{"title":"Photography Gifts","description":"\u003cp\u003eCelebrate the art of photography with vintage-style cameras, books and photography-inspired décor.\u003c\/p\u003e","products":[{"product_id":"photography-as-fiction-978-1606060315","title":"Photography as Fiction","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eErin C. Garcia\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePhotography is commonly associated with fact, yet it has been a medium for fiction from the very beginning. Following its inception in 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. The tradition of staging persisted as an artistic approach into the twentieth century and took on new meaning in the context of advertising, film, and television. This book's short introductory essay summarizes the history of staged photography, highlighting key debates that center on the seeming contradiction between the medium's blunt factuality and its capacity for deception.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePhotography as Fiction\u003c\/i\u003e includes seventy-six color plates illustrating works from the J. Paul Getty Museum's collection that embrace theatricality and are unconcerned with documenting the world as it exists. The book showcases works by both widely known and less prominent artists, including Julia Margaret Cameron, Lewis Carroll, Jo Ann Callis, Eileen Cowin, Roger Fenton, Gertrude Käsebier, Loretta Lux, Man Ray, Ralph Eugene Meatyard, Yasumasa Morimura, Paul Outerbridge, Henry Peach Robinson, Lucas Samaras, Alfred Stieglitz, Andy Warhol, and Carrie Mae Weems.\u003c\/p\u003e\n\u003cp\u003eErin C. Garcia is assistant curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e112 pages\u003cbr\u003e7 1\/4 x 8 5\/8 inches\u003cbr\u003e24 color and 62 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-031-5\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2010\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018069635264,"sku":"9781606060315","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1-60606-031-5.jpeg?v=1600193615"},{"product_id":"film-roll-cufflinks","title":"Cuff Links - Film Roll","description":"Cuff links made of high grade rhodium silver plated brass and plastic.\u003cbr\u003e\u003cbr\u003e- Roll of film measures 0.625\" x 0.5\"\u003cbr\u003e - Includes presentation box\u003cbr\u003e - Item #: CD-1709\n","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":323041353,"sku":"CD-1709","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/CD-1709.jpg?v=1593141940"},{"product_id":"camera-lens-cufflinks","title":"Cuff Links - Camera Lens","description":"Cuff links made of high grade rhodium silver plated brass and enamel.\u003cbr\u003e\u003cbr\u003e- Camera lens measures 1\" x 0.5\"\u003cbr\u003e- Includes elegant gift box \u003cbr\u003e- Item #: CD-1707","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":323043419,"sku":"CD-1707","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/cd_1707.jpg?v=1593141849"},{"product_id":"35mm-camera-dial-cufflinks","title":"35MM Camera Dial Cufflinks","description":"Designed to appear similar to the dial on a 35-millimeter camera, this pair of cuff links is perfect for the photography aficionado. \u003cbr\u003e\u003cbr\u003e- Diameter: 5\/8 inch\u003cbr\u003e- Rhodium silver plating \u003cbr\u003e- Item #: CD-1933\u003cbr\u003e\u003cbr\u003e","brand":"CUFF-DADDY.COM","offers":[{"title":"Default Title","offer_id":16754198917,"sku":"CD-1933","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/CD-1933-1_1.jpg?v=1593141776"},{"product_id":"pc-hockney-pearblossom-highway","title":"Hockney  - Pearblossom Hwy., 11-18th April 1986, #2 - Postcard","description":"\u003cp\u003ePostcard featuring David Hockney's iconic \u003cem\u003ePearblossom Hwy\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e-Size: 4.25 inches\u003cspan\u003e x 6 inches\u003c\/span\u003e\u003cbr\u003e-Item #: C609\u003c\/p\u003e\n\u003cp\u003eDavid Hockney (English, born 1937)\u003cem\u003e\u003cbr\u003ePearblossom Hwy.,11-18th April 1986, #2\u003c\/em\u003e, April 11-18,1986\u003cbr\u003ePhotographic collage of chromogenic prints\u003cbr\u003e198 x 282 cm (78 x 11in.)\u003cbr\u003eThe J. Paul Getty Museum, 97.XM.39 \u003c\/p\u003e\n\u003cp\u003ePhotograph © 1986 David Hockney\u003cbr\u003ePostcard text and design © 1997 J. Paul Getty Trust\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":35921415433,"sku":"C609","price":1.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C609_1.jpg?v=1597262772"},{"product_id":"pc-swedlund-buffalo-new-york-female-nude","title":"Swedlund - Buffalo, New York (Female Nude) - Postcard","description":"\u003cp\u003ePostcard featuring Swedlund's \u003cem\u003eBuffalo, New York (Female Nude).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e- Size: \u003cspan\u003e4.25 inches x 6 inches\u003c\/span\u003e\u003cbr\u003e- Item#: C1071\u003c\/p\u003e\n\u003cp\u003eCharles Swedlund (American, born 1935)\u003cbr\u003e\u003cem\u003eBuffalo, New York (Female Nude)\u003c\/em\u003e, about 1970\u003cbr\u003eGelatin silver print, 18.7 x 15.9 cm (7 3\/8 x 6 1\/4 in.)\u003cbr\u003eThe J. Paul Getty Museum, 2012.39 \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":36076980041,"sku":"C1071","price":1.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1071_1.jpg?v=1592326885"},{"product_id":"lenticular-postcard-horse-skeleton","title":"Lenticular Postcard - Horse Skeleton","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003c\/span\u003e 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1271\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eThe Attitudes of Animals in Motion, 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.161-.170 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2333997498377,"sku":"C1271","price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1271_2000xcopy.gif?v=1601947478"},{"product_id":"lenticular-postcard-sprinter","title":"Lenticular Postcard - Sprinter","description":"\u003cp\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003cspan style=\"font-size: 0.875rem;\"\u003e the 'Animal Locomotion' series of stopped-action motion studies completed in 1887.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1326\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\"\u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eAnimal Locomotion, 1887\u003cbr\u003eCollotype 15.2 × 43.7 cm (6 × 17 3\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 84.XM.628.32 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2333997727753,"sku":"C1326","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1326.gif?v=1592247065"},{"product_id":"lenticular-postcard-weight-lifter","title":"Lenticular Postcard - Weight Lifter","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003c\/span\u003e the 'Animal Locomotion' series of stopped-action motion studies completed in 1887. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1327\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eAnimal Locomotion, 1887\u003cbr\u003eCollotype 16.2 × 42.5 cm (6 3\/8 × 16 3\/4 in.) \u003cbr\u003eThe J. Paul Getty Museum, 84.XM.628.37 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2333997957129,"sku":"C1327","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1327.gif?v=1592247090"},{"product_id":"lenticular-postcard-back-somersault","title":"Lenticular Postcard - Back Somersault","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works, the 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003cbr\u003e- Item #: C1330\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eBack Somersault from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.110 \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334001233929,"sku":"C1330","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1330.gif?v=1592246286"},{"product_id":"lenticular-postcard-running-deer","title":"Lenticular Postcard - Running Deer","description":"\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works, \u003c\/span\u003e'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1331\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eRunning from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.92","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334001496073,"sku":"C1331","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1331.gif?v=1592247012"},{"product_id":"lenticular-postcard-running-greyhound","title":"Lenticular Postcard - Running Greyhound","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis lenticular postcard, which animates the images as you move it back and forth, celebrates one of Eadweard Muybridge's best known works,\u003c\/span\u003e 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1332\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eRunning from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.81 \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334001790985,"sku":"C1332","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1332.gif?v=1592247040"},{"product_id":"lenticular-postcard-galloping-horse","title":"Lenticular Postcard - Galloping Horse","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003eThis lenticular postcard celebrates one of Eadweard Muybridge's best known works, the 'The Attitudes of Animals in Motion' series of stopped-action motion studies completed in 1881. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dimensions: 4 1\/4 inches x 6 1\/2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Item #: C1333\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn his early twenties, Eadweard Muybridge moved to the United States, where he was drawn to the primarily uncharted Western landscape. After a stagecoach accident, he convalesced back home in England and learned photography. Upon returning to the States in 1867, he soon earned his reputation photographing the landscape. Apparently a hot-tempered man, Muybridge shot and killed his much younger wife's lover but was acquitted after a sensational trial, in part perhaps because he was friends with Leland Stanford, railroad magnate and governor of California. They became acquainted in 1872, when Stanford made a bet regarding a horse's gallop, contending that when a horse gallops, at some point all four of its feet are off the ground simultaneously. Stanford hired Muybridge to prove it photographically; Muybridge, using a system of trip-shutter, high-speed photography and twenty-four cameras, did just that. Never one for false modesty, Muybridge declared: \"The circumstances must have been exceptionally felicitous that made co-laborateurs [sic] of the man that no practical impediment could halt and of the artist who, to keep pace with the demands of the railroad builders, hurried his art to a marvel of perfection that it is fair to believe it would not else have reached in another century.