModern Sculpture Reader\u003c\/i\u003e aims to rectify this situation by presenting a collection of important texts that have defined sculpture's radically changing status and role since the end of the nineteenth century, a time marked by a general reappraisal of the forms and functions of art.\u003c\/p\u003e\n\u003cp\u003eFrom the rigorously theoretical to the experimental and poetic, \u003ci\u003eModern Sculpture Reader\u003c\/i\u003e offers a lively discourse on the medium by a range of artists, writers, critics, and poets—Marcel Duchamp, Louise Bourgeois, Claes Oldenberg, Andr\u003cspan dir=\"auto\"\u003eé\u003c\/span\u003e Breton, Ezra Pound, and Clement Greenberg—in a variety of genres: poems, lectures, transcribed interviews, newspaper and magazine articles, and artists' statements. These diverse text selections offer valuable insight into the development of the critical language of sculpture and its connections to other media in an era of increasingly conceptual artistic practice. Many of the essays highlight key ongoing concerns such as sculpture's physical properties and conditions of display, both of which have important implications for the viewer's tactile and emotional interaction with sculptural works.\u003c\/p\u003e\n\u003cp\u003eJon Wood is research curator at the Henry Moore Institute, Leeds, and coauthor of \u003ci\u003eArticulate Objects: Sculpture, Voice and Performance\u003c\/i\u003e (Peter Lang, 2009). David Hulks is a teacher and researcher in world art studies with an interest in psychoanalytical theory and the conceptual aspects of three-dimensional art since the post-war era. Alex Potts is Max Loehr Collegiate Professor in the Department of History of Art at the University of Michigan at Ann Arbor and the author of \u003ci\u003eThe Sculptural Imagination: Figurative, Modernist, Minimalist\u003c\/i\u003e (Yale University Press, 2001).\u003cbr\u003e\u003cbr\u003e“A thoughtful selection of contemporary writings on sculpture from the 1890s to 2003.”\u003cbr\u003e\u003cem\u003e—Library Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e544 pages\u003cbr\u003e6 1\/2 x 9 1\/2 inches\u003cbr\u003eISBN 978-1-60606-106-0\u003cbr\u003epaperback \u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018008916160,"sku":"9781606061060","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-106-0.jpeg?v=1599591990"},{"product_id":"clays-tectonic-shift-978-1606061053","title":"Clay's Tectonic Shift: John Mason, Ken Price, and Peter Voulkos, 1956-1968","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Mary Davis MacNaughton\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eClay's Tectonic Shift\u003c\/i\u003e focuses on artists John Mason (born 1927), Kenneth Price (born 1935), and Peter Voulkos (1924–2002) and their radical early work in postwar Los Angeles where they formed the vanguard of a new California ceramics movement. The three artists broke from the craft tradition that emphasized the function of a piece. Experimenting with scale, surface, color, and volume, their work was instrumental in elevating ceramics from a craft to a fine art.\u003c\/p\u003e\n\u003cp\u003eEarlier exhibitions and publications stated that key innovations in this new ceramics movement were made at the Otis Art Institute and that its direction was defined by a group of students surrounding the charismatic leader Voulkos. The truth is that the new trend in ceramics was driven by the works that Price, Mason, and Voulkos made in a subsequent, independent phase when they were working as professional artists in Los Angeles, and the goal of \u003ci\u003eClay's Tectonic Shift\u003c\/i\u003e is to correct that misconception. These three artists followed individual paths as they willfully propelled a new use of the medium into the mainstream professional arena, where it was widely recognized and documented.\u003c\/p\u003e\n\u003cp\u003eAn exhibition of the same name was on view at the Ruth Chandler Williamson Gallery at Scripps College from January 21 through April 8, 2012, as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California to tell the story of the birth of the Los Angeles art scene.\u003c\/p\u003e\n\u003cp\u003eMary Davis MacNaughton, director of the Williamson Gallery and associate professor of art history at Scripps College, has contributed to books on ceramics, including \u003ci\u003eRevolution in Clay: The Marer Collection of Contemporary Ceramics\u003c\/i\u003e (University of Washington Press, 1994) and retrospectives on Paul Soldner and David Furman.