\" \u003cbr\u003e\u003cbr\u003eEadweard J. Muybridge (American, born England, 1830 - 1904) \u003cbr\u003eRunning (Galloping) from The Attitudes of Animals in Motion \u003cbr\u003eNegative 1878 - 1879, print 1881 \u003cbr\u003eIron salt process, 18.7 x 22.4 cm (7 3\/8 x 8 13\/16 in.) \u003cbr\u003eThe J. Paul Getty Museum, 85.XO.362.49 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":2334002020361,"sku":"C1333","price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/C1333.gif?v=1592246924"},{"product_id":"sun-print-notecards-the-cyanotypes-of-anna-atkins","title":"Sunprint Notecards: The Cyanotypes of Anna Atkins","description":"Hailed as the first female photographer (and first to publish a book of photographs), Victorian botanist Anna Atkins made stunning cyanotypes, or blueprints, of hundreds of different plants. This box of notecards presents twelve of her contact photograms - of algae, ferns and irises - in rich hues and stunning detail. Matching envelopes are printed on the inside with cyanotype images of the handwritten pages of Atkins' books. Visit the Collection at the J. Paul Getty Museum, at \u003ca href=\"https:\/\/www.getty.edu\/art\/collection\/\" target=\"_blank\" title=\"J. Paul Getty Museum Collections - Explore Art\" rel=\"noopener noreferrer\"\u003eGetty.edu\u003c\/a\u003e, to learn more about Anna Atkins and view more of her work. \u003cbr\u003e\u003cbr\u003e- 12 notecards \u003cbr\u003e- 12 designs \u003cbr\u003e- Matching envelopes \u003cbr\u003e- Keepsake box measures 5.8 inches x 2 inches x 7.2 inches \u003cbr\u003e- Item #:  978-1616895914","brand":"CHRONICLE BOOKS","offers":[{"title":"Default Title","offer_id":32390031376461,"sku":"9781616895914","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781616895914.jpg?v=1601922179"},{"product_id":"magnetic-poetry-set-the-photographer","title":"Magnetic Poetry Set - The Photographer","description":"Just as the camera cannot quite capture what the eye sees and yet can convey truths and tell stories of its own, this box of words can say things about photography that you would never come up with on your own. Some of those things might be absurd and hilarious, some might actually be quite insightful and beautiful. 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Cat \u003cem\u003ewith a Pearl Earring\u003c\/em\u003e? Frida Kahlo self-portraits with pets and toilet paper? While the world reeled from the rapid spread of the novel coronavirus (COVID-19), thousands of people around the globe, inspired by challenges from Getty and other museums, raided toy chests, repurposed pantry items, and enlisted family, roommates, and animals to re-create famous works of art at home. Astonishing in their creativity, wit, and ingenuity, these creations remind us of the power of art to unite us and bring joy during troubled times. \u003cem\u003eOff the Walls: Inspired Re-Creations of Iconic Artworks\u003c\/em\u003e celebrates these imaginative re-creations, bringing highlights from this challenge together in one whimsical, irresistible volume. \u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eGetty Publications will donate all profits from the sale of the book to a charity supporting art and artists.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“There won't be much from the Corona era to look back on with pleasure, but the pictures of recreated works of art are definitely one of the rays of light.”\u003cbr\u003e—Susanne Lenz, \u003cem\u003eBerliner Zeitung\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There’s not a lot about this spring that we can really look back on with fondness. 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Harris, with an introduction by Hilton Als\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis richly illustrated book is the first monograph to explore the prolific career of the celebrated photographer Anthony Barboza.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eAnthony Barboza (b. 1944) is a celebrated artist and writer who has made thousands of photographs in the studio and on the street since 1963. A member of the Kamoinge collective of photographers in New York, Barboza is largely self-taught and has an inimitable, highly intuitive vision that he refers to as “eye dreaming,” or “a state of mind that’s almost like meditation.” Throughout the years he has made countless commercial images, including celebrity portraits, advertisements, and album covers. 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This monograph, the first on the artist, will appeal to aficionados of photography and Black art and culture.  \u003c\/p\u003e\n\u003cp\u003eAnthony Barboza is an artist, historian, and writer. He has been making photographs in the studio and on the street since 1963. \u003cspan\u003eAaron Bryant is curator of photography and visual culture at the National Museum of African American History \u0026amp; Culture, Smithsonian Institution. \u003c\/span\u003eMazie M. Harris is assistant curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e“The book will appeal to fans of Black art and culture.”\u003cbr\u003e—Seth Chitwood, \u003cem\u003eSouthCoastTODAY\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“As the first artist to photograph Grace Jones, the mastermind behind the celebrated “Black Borders” portrait series, and the man who shot model Pat Evans with Isaac Hayes for \u003cem\u003eEssence\u003c\/em\u003e—bringing the beauty of Black bald women to the mainstream—Barboza has been an integral force in shaping the visual language of contemporary photography.”\u003cbr\u003e—Miss Rosen, \u003cem\u003eBlind Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Impressive, informative, and beautifully published monograph from the J. Paul Getty Museum.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The first monograph on this significant American photographer, thorough and handsomely designed.”\u003cbr\u003e—Michael Dashkin, \u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In this sensational collection, photographer Barboza’s body of work is celebrated in all its glory. . . . It’s a gorgeous addition to the shelf of any art book collector.”\u003cbr\u003e—\u003cem\u003ePublishers Weekly\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Tony Barboza is a genius—few photographers capture the beauty of Black women like he can.\"\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\" aria-hidden=\"true\"\u003e—Audrey Smaltz, former model, fashion columnist and entrepreneur\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Barboza’s creative talent is unmatched, as anyone fortunate enough to be part of his photo shoots will tell you. Let him take you on this journey through decades of photographs of everyday life, beauty, and culture.”\u003cbr\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e—Pat Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e “Sometimes words just didn't cut it—we needed pictures. That's where Barboza came in. Whether they be musicians, painters, poets or orators, very few have captured the essence of Blackness as Barboza has.\"\u003cbr\u003e—Ishmael Reed\u003cbr\u003e\u003cbr\u003e“Anthony Barboza’s work has a dynamic quality of motion that always captures the restless inner lives of his subjects. His images reveal their interior selves as richly as they do their exterior selves. He sees into them, and they unfold before his gaze and our eyes.”\u003cbr\u003e—Nelson George, author and filmmaker\u003cbr\u003e\u003cbr\u003e“I loved every page of this book. \u003cem\u003eEye Dreaming\u003c\/em\u003e is magical. It is a panorama of the photographer’s life in image making focusing on the beauty and trauma of Black life. The compelling text by the writers brilliantly expands the visual narratives. Barboza’s portraits of Black creatives from writers to poets, fashion models to painters, photographers to musicians portrays a fascinating history that is long overdue.  It is a must have!”\u003cbr\u003e —Deborah Willis, author of \u003cem\u003ePosing Beauty in African American Culture \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Anthony Barboza produces photographs with a curious eye, creating unique images of surreal, and quiet moments that capture the essence of his subjects. You feel Barboza’s images taking us to a higher place to experience his creativity through his camera lens.”\u003cbr\u003e—Sheila Pree Bright, photographer, artist, and author \u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n184 pages\u003cbr\u003e9 3\/4 x 12 inches\u003cbr\u003e216 color illustrations\u003cbr\u003e ISBN 978-1-60606-783-3\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e 2022","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":41816998904000,"sku":"9781606067833","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/EyeDreaming.jpg?v=1664404492"},{"product_id":"the-absolute-realist-collected-writings-of-albert-renger-patzsch-1923-1967-978-1606067802","title":"The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923-1967","description":"\u003cstrong\u003eAlbert Renger-Patzsch\u003c\/strong\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEdited and translated by Daniel H. Magilow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch’s collected writings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA towering figure in the history of photography, Albert Renger-Patzsch (1897–1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany’s Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch’s photographs embody what his peer Hugo Sieker termed “absolute realism,” an approach predicated upon the idea that photographers have one task: to exploit the camera’s unique capacity to document with uncompromising detail.\u003cbr\u003e\u003cbr\u003eNot only a photographer, Renger-Patzsch was also an influential and lucid writer who advocated his unique brand of uncompromising realism in almost a half century’s worth of articles, essays, lectures, brochures, and unpublished manuscripts addressing photography, technology, and modernity. Drawing on his papers at the Getty Research Institute and other archives, The Absolute Realist unites in one volume this skillful photographer’s ideas about the defining visual medium of modernity.  \u003cbr\u003e\u003cbr\u003eDaniel H. Magilow is professor of German at the University of Tennessee, Knoxville. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“For photography lovers as well as researchers, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923–1967\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, edited and translated by Daniel H. Magilow, is undoubtedly a valuable addition to the bookshelf. Magilow’s sensitive translation and knowledgeable scholarly introduction allow rare insight into the German photographer‘s work and thought during the explosive period of National Socialism, and ultimately make for an exceptionally exciting read. Highly recommended.”\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGabriele Conrath-Scholl, Director, Die Photographische Sammlung\/SK Stiftung Kultur, Cologne \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“As the first complete collection of Albert Renger-Patzsch’s writings, \u003ci\u003eThe Absolute Realist\u003c\/i\u003e brings one of the twentieth century’s most significant photographers into focus as a writer and theorist. Gorgeously illustrated with Renger-Patzsch’s photographs—which are by turns hauntingly beautiful, sublime, and downright funny—Daniel H. Magilow’s crisp translations and insightful commentary shed new light on Renger-Patzsch’s life and work during Germany’s most tumultuous decades.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Elizabeth Otto, Professor of Art History, University at Buffalo (SUNY)\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Daniel H. Magilow brings both a wealth of knowledge and precision to \u003ci\u003eThe Absolute Realist\u003c\/i\u003e—qualities that Albert Renger-Patzsch himself prized. In addition to his astute translations, Magilow offers a fresh and nuanced reading of the photographer’s most prominent years. He underscores the tension between consistency and breadth across almost a half century of thought in ways that make this collection of the German modernist’s writings especially relevant for readers today.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Matthew S. Witkovsky, Richard and Ellen Sandor Chair and Curator of Photography and Media Vice President for Strategic Art Initiatives, Art Institute of Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Albert Renger-Patzsch has long been known as a giant of early twentieth-century photography. Thanks to Daniel Magilow's deft editing and translations, an English-speaking public can now learn what a savvy critic and theorist of photography he was as well.” \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Pepper Stetler, author of \u003ci\u003eStop Reading! Look!: Modern Vision and the Weimar Photographic Book\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Daniel H. Magilow’s careful translation and thorough annotation of Albert Renger-Patzsch’s writings offer an invaluable invitation: For the very first time, we can discover one of the most influential photographers of the modern era as an eminent theorist and attentive critic. This excellent edition will undoubtedly advance our interest in a period when the art of photography became not just a subject for professionals but an affair for countless amateurs.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—Steffen Siegel, editor of \u003c\/span\u003e\u003ca title=\"First Exposures: Writings from the Beginning of Photography\" href=\"https:\/\/shop.getty.edu\/products\/first-exposures-writings-from-the-beginning-of-photography-978-1606065242\" target=\"_blank\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFirst Exposures: Writings from the Beginning of Photography\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\n340 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e76 b\/w illustrations\u003cbr\u003e ISBN 978-1-60606-780-2 \u003cbr\u003epaperback \u003cbr\u003e\u003cbr\u003e Getty Publications  \u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e 2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":42920850948288,"sku":"9781606067802","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606067802.jpg?v=1657662871"},{"product_id":"actionsampler-camera","title":"ActionSampler Clear Camera","description":"\u003cp\u003eSnap not one, not two, not three but FOUR sequential images on one frame with this miniature 35 mm camera. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCalling all action-addicted, analogue adventurers!\u003c\/li\u003e\n\u003cli\u003eFour times the fun in every frame\u003c\/li\u003e\n\u003cli\u003eFour single element sequentially operated lenses\u003c\/li\u003e\n\u003cli\u003eFixed aperture, shutter-speed \u0026amp; focal length\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cbr\u003e- Film Format: 35 mm \u003cbr\u003e- Focal Length: 4 x 26 mm\u003cbr\u003e- Available Apertures: f8 Package \u003cbr\u003e\u003cbr\u003e\u003cb\u003eContents:\u003c\/b\u003e\u003cbr\u003e- ActionSampler Clear Camera\u003cbr\u003e- Handstrap \u003cbr\u003e- Instruction Manual\u003cbr\u003e\u003cbr\u003e- Dimensions 5 x 2 x 2 inches\u003cbr\u003e- Item# ASP200\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNot eligible for discounts, sales, or promotions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"LOMOGRAPHIC SOCIETY","offers":[{"title":"Default Title","offer_id":43200774930624,"sku":"ASP200","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/ASP200actionsampler_front_a.jpg?v=1760736864"},{"product_id":"rediscovering-black-portraiture-978-1606068168","title":"Rediscovering Black Portraiture","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePeter Brathwaite, with contributions by Cheryl Finley, Temi Odumosu, and Mark Sealy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoin Peter Brathwaite on an extraordinary journey through representations of Black subjects in Western art, from medieval Europe through the present day.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“These mirror images with their uncanny resemblances traverse space and time, spotlighting the black lives that have been silenced by the canon of western art, while also inviting us to interrogate the present.” \u003cbr\u003e—\u003cem\u003eTimes\u003c\/em\u003e (UK)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince the beginning of the COVID-19 pandemic, Peter Brathwaite has thoughtfully researched and reimagined more than one hundred artworks featuring portraits of Black sitters—all posted to social media with the caption “Rediscovering #blackportraiture through #gettymuseumchallenge.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRediscovering Black Portraiture\u003c\/em\u003e collects more than fifty of Brathwaite’s most intriguing re-creations. Introduced by the author and framed by contributions from experts in art history and visual culture, this fascinating book offers a nuanced look at the complexities and challenges of building identity within the African diaspora and how such forces have informed Black portraits over time. Artworks featured include \u003cem data-mce-fragment=\"1\"\u003eThe Adoration of the Magi\u003c\/em\u003e by Georges Trubert, \u003cem data-mce-fragment=\"1\"\u003ePortrait of an Unknown Man\u003c\/em\u003e by Jan Mostaert, \u003cem data-mce-fragment=\"1\"\u003eRice n Peas\u003c\/em\u003e by Sonia Boyce, \u003cem data-mce-fragment=\"1\"\u003eBarack Obama\u003c\/em\u003e by Kehinde Wiley, and many more. This volume also invites readers behind the scenes, offering a glimpse of the elegant artifice of Brathwaite’s props, setup, and process. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn urgent and compelling exploration of embodiment, representation, and agency, \u003cem data-mce-fragment=\"1\"\u003eRediscovering Black Portraiture\u003c\/em\u003e serves to remind us that Black subjects have been portrayed in art for nearly a millennium and that their stories demand to be told.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAn exhibition of Brathwaite’s re-creations is on view at the Bristol Museum \u0026amp; Art Gallery in Bristol, UK from April 14 to September 3, 2023.\u003c\/p\u003e\n\u003cp\u003ePeter Brathwaite is an acclaimed baritone who performs in operas and concerts throughout Europe. He is a presenter on BBC Radio 3 and has been shortlisted for a Royal Philharmonic Society Award. Cheryl Finley is inaugural distinguished visiting director of the Atlanta University Center Art History and Curatorial Studies Collective and the author of \u003cem\u003eCommitted to Memory: The Art of the Slave Ship Icon\u003c\/em\u003e (2018). Temi Odumosu is an art historian, curator, and assistant professor at University of Washington Information School and the author of \u003cem\u003eAfricans in English Caricature 1769–1819: Black Jokes, White Humour\u003c\/em\u003e (2017). Mark Sealy is director of Autograph and professor of photography, race, and human rights at University of the Arts London. His numerous publications include \u003cem\u003eDifferen\u003c\/em\u003et (2001), coauthored with Stuart Hall; \u003cem\u003eDecolonising the Camera: Photography in Racial Time\u003c\/em\u003e (2019); and \u003cem\u003ePhotography: Race, Rights, and Representation\u003c\/em\u003e (2022).\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e“[This] book represents a powerful engagement with the critical issue of race in the history of western art and how modern black spectators can find themselves, so to speak, within the visual dimension both past and present. The photographic quality is first-rate.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e—Albrecht Classen, \u003ci\u003eMediaevistik\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp\u003e“Ingenious recreations of artworks featuring Black sitters from throughout art history.”\u003cbr\u003e—\u003cem\u003eV\u0026amp;A Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This publication will captivate readers and inspire meaningful dialogue about the transformative potential of art in shaping our understanding of the world.”\u003cbr\u003e—\u003cem\u003eARLIS\/NA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eRediscovering Black Portraiture\u003c\/em\u003e is a delight to browse through and instructively thought-provoking for readers with an interest in Black Pop Culture Artwork and Photography.