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e240 pages\u003cbr\u003e8 1\/2 x 11 inches\u003cbr\u003e131 color and 37 b\/w illustrations \u003cbr\u003eISBN 978-1-60606-105-3\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Scripps College\/J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017664458944,"sku":"9781606061053","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-105-3.jpeg?v=1598296911"},{"product_id":"lucio-fontana-978-1606061145","title":"Lucio Fontana: The Artist's Materials","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePia Gottschaller\u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003eLucio Fontana (1899–1968) is widely regarded as one of the most influential and innovative post–World War II Italian artists. Best known for his \u003ci\u003etagli\u003c\/i\u003e—slashed, mostly monochromatic canvases—Fontana fashioned a remarkably multifaceted oeuvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminum flakes, and sand.\u003c\/p\u003e\n\u003cp\u003eThis richly illustrated book, the third in the Getty Conservation Institute's Artist's Materials series, presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work. Subsequent chapters examine the nine major cycles of work on canvas that constitute his most important achievement, focusing on the physical genesis of these landmark paintings: How did Fontana's philosophical concerns influence his choice of materials? Once he had settled on an aesthetic concept, what precise means did he use to realize it? Did physical constraints imposed by the material force him to adjust his concepts? In considering these questions, this book seeks to illuminate how Fontana's material choices over the course of his career fit into the gradual evolution of idea into form.\u003c\/p\u003e\n\u003cp\u003ePia Gottschaller is a freelance paintings curator and conservator.\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9781606061145');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e150 pages\u003cbr\u003e7 1\/2 x 10 inches\u003cbr\u003e76 color and 18 b\/w illustrations \u003cbr\u003eISBN 978-1-60606-114-5\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Conservation Institute \u003cbr\u003eSeries: The Artist's Materials\u003cbr\u003e\u003cbr\u003e2012\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017966907584,"sku":"9781606061145","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-114-5.jpeg?v=1598980877"},{"product_id":"selections-from-the-decorative-arts-in-the-j-paul-getty-museum-978-0892360505","title":"Selections from the Decorative Arts in the J. Paul Getty Museum","description":"\u003cp\u003e\u003cb\u003eGillian Wilson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA vibrantly illustrated cross-section of the J. Paul Getty Museum's important collection—each selection represents an aspect of production for the Crown, nobility, and bourgeoisie. Chronologically arranged examples from major workshops, translations of French archival extracts, index, and a bibliography are included.\u003c\/p\u003e\n\u003cp\u003eGillian Wilson is curator emerita in the Department of Decorative Arts and Sculpture at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e110 pages\u003cbr\u003e8 1\/2 x 11 inches\u003cbr\u003e52 color illustrations\u003cbr\u003eISBN 978-0-89236-050-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1983\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018131009728,"sku":"9780892360505","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-050-5.jpeg?v=1600372769"},{"product_id":"anthony-van-dyck-thomas-howard-the-earl-of-arundel-978-0892363421","title":"Anthony van Dyck: Thomas Howard, The Earl of Arundel","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eChristopher White\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAnthony van Dyck's portrait of Thomas Howard was made during the artist's first visit to London and marked the beginning of his brilliant international career. Thomas Howard, a prominent member of the court of James I, was to become one of the greatest and most enlightened collectors and patrons England has ever known.\u003c\/p\u003e\n\u003cp\u003eThis probing study provides a history both of Thomas Howard, and of van Dyck, whose canvases established the grand tradition of portraiture both in England and on the Continent. The illustrated volume offers not only a complete study of a great painting but also a primer on how great collections are formed and great careers are launched.\u003c\/p\u003e\n\u003cp\u003eChristopher White, director of Oxford University's Ashmolean Museum, is professor of the art of the Netherlands at the University. 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