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Peter Brathwaite’s oeuvre defies neat categorization: Is it art, performance, autobiography, or art historical essay? He has blended these modes to make work that is joyful, original, and poignant. It is important and timely. To restage Black portraiture, from the Domesday Book to Kehinde Wiley, Brathwaite gets inside the lives and worlds of each sitter and brilliantly rediscovers, reclaims, and re-presents Black (art) history for modern audiences. His empathetic performances give agency to the people portrayed and breathe warmth and life into what was previously frozen; he reminds us that Black historical lives matter too.”\u003cbr\u003e—Lucy Peltz, Head of Collections Displays (Tudor to Regency) and Senior Curator, 18th Century Collections, National Portrait Gallery\u003c\/p\u003e\n\u003cp\u003e“A truly compelling visual feast that reanimates the archives of Black portraiture in the present. Brathwaite brings lost souls back into view in a meditation on Black presence within art’s histories. Accompanied by a moving commentary on his own experiences as what he terms ‘a rare breed’ of Black British opera singer encountering career-long racism, Brathwaite retells narratives of Black historical subjects in order to return dignity and agency to their otherwise so-often ‘submerged lives’.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eEssays from renowned scholars Cheryl Finley, Temi Odumosu and Mark Sealy amplify \u003c\/span\u003eBrathwaite’s sensitive and poetic narrative account, as well as the extraordinarily vibrant and ambitious photographic reconstructions of historic artworks reproduced here in glorious colour. This is one of the most moving and joyous aesthetic legacies of Covid times and a triumph of creative endeavour.”\u003cbr\u003e—Professor Dorothy Price FBA, Professor of Modern and Contemporary Art and Critical Race Art History, Courtauld Institute of Art\u003c\/p\u003e\n\u003cp\u003e“Brathwaite brings a novel innovative way into considering the Black presence in art, creating another dimension to consider and reflect on the original work, helping us not just to engage more deeply with the composition and its subject but bringing the Black presence to life, re-creating it for us today in a thoroughly modern and highly relevant manner—an exciting Black visual tour de force!”\u003cbr\u003e—Michael I. Ohajuru FRSA\u003c\/p\u003e\n\u003cp\u003e“Ever since I first stumbled across Peter’s portraits on Twitter, I’ve been captivated by his sharp wit, innovative costuming, rich range of visual reference, and the sheer joy of each image. This is a book that will enchant and intrigue and educate. I’m thrilled by the beauty and fun and history on every page.”\u003cbr\u003e—Samira Ahmed, BBC broadcaster  \u003c\/p\u003e\n\u003cp\u003e“This highly entertaining book is a breathtaking visual explosion in which Brathwaite reimagines a wide variety of portraits of Black people in a stunningly creative way. This brilliant concept is not only an original visual treat but also an important historical work that focuses on Black portraiture across the centuries.”\u003cbr\u003e—Baroness Floella Benjamin DBE, actress, presenter, broadcaster, and parliamentarian\u003c\/p\u003e\n\u003cp\u003e168 pages\u003cbr\u003e7 1\/2 x 9 3\/8 inches\u003cbr\u003e155 color illustrations\u003cbr\u003eISBN 978-1-60606-816-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Publications\u003cbr\u003e\u003cbr\u003e2023\u003ciframe height=\"640\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/810336961?h=bbaef71d4b\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/810336961\"\u003eRediscovering Black Portraiture Promo video_v2\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user118884156\"\u003eGetty Publications\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43308725633216,"sku":"9781606068168","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606068168RediscoveringBlackPortraiture.jpg?v=1681854396"},{"product_id":"rodney-smith-a-leap-of-faith-978-1606068465","title":"Rodney Smith: A Leap of Faith","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong\u003ePaul Martineau, with contributions by Rebecca A. Senf and Leslie Smolan, and an introduction by Graydon Carter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElegant, charming, and stunningly beautiful, Rodney Smith’s fashion photography is a delightful revelation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I would hope that I am one of a kind.” \u003cbr data-mce-fragment=\"1\"\u003e —Rodney Smith\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMystery and manners, romance and fun—the sophisticated compositions and stylish characters in the extraordinary pictures of fashion photographer Rodney Smith (1947–2016) exist in a timeless world of his imagination. Born in New York City, Smith started out as a photo-essayist, turned to portrait photography, and found his niche, and greatest success, in fashion photography. Inspired by W. Eugene Smith, taught by Walker Evans, and devoted to the techniques of Ansel Adams, Smith was driven by the dual ideals of technical mastery and pure beauty. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis lavish volume features nearly two hundred reproductions of Smith’s images—many that have never before been published—and weaves together a biocritical essay by Getty Museum curator Paul Martineau and a technical assessment of Smith’s production by the Center for Creative Photography’s chief curator, Rebecca A. Senf. It maps Smith’s creative trajectory—including his introduction to photography, early personal projects, teaching, commissioned pieces, and career in fashion—and provides insight into his personal life and character, contextualizing his work and creative tendencies within his privileged but lonely upbringing and complex emotional and psychological makeup. \u003cem data-mce-fragment=\"1\"\u003eRodney Smith\u003c\/em\u003e is the definitive record of the life’s work and worldview of a truly original artist.\u003c\/p\u003e\n\u003cp\u003ePaul Martineau is curator in the Department of Photographs at the J. Paul Getty Museum. Rebecca A. Senf\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e is chief curator at the Center for Creative Photography, University of Arizona. Leslie Smolan\u003c\/span\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e is the executive director of the estate of Rodney Smith and former principal of Carbone Smolan, a design firm in New York, New York\u003c\/span\u003e. Graydon Carter\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e, a cofounder of \u003cem\u003eSpy\u003c\/em\u003e magazine and the founder of \u003cem\u003eAir Mail\u003c\/em\u003e, was the editor of \u003cem\u003eVanity Fair\u003c\/em\u003e for twenty-five years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Quietly stunning new book from Getty Publications.”\u003cbr\u003e—Max Hirshfeld, \u003cem\u003eBlind Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A deeply personal and definitive record of Smith’s life’s work.”\u003cbr\u003e—Irene Rawlings, \u003cem\u003eMountain Living\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This title is the definitive record of the life’s work of this truly original artist and educator.”\u003cbr\u003e—\u003cem\u003eThe Eye of Photography\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A radiant retrospective of his work.”\u003cbr\u003e—Elin Spring, \u003cem\u003eWhat Will You Remember?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e details the photographer’s trajectory, which took him from street photography to corporate photography to the fashion imagery that he’s most well-known for.”\u003cbr\u003e\u003c\/span\u003e—Jessica Stewart, \u003cspan\u003e\u003cem\u003eLaptrinhX\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“This book is a lovely homage to the memory of a brilliant and sensitive photographer.”\u003cbr\u003e—Bondo Wyszpolski, \u003cem\u003eEasy Reader News\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Rodney’s images are at once timeless and startlingly fresh.”\u003cbr\u003e—Graydon Carter with Nathan King, \u003cem\u003eAIR MAIL\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e is a celebration of the late photographer’s life and career.”\u003cbr\u003e\u003c\/span\u003e—Hannah Rooke, \u003cspan\u003e\u003cem\u003eNewsBreak\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The book is a well-rounded look at Smith's creative and technical genius.”\u003cbr\u003e—Jessica Stewart, \u003cem\u003eMy Modern Met\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Rodney Smith’s lifework stands out for its expression of joy, humor, and wistfulness, and it serves as a reminder of the ways in which both fashion photography and fashion itself are in dialogue with art historical discourses. This comprehensive survey of Smith’s career illuminates not only how his playful embrace of experimentation and extraordinary technical mastery of photography resulted in imaginative, timeless images but also how these images broaden our understanding of fashion photography as a collaborative and expressive art form.”\u003cbr\u003e—Michal Raz-Russo\u003c\/p\u003e\n\u003cp\u003e“The project and the Getty acquisition trace a creative trajectory that has made fantasy and elegance a true photographic strand.”\u003cbr\u003e—Tommaso Berra, \u003cem\u003eCollater.al\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003e\u003c\/span\u003e\u003cspan\u003e“Prominent fashion photographer Rodney Smith's (1947-2016) imaginative and whimsical images from a forty-five-year career are thoughtfully curated into \u003cem\u003eRodney Smith: A Leap of Faith\u003c\/em\u003e. This title is the definitive record of the life's work of this truly original artist and educator.”\u003cbr\u003e\u003c\/span\u003e—\u003cem\u003eAllAboutPhoto.com\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“I’ve been a fan of Rodney Smith’s work for years. With his ability to find something interesting in the ordinary, Smith’s new book is a delightful romp through a world where the mundane becomes magical, the impossible becomes possible and the absurd becomes normal. I appreciate Smith’s simplicity and instinct for beauty, coupled with a dash of surrealism and humor. If you’re looking for a book of photos that will make you see the world in a new light, look no further.”\u003cbr\u003e—Elliott Erwitt, photographer\u003c\/p\u003e\n\u003cp\u003e248 pages\u003cbr\u003e9 1\/2 x 11 1\/2 inches\u003cbr\u003e224 color illustrations\u003cbr\u003eISBN 978-1-60606-846-5\u003cbr\u003ehardcover\u003c\/p\u003e\nGetty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e 2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43308783108288,"sku":"9781606068465","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/9781606068465.jpg?v=1669078969"},{"product_id":"dawoud-bey-carrie-mae-weems-in-dialogue","title":"Dawoud Bey \u0026 Carrie Mae Weems: In Dialogue","description":"\u003cb\u003eEdited by Ron Platt. Introduction by Dana Friis-Hansen. Text by Kinshasha Holman Conwill, Dawoud Bey, Carrie Mae Weems\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and power.\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003e Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. 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Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey's writings on his own and others' work are included in \u003ci\u003eDawoud Bey: Seeing Deeply\u003c\/i\u003e and \u003ci\u003eDawoud Bey on Photographing People and Communities\u003c\/i\u003e. He is a professor of art and Distinguished College Artist at Columbia College Chicago. \u003cbr\u003e\u003cbr\u003eFamed for her \u003ci\u003eKitchen Table Series\u003c\/i\u003e, among other works, \u003cb\u003eCarrie Mae Weems\u003c\/b\u003e (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome. \u003cbr\u003e\u003cbr\u003eThe exhibition \u003ci\u003eDawoud Bey \u0026amp; Carrie Mae Weems: In Dialogue\u003c\/i\u003e will be on view at the J. Paul Getty Museum at the Getty Center from April 4, 2023 to July 9, 2023.\u003cbr\u003e\u003cbr\u003e - Dawoud Bey and Carrie Mae Weems\u003cbr\u003e - 176 pages \u003cbr\u003e- 9.8 inches W x 11 inches L \u003cbr\u003e- Hardcover\u003cbr\u003e - DelMonico Books\/Grand Rapids Art Museum \u003cbr\u003e- 2022 \u003cbr\u003e- Photography \u003cbr\u003e- Item #: 978-1636810454","brand":"ARTBOOK \/ DAP","offers":[{"title":"Default Title","offer_id":43484377415872,"sku":"9781636810454","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-1636810454_a.jpg?v=1677277612"},{"product_id":"mar-a-magdalena-campos-pons-behold-978-1606068588","title":"María Magdalena Campos-Pons: Behold","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by Carmen Hermo, with contributions by Mazie M. Harris, Jenée-Daria Strand, Phillip Townsend, Selene Wendt, and an introduction by Amalia Mesa-Bains\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis vibrantly illustrated survey of the career of contemporary artist María Magdalena Campos-Pons delves into her diverse oeuvre of painting, drawing, photography, sculpture, film, and performance.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e María Magdalena Campos-Pons (b. 1959) makes powerful work that holds and beholds the stories of historically silenced peoples and urges societal change. Her journey as an artist, teacher, and activist has taken her from Cuba through the United States, and her autobiographical compositions honor her Nigerian and Chinese ancestors while also facing the future. With an artistic practice that crosses boundaries, intertwines media—from photography to sculpture, film to performance—and references traditions and beliefs ranging from feminism to Santería, Campos-Pons’s work is deeply layered and complex.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e This volume, the first critical look at the artist’s oeuvre in nearly two decades, surveys the concerns, materials, and places invoked throughout her forty-year career. Thoughtful essays explore her vibrant, arresting artwork, which confronts issues of agency and the construction of race and belonging and challenges us to reckon with these issues in our own lives.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e This volume, copublished with the Brooklyn Museum, accompanies an exhibition on view at the Brooklyn Museum from September 15, 2023, to January 14, 2024, the Nasher Museum of Art at Duke University from February 15 to June 9, 2024, the Frist Art Museum from September 27, 2024, to January 5, 2025, and the J. Paul Getty Museum at the Getty Center from February 11 to May 4, 2025. \u003c\/p\u003e\n\u003cp\u003eCarmen Hermo is associate curator at the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.\u003c\/p\u003e\n\u003cp\u003e“A singular informative, visually stellar, memorably impressive, and unreservedly recommended addition to personal, professional, community, college, and university librar[ies].”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e216 pages\u003cbr\u003e9 x 10 1\/2 inches\u003cbr\u003e193 color and 1 b\/w illustrations\u003cbr\u003e ISBN 978-1-60606-858-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: J. Paul Getty Museum + Brooklyn Museum\u003cbr\u003e\u003cbr\u003e 2023\u003c\/p\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/863790321?h=80ab8b4bfc\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/863790321\"\u003eMaria Magdalena Campos-Pons: Behold Book Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user118884156\"\u003eGetty Publications\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667274793152,"sku":"9781606068588","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068588.jpg?v=1684955960"},{"product_id":"arthur-tress-rambles-dreams-and-shadows-978-1606068618","title":"Arthur Tress: Rambles, Dreams, and Shadows","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by James A. Ganz, with contributions by Mazie M. Harris and Paul Martineau\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, \u003cem\u003eThe Dream Collector\u003c\/em\u003e, depicts Tress’s interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis volume presents the first critical look at Tress’s early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: \u003cem\u003eAppalachia: People and Places\u003c\/em\u003e; \u003cem\u003eOpen Space in the Inner City\u003c\/em\u003e; \u003cem\u003eShadow\u003c\/em\u003e; and \u003cem\u003eTheater of the Mind\u003c\/em\u003e. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress’s work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of “imaginative fiction.” This abundantly illustrated volume imparts a fuller understanding of Tress’s career and the New York photographic scene of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 31, 2023, to February 18, 2024.\u003c\/p\u003e\n\u003cp\u003eJames A. Ganz is senior curator in the Department of Photographs at the J. Paul Getty Museum.\u003c\/p\u003e\n\u003cp\u003e\"Some of the most interesting material in the Getty catalogue comes from the decade before Tress made his name in the 1970s. He travelled widely in the sixties and his work of that period was straightforwardly documentary; his greatest hero was Cartier-Bresson and he regularly submitted work to Magnum. In 1968, he made a powerful set of pictures of the rural poor in Appalachia, which sit between the work made by Doris Ullman in the 1930s and Shelby Lee Adams in the 1990s.\"\u003cbr\u003e—Ian Walker, \u003cem\u003eSource\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“All in all, this photobook allows readers and viewers multiple leisurely excursions into the fascinating world of Arthur Tress, as we follow him from his own brand of realism all the way to a surrealistic world that stimulates our imagination.”\u003cbr\u003e—Gerhard Clausing, \u003cem\u003ePhotoBook Journal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This is a great introduction to Tress’s work, accompanied by accessible texts that highlight the key themes of the images.”\u003cbr\u003e—Colin Pantall, \u003cem\u003ePhMuseum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“From poignant studies of the country’s Appalachian communities to the urban wreckages and disused spaces of New York, the publication reveals the emergence of Tress’s unique visual language, culminating in the dreamscapes and Surrealistic portraits of \u003cem\u003eThe Dream Collector\u003c\/em\u003e (1972) and \u003cem\u003eTheater of the Mind\u003c\/em\u003e (1976), two early landmark series.”\u003cbr\u003e—Rowland Bagnall, \u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Along with several others of his cohort, Arthur Tress spearheaded the resurgence of the directorial mode in the 1970s, as well as his generation's engagement with previously taboo subject matter. With his unique blend of documentary and surrealist approaches, he has made a major contribution to his medium.\"\u003cbr\u003e—A. D. Coleman, photography critic and historian\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e264 pages\u003cbr\u003e9 1\/2 x 11 inches\u003cbr\u003e17 color and 198 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-861-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum \u003cbr\u003e\u003cbr\u003e2023\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667288490176,"sku":"9781606068618","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068618.jpg?v=1684956660"},{"product_id":"uta-barth-peripheral-vision-978-1606068052","title":"Uta Barth: Peripheral Vision","description":"\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdited by Arpad Kovacs, with contributions by Lucy Gallun and Jeremy Gilbert-Rolfe \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis retrospective of the photographer Uta Barth traces her use of the camera to explore both how and what we see.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLos Angeles–based contemporary artist Uta Barth (b. 1958) has spent her decades-long career exploring the complexities and limits of human and mechanical vision. At first, her photographs appear to be deceptively simple depictions of everyday objects—light filtering through a window, tree branches bereft of leaves, a sparsely appointed domestic interior—but these images, visually spare yet conceptually rigorous, emerge from her investigation of sight, perception, light, and time. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this richly illustrated monograph, curator Arpad Kovacs and contributors Lucy Gallun and Jeremy Gilbert-Rolfe chart Barth’s career path and discuss her most significant series, revealing how she has rejected the primacy of a traditional photographic subject and instead called attention to what is on the periphery. The book includes previously unpublished bodies of work made early in her career that add much to our understanding of this important artist. Also included is Barth’s most recent work, ...\u003cem data-mce-fragment=\"1\"\u003efrom dawn to dusk\u003c\/em\u003e, an ambitious commission marking the twenty-fifth anniversary of the Getty Center. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArpad Kovacs is assistant curator in the Department of Photographs at the J. Paul Getty Museum.  \u003c\/p\u003e\n\u003cp\u003e“Both playful and thoughtful, \u003cem\u003ePeripheral Vision\u003c\/em\u003e is a fine introduction to an artist’s oeuvre.”\u003cbr\u003e—Ho Lin, \u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/p\u003e\n242 pages\u003cbr\u003e10 x 11 inches\u003cbr\u003e332 color illustrations, 9 gatefolds\u003cbr\u003eISBN 978-1-60606-805-2\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2024","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667294453952,"sku":"9781606068052","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068052.jpg?v=1684956960"},{"product_id":"inside-pompeii-978-1606068908","title":"Inside Pompeii","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLuigi Spina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA visually stunning, intimate photographic tour of Pompeii’s spaces, including many that have never been seen by the public. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePompeii, one of the most astonishing and well-preserved sites of classical antiquity, is also one of the world’s most visited architectural locations. Produced in partnership with the Archeological Park of Pompeii, this lavish volume takes readers on a tour of Pompeii through an array of visually compelling and original photographs by Italian artist Luigi Spina.\u003c\/p\u003e\n\u003cp\u003ePompeii’s architecture is a central feature of Spina's pictures, which were shot at all times of day, in all seasons, and in natural light. Lacy peristyles and rows of ruined columns give way to intimate, atmospheric interior spaces. Mosaic floors and beautiful wall paintings are reproduced with stunning fidelity and sensitivity. The volume also includes an essay by Gabriel Zuchtriegel, director of the Archeological Park of Pompeii, and several meditations on the history, architecture, and natural beauty of the city.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside Pompeii\u003c\/em\u003e provides the wondrous experience of wandering through this remarkable site without ever leaving home. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eLuigi Spina is an Italian photographer. He has published more than twenty books and has created photographic campaigns for institutions and museums throughout Europe.\u003c\/p\u003e\n\u003cp\u003e“A series of still lives taken by the celebrated photographer of antiquities Luigi Spina takes as its focus the interiors of the houses belonging to the upper classes. Here there are no carbonised bodies, crouched and curled in fear and pain. Instead there are empty rooms, gorgeously decorated, with polychrome marble details, geometric black and white floor mosaics, elaborate mythical wall paintings, as well as wall paintings of gardens lush with birds and fruits, botanical motifs, garlands.”\u003cbr\u003e—Gavanndra Hodge, \u003cem\u003eThe Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Spina’s magnificent color photographs of Pompeiian details and wider views, often unexpected, invite careful examination.”\u003cbr\u003e—C. C. Mattusch, \u003cem\u003eChoice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A recently released book, sure to spark wanderlust, is now providing a behind-the-scenes look at the once vibrant metropolis.”\u003cbr\u003e—Adam Schrader, \u003cem\u003eartnet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Visual feast.”\u003cbr\u003e—\u003cem\u003eFinancial Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The next best thing to being on-site in Pompeii in person . . . an armchair traveler’s dream.”\u003cbr\u003e—\u003cem\u003eMidwest Book Review\u003c\/em\u003e\u003c\/p\u003e\n480 pages\u003cbr\u003e9 1\/2 x 12 1\/2 inches\u003cbr\u003e274 color illustrations\u003cbr\u003eISBN 978-1-60606-890-8\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43667298975936,"sku":"9781606068908","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606068908.jpg?v=1690930985"},{"product_id":"alfredo-boulton-looking-at-venezuela-1928-ai1978","title":"Alfredo Boulton: Looking at Venezuela, 1928-1978","description":"\u003cp\u003e\u003cstrong\u003eEdited by Idurre Alonso\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis lavishly illustrated volume examines the work of the Venezuelan photographer and art historian Alfredo Boulton, one of the main intellectuals of Latin American modernity.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Alfredo Boulton (1908-1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country's independence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Yet, Boulton is shockingly under-recognized outside of his native land. The few exhibitions related to his work have focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton's  efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton's groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton's archive at the Getty Research Institute, \u003cem data-mce-fragment=\"1\"\u003eAlfredo Boulton \u003c\/em\u003ebrings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from August 29, 2023, to January 21, 2024.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIdurre Alonso is curator of Latin American collections at the Getty Research Institute.\u003c\/p\u003e\n\u003cp\u003e“This book is unique because it looks comprehensively at his artistic production and at the important role he played in the historiographical development and understanding of Venezuelan art and modernity.”\u003cbr\u003e—L. E. Carranza\u003cem\u003e, CHOICE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Beautifully constructed. . . . Recommended for undergraduate and graduate students interested in Latin American art history, archivists, and libraries seeking to expand their Latin American history collections.”\u003cbr\u003e—Christine Rosa, \u003cem\u003eARLIS\/NA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"[A] remarkable book. . . . \u003cem\u003eAlfredo Boulton: Looking at Venezuela, 1928-1978\u003c\/em\u003e paints a compelling portrait of a period in which art, art history and politics were part of a modernising project.\"\u003cbr\u003e—Gabriel P\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eé\u003c\/span\u003erez-Barreiro, \u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"This lavish publication, which examines [Boulton's] full range of activity, including pre-Hispanic art, promises to be revelatory.\"\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003eJacqueline Riding, \u003cem\u003eThe Art Newspaper\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e288 pages\u003cbr\u003e8 1\/2 x 10 3\/4 inches\u003cbr\u003e164 color and 19 b\/w illustrations\u003cbr\u003eISBN 978-1-60606-819-9\u003cbr\u003ehardcover\u003c\/p\u003e\nGetty Publications\u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e 2023","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":43853204390080,"sku":"9781606068199","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/AlfredoBoulton.jpg?v=1695850482"},{"product_id":"arthur-tress-rambles-dreams-and-shadows-exhibition-poster","title":"Arthur Tress: Rambles, Dreams, and Shadows Exhibition Poster","description":"Poster reproduction of the Arthur Tress photograph, \u003cem\u003eFlood Dream, Ocean City, Maryland \u003c\/em\u003efeatured in the exhibition \u003cem\u003eArthur Tress: Rambles, Dreams, and Shadows\u003c\/em\u003e on view at the Getty Center for Photographs October 31, 2023 to February 18, 2024\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e- Dimensions: 22 x 28 inches\u003cbr\u003e- Materials: Lithograph \u003cbr\u003e- Printed in Los Angeles\u003cbr\u003e- Item #: TRPOS\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \n\u003cp\u003eArthur Tress (American, born 1940) was a trailblazer in the field of staged photography, directing his subjects in fictional and often surreal scenes. Born in Brooklyn, New York, he began his career as a social documentary photographer in the late 1960s, focusing his lens on the people of New York and the Appalachian region of the eastern United States. Initially concerned with such societal issues as poverty, pollution, and the lack of open space for urban recreation, by the mid-1970s he began channeling his creative energy into more personal artistic projects that delved into his imagination, dreams, and his own queer identity.\u003c\/p\u003e\nArthur Tress (American, born 1940)\u003cbr\u003e \u003cem\u003eFlood Dream, Ocean City, Maryland, \u003c\/em\u003e1971, print later Gelatin silver print, image: 18.9 x 18.9 cm (7 7⁄16 x 7 7⁄16 in.)\u003cbr\u003e J. Paul Getty Museum, 2013.68.17\u003cbr\u003e © Arthur Tress Archive LLC\u003cbr\u003e \u003cem\u003ePoster © 2023 J. Paul Getty Trust.\u003c\/em\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44157219307712,"sku":"TRPOS","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TRPOS_R_a.jpg?v=1701130262"},{"product_id":"hockney-pearblossom-hwy-11-18th-april-1986-2-poster","title":"David Hockney Pearblossom Hwy., 11-18th April 1986, #2 Poster","description":"Poster of David Hockney's \u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e- Dimensions: 36 in. L x 27 in. W\u003cbr\u003e- Posters are rolled and tubed for shipping\u003cbr\u003e - FSC certified paper\u003cbr\u003e- Item #: HOCKPO4\u003cbr\u003e\u003cbr\u003e\"\u003ci\u003ePearblossom Highway\u003c\/i\u003e shows a crossroads in a very wide open space, which you only get a sense of in the western United States. . . . [The] picture was not just about a crossroads, but about us driving around. I'd had three days of driving and being the passenger. The driver and the passenger see the road in different ways. When you drive you read all the road signs, but when you're the passenger, you don't, you can decide to look where you want. And the picture dealt with that: on the right-hand side of the road it's as if you're the driver, reading traffic signs to tell you what to do and so on, and on the left-hand side it's as if you're a passenger going along the road more slowly, looking all around. So the picture is about driving without the car being in it.\"\u003cbr\u003e\u003cbr\u003eThus David Hockney described the circumstances leading to the creation of this photocollage of the scenic Pearblossom Highway north of Los Angeles. His detailed collage reveals the more mundane observations of a road trip. The littered cans and bottles and the meandering line where the pavement ends and the sand begins point to the interruption of the desert landscape by the roads cutting through it and the imprint of careless travelers. \u003cbr\u003e\u003cbr\u003eDavid Hockney (English, born 1937)\u003cbr\u003e\u003ci\u003ePearblossom Hwy., 11-18th April 1986, #2\u003c\/i\u003e\u003cbr\u003ePhotographic collage of chromogenic prints\u003cbr\u003e198 x 282 cm (78 x 11in.)\u003cbr\u003eJ. Paul Getty Museum, 97.XM.39\u003cbr\u003e Photograph © 1986 David Hockney\u003cbr\u003ePoster text and design © 2023 J. Paul Getty Trust","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44275158352064,"sku":"HOCKPO4","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/HOCKPO4_a.jpg?v=1701896601"},{"product_id":"sun-print-kit","title":"Sun Print Kit","description":"\u003cdiv data-mce-fragment=\"1\"\u003eOriginally developed by educators at the Lawrence Hall of Science on the UC Berkeley campus. Sunprints encourage an interest in the photographic process by using only the sun, water, and a bit of imagination. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eEasy to use. Just place a fern, flower, or any interesting object on the cyanotype Sunprint Solar Paper, exposing it to the sun. Save the print by soaking it in water and then drying it. \u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e- Contains 12 4 x 4 inches sheets and 1 acrylic overlay\u003cbr\u003e- Ages 6+\u003cbr\u003e- Item: #: W110\u003c\/p\u003e","brand":"DISCOVERY CORNER","offers":[{"title":"Default Title","offer_id":44362306486464,"sku":"W110","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/W110Sunprintkit_A.jpg?v=1704837554"},{"product_id":"limited-edition-arthur-tress-rambles-dreams-and-shadows-exhibition-poster","title":"Limited Edition Arthur Tress: Rambles, Dreams, and Shadows Signed Exhibition Poster","description":"\u003cp\u003eLimited to 100 units, this artist signed and numbered poster of the Arthur Tress' photograph, \u003cem\u003eFlood Dream, Ocean City, Maryland \u003c\/em\u003efeatured in the exhibition \u003ca title=\"Arthur Tress: Rambles, Dreams, and Shadows Exhibition Page\" href=\"https:\/\/www.getty.edu\/art\/exhibitions\/tress\/\" target=\"_blank\"\u003e\u003cem\u003eArthur Tress: Rambles, Dreams, and Shadows\u003c\/em\u003e\u003c\/a\u003e on view at the Getty Center for Photographs October 31, 2023 to February 18, 2024.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e- Dimensions: 22 x 28 inches\u003cbr\u003e- Materials: Textured 80# \/ 118 gsm acid free FSC certified premium paper with archival pigments. \u003cbr\u003e- Printed in Los Angeles\u003c\/div\u003e\n\u003cdiv\u003e- Individually signed and numbered by Arthur Tress\u003c\/div\u003e\n\u003cdiv\u003e- Limited edition of 100 units \u003cbr\u003e- Item #: TRPOG\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eAll sales are final.\u003cbr\u003e\u003cbr\u003eThis item qualifies for Oversized Shipping and is not eligible for Free Shipping promotions. Please note that specific number requests cannot be accommodated. \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003eArthur Tress (American, born 1940) was a trailblazer in the field of staged photography, directing his subjects in fictional and often surreal scenes. Born in Brooklyn, New York, he began his career as a social documentary photographer in the late 1960s, focusing his lens on the people of New York and the Appalachian region of the eastern United States. Initially concerned with such societal issues as poverty, pollution, and the lack of open space for urban recreation, by the mid-1970s he began channeling his creative energy into more personal artistic projects that delved into his imagination, dreams, and his own queer identity.\u003c\/p\u003e\nArthur Tress (American, born 1940)\u003cbr\u003e\u003cem\u003eFlood Dream, Ocean City, Maryland, \u003c\/em\u003e1971, print later Gelatin silver print, image: 18.9 x 18.9 cm (7 7⁄16 x 7 7⁄16 in.)\u003cbr\u003eJ. Paul Getty Museum, 2013.68.17\u003cbr\u003e© Arthur Tress Archive LLC\u003cbr\u003e\u003cem\u003ePoster © 2023 J. Paul Getty Trust.\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44454330171584,"sku":"TRPOG","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TRPOG_a.jpg?v=1706123850"},{"product_id":"super-sunprint-kit","title":"Super Sunprint Kit","description":"\u003cdiv\u003e\n\u003cdiv\u003eOriginally developed by educators at the Lawrence Hall of Science on the UC Berkeley campus. Sunprints encourage an interest in the photographic process by using only the sun, water, and a bit of imagination. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEasy to use. Just place a fern, flower, or any interesting object on the cyanotype SunPrint Solar Paper, exposing it to the sun. Save the print by soaking it in water and then drying it. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e- Contains 15 8 x 12 inch sheets and one acrylic overlay\u003cbr\u003e- Ages 6+\u003cbr\u003e- Item: #W330\u003c\/div\u003e","brand":"DISCOVERY CORNER","offers":[{"title":"Default Title","offer_id":44630043787456,"sku":"W330","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/W330SuperSunprintkit_1_A.jpg?v=1709836731"},{"product_id":"anna-atkins-linen-apron","title":"Anna Atkins Linen Apron","description":"This apron design was inspired by a 19th-Century cyanotype print by botanist, and pioneering photographer, Anna Atkins.\u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs. \u003cbr\u003e\u003cbr\u003e- Includes Front Pocket\u003cbr\u003e- 100% Organic Linen\u003cbr\u003e- Dimensions: 33 x 27 Inches\u003cbr\u003e- Care: Warm wash, Hang dry, Iron on reverse for best results\u003cbr\u003e- Made Lithuania\u003cbr\u003e- Item #: APRATKINS","brand":"PRINTS ON LINEN","offers":[{"title":"Default Title","offer_id":44632020910272,"sku":"APRATKINS","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/APRATKINSAAtkinsApron_a.jpg?v=1753137450"},{"product_id":"anna-atkins-napkins-set-of-6","title":"Anna Atkins Napkins - Set of 6","description":"This napkin set was inspired by 19th-Century cyanotype prints by botanist, and pioneering photographer, Anna Atkins. Set includes six napkins each with a different design.\u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs.\u003cbr\u003e\u003cbr\u003e- 100% Organic Linen\u003cbr\u003e- Dimensions: Luncheon size 12.5 x 12.5 inches each\u003cbr\u003e- Care: Warm wash, Hang dry, Iron on reverse for best results\u003cbr\u003e- Made Lithuania\u003cbr\u003e- Item #: NPKNLATKINS","brand":"PRINTS ON LINEN","offers":[{"title":"Default Title","offer_id":44632031264960,"sku":"NPKNLATKINS","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/Soona_NPKNLATKINS_TTATKINS_Lifestyle_Web_a.jpg?v=1754411581"},{"product_id":"anna-atkins-tea-towel","title":"Anna Atkins Tea Towel","description":"This tea towel design was inspired by a 19th-Century cyanotype print by botanist, and pioneering photographer, Anna Atkins.\u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs. \u003cbr\u003e\u003cbr\u003e- 100% Organic Linen\u003cbr\u003e- Dimensions: 17 x 27.5 inches\u003cbr\u003e- Care: Warm wash, Hang dry, Iron on reverse for best results\u003cbr\u003e- Made Lithuania\u003cbr\u003e\n\u003cp\u003e- Item #: TTATKINS\u003c\/p\u003e","brand":"PRINTS ON LINEN","offers":[{"title":"Default Title","offer_id":44632039194816,"sku":"TTATKINS","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/TTATKINSAAtkinsTeaTwl_a.jpg?v=1754411500"},{"product_id":"holga-135fc-35mm-film-camera-black","title":"Holga 135FC 35mm Film Camera - Black","description":"\u003cp\u003eThe Holga Sparkle with flash is a unique film camera that offers a distinct photographic experience. This is not your typical film camera as a Holga produces photos with sharp center and soft, fuzzy edges, creating a dream-like and nostalgic effect. This camera is simple enough for any photographer, but offers the ability to adjust focus and aperture settings for more control than any other point-and-shoot or disposable cameras.\u003cbr\u003e\u003cbr\u003eHolga is for those who want to create truly unique images - for those who appreciate light leaks, enjoy slight soft focus and welcome retro vignetting. Due to its simple and inexpensive design, Holga is categorized as a toy camera. The very features that personify the Holga would be considered defects in any other camera. Holga's lo-fi attributes create distinctive images not created with any other conventional camera. These are the reasons the Holga camera has gained a huge following.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNot eligible for discounts, sales, or promotions.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e- For use with 35mm film\u003cbr\u003e- Bulb setting  \u003cbr\u003e- Tripod socket \u003cbr\u003e- Threaded shutter release button \u003cbr\u003e- Standard hot shoe adapter \u003cbr\u003e- Aperture at f\/8 and f\/11 \u003cbr\u003e- Shutter speed approximately 1\/100 of a second and bulb \u003cbr\u003e- Focal length is approximately 47mm \u003cbr\u003e- Item #: 272135\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FREESTYLE","offers":[{"title":"Default Title","offer_id":45371922284736,"sku":"272135","price":65.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/272135_Black_Sparkle_01_a.jpg?v=1720820398"},{"product_id":"holga-135fc-35mm-film-camera-pink","title":"Holga 135FC 35mm Film Camera - Pink","description":"\u003cp\u003eThe Holga Sparkle with flash is a unique film camera that offers a distinct photographic experience. This is not your typical film camera as a Holga produces photos with sharp center and soft, fuzzy edges, creating a dream-like and nostalgic effect. This camera is simple enough for any photographer, but offers the ability to adjust focus and aperture settings for more control than any other point-and-shoot or disposable camera.\u003cbr\u003e\u003cbr\u003eHolga is for those who want to create truly unique images - for those who appreciate light leaks, enjoy slight soft focus and welcome retro vignetting. Due to its simple and inexpensive design, Holga is categorized as a toy camera. The very features that personify the Holga would be considered defects in any other camera. Holga's lo-fi attributes create distinctive images not created with any other conventional camera. These are the reasons the Holga camera has gained a huge following.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNot eligible for discounts, sales, or promotions.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e- For use with 35mm film \u003cbr\u003e- Bulb setting  \u003cbr\u003e- Tripod socket \u003cbr\u003e- Threaded shutter release button \u003cbr\u003e- Standard hot shoe adapter \u003cbr\u003e- Aperture at f\/8 and f\/11 \u003cbr\u003e- Shutter speed approximately 1\/100 of a second and bulb \u003cbr\u003e- Focal length is approximately 47mm \u003cbr\u003e- Item #: 274135\u003c\/p\u003e","brand":"FREESTYLE","offers":[{"title":"Default Title","offer_id":45371922317504,"sku":"274135","price":65.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/274135_Pink_Sparkle_01_a.jpg?v=1720820864"},{"product_id":"magnet-atkins-iris-sibirica","title":"Magnet - Atkins Iris Sibirica","description":"\u003cp\u003eImage of an Iris by a 19th-Century cyanotype print of fern leaf by botanist, and pioneering photographer, Anna Atkins. \u003cbr\u003e\u003cbr\u003e- Material: Vinyl\u003cbr\u003e- Size: 2.5 inches x 3.5 inches \u003cbr\u003e- Made in USA\u003cbr\u003e- Item #: MAG127 \u003cbr\u003e\u003cbr\u003eAnna Atkins began using the cyanotype process as a way to preserve her precious botanical specimens soon after its invention in 1842. Placing the plants directly on light-sensitive paper and exposing them, she captured the intricate details of her scientific specimens against a vibrant Prussian blue background. Her decade-long project \u003cem\u003eBritish Plant Algae\u003c\/em\u003e (1843-53) is recognized as the first book of photographs. \u003cbr\u003e\u003cbr\u003eAnna Atkins (British, 1799-1871) and Anne Dixon (British, 1799-1877)\u003cbr\u003e\u003cem\u003eIris Sibirica, 1854\u003c\/em\u003e\u003cbr\u003eCyanotype\u003cbr\u003eImage: 25.4 × 19.8 cm (10 × 7 13\/16 in.)\u003cbr\u003eSheet: 37.8 × 48.3 cm (14 7\/8 × 19 in.)\u003cbr\u003eJ. Paul Getty Museum, 84.XP.467.5\u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45402644873408,"sku":"MAG127","price":1.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/MAG127_A.jpg?v=1721253764"},{"product_id":"polaroid-go-2nd-generation","title":"Polaroid Go - 2nd Generation","description":"\u003cp\u003eDon’t let its size fool you. The world’s smallest instant camera is packed with big ideas. Like a built-in selfie mirror, self-timer and double-exposure modes. It pairs with its own teeny-tiny filters. And comes in a classic design made with 30% recycled materials.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNot eligible for discounts, sales, or promotions.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e- Rechargeable with USB-C and compatible with Polaroid Go film.\u003cbr\u003e- White Camera measures : 5.9 inches x 3.3 inches x 2.4 inches\u003cbr\u003e- Large aperture range (F9-F42)\u003cbr\u003e- Battery is internal rechareable lithium-ion battery.\u003cbr\u003e- Comes with a USB charging cable, wrist strap, quick start guide, and safety \u0026amp; compliance Booklet\u003cbr\u003e- Compatible with Polaroid Go Film.\u003cbr\u003e- Prop 65 Warning: This product can expose the user to Bisphenol A, which is known to the State of California to cause birth defects or other reproductive harm.\u003cbr\u003e- Item #: 9097\u003c\/p\u003e","brand":"POLAROID ORIGINALS","offers":[{"title":"Default Title","offer_id":45527070834880,"sku":"9097","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9097GoGen2wht_1_a.jpg?v=1725476542"},{"product_id":"queer-lens-a-history-of-photography-978-1606069691","title":"Queer Lens: A History of Photography","description":"\u003cp\u003e\u003cstrong\u003eEdited by Paul Martineau and Ryan Linkof, with contributions by Jordan Bear,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eKen Gonzales-Day, Alexis Bard Johnson, Derek Conrad Murray, and Catherine Opie\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCopiously illustrated, \u003cem\u003eQueer Lens\u003c\/em\u003e explores the transformative role of photography in LGBTQ+ communities from the nineteenth century to the present day.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e“An outstanding addition to the growing body of scholarship around queer imagery.”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e—Jim Van Buskirk, \u003ci\u003eThe Bay Area Reporter\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e“A tour de force. . . . A profound collective story of creativity, joy and resistance.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e—Emma Jacob, \u003ci\u003eAesthetica Magazine\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cstrong\u003e“Potent and inspiring. . . . An empowering photography retrospective that reflects American queer communities.”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e—Aleena Ortiz, \u003ci\u003eForeword Reviews\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cstrong\u003e“A deeply significant and beautifully produced volume.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cstrong\u003e—All About Photo.com\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cstrong\u003e“Eye-catching.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e\u003cstrong\u003e—Matthew Wexler, Queerty.com\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp\u003ePhotography’s power to capture a subject—representing reality, or a close approximation—has inherently been linked with the construction and practice of identity. Since the camera’s invention in 1839, and despite periods of severe homophobia, the photographic art form has been used by and for individuals belonging to dynamic LGBTQ+ communities, helping shape and affirm queer culture and identity across its many intersections.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eQueer Lens\u003c\/em\u003e explores this transformative force of photography, which has played a pivotal role in increasing queer visibility. Lively essays by scholars and artists explore myriad manifestations of queer culture, both celebrating complex interpretations of people and relationships and resisting rigid definitions. Featuring a rich selection of images—including portraits of queer individuals, visual records of queer kinship, and documentary photographs of early queer groups and protests—this volume investigates the medium’s profound role in illuminating the vibrant tapestry of LGBTQ+ communities.\u003cbr\u003e\u003cbr\u003eThis volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 17 to September 28, 2025. \u003c\/p\u003e\n\u003cp\u003ePaul Martineau is curator in the Department of Photographs at the J. Paul Getty Museum. He is the author of \u003cem\u003eRodney Smith \u003c\/em\u003e(Getty, 2023), \u003cem\u003eImogen Cunningham \u003c\/em\u003e(Getty, 2020), and \u003cem\u003eIcons of Style\u003c\/em\u003e (Getty, 2018). Ryan Linkof is curator at the Lucas Museum of Narrative Art. \u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003eQueer Lens\u003cb\u003e \u003c\/b\u003e\u003c\/i\u003eis a visual pleasure and a valuable resource.”\u003cbr\u003e—E. Baden, \u003ci\u003eCHOICE\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“A virtuoso demonstration of how art and documentation are frequently inseparable.”\u003cbr\u003e—James Cahill, \u003ci\u003eArtforum\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“Above all it depicts an authentic and a deep genuine exploration of LGBTQ+ queer people.”\u003cbr\u003e—Derrick Bradfield, \u003ci\u003eAmateur Photographer\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“Bracing and uninhibited.”\u003cbr\u003e—Trevor Fairbrother, \u003ci\u003ethe arts fuse\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“The volume is a tour de force. . . . It commits to paper an important collective story of creativity, joy and resistance.”\u003cbr\u003e—Emma Jacob, \u003ci\u003eAesthetica Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“Fantastic.”\u003cbr\u003e—Carolina Miranda, \u003ci\u003eArt Insider\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“With contributions from Martineau, Linkof and other prominent voices, this richly illustrated, large-format hardcover offers a vital and timely survey of photography as both an artistic and political tool for queer communities worldwide.”\u003cbr\u003e—Chris Azzopardi, \u003ci\u003ePride Source \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“[The] catalog, compiled with historian Ryan Linkof, is very good.”\u003cbr\u003e—Christopher Knight, \u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e342 pages\u003cbr\u003e9 1\/2 x 12 inches\u003cbr\u003e293 color illustrations, 1 gatefold\u003cbr\u003eISBN 978-1-60606-969-1\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2025\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":45863326318784,"sku":"9781606069691","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/9781606069691.jpg?v=1734052428"},{"product_id":"anna-atkins-blue-prints","title":"Anna Atkins: Blue Prints","description":"\u003cp\u003eThis exquisitely designed volume presents the work of a woman whose work at the forefront of photography has been too long ignored. \u003cbr\u003e\u003cbr\u003eThe English illustrator Anna Atkins (1799–1871) was an early innovator in the history of photography. For the publication of her collections of plant photography, she used the latest technology, the recently invented cyanotype. 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His diverse projects often focus on urban landscapes, exploring light and shadow, and form and abstraction. Using a handheld camera and high-contrast black-and-white film, Moriyama captures Tokyo’s chaotic streets and clandestine underbelly, revealing the darkness and strangeness beneath the surface. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eDaido Moriyama: Quartet\u003c\/i\u003e is a vital anthology of the four seminal photobooks that form the foundation of Moriyama’s career as a photographer: \u003ci\u003eJapan: A Photo Theater\u003c\/i\u003e, \u003ci\u003eA Hunter\u003c\/i\u003e, \u003ci\u003eFarewell Photography\u003c\/i\u003e, and \u003ci\u003eLight and Shadow\u003c\/i\u003e. Spanning the fifteen years during which he honed his techniques and unveiled his distinctive vision, these photobooks were originally released as limited editions in Japan and represent some of the most daring ventures in photographic publishing history. 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