{"title":"Sale","description":"\u003cp style=\"text-align: left;\"\u003eLast chance to enjoy a wide array of discounted items from exhibition posters and publications to apparel, jewelry, home décor, and kids’ gifts\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cstrong\u003eAll sale items are final sale. Additional discounts cannot be applied.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"dilettanti-978-0892369249","title":"Dilettanti: The Antic and the Antique in Eighteenth-Century England","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBruce Redford\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eWith elegance and wit, Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettanti. He dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity.\u003c\/p\u003e\n\u003cp\u003eAfter the foundation of the society in 1732, portraits of the Dilettanti were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. These include a striking group of mock-classical and mock-religious portraits, which the author deconstructs deliciously.\u003c\/p\u003e\n\u003cp\u003eThe society's support of expeditions to the Levant yielded pioneering architectural and archaeological folios, from \u003ci\u003eThe Antiquities of Athens\u003c\/i\u003e (1762) to \u003ci\u003eSpecimens of Ancient Sculpture\u003c\/i\u003e (1809). These monumental volumes aspired to empirical exactitude in text and image alike. As \u003ci\u003eDilettanti\u003c\/i\u003e shows, they combine the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The accompanying exhibition \u003ci\u003eGrecian Taste and Roman Spirit: The Society of Dilettanti \u003c\/i\u003ewas on view at the J. Paul Getty Museum at the Getty Villa from August 7 through October 27, 2008.\u003c\/p\u003e\n\u003cp\u003eBruce Redford is university professor and professor of art history and of English at Boston University. \u003cbr\u003e\u003cbr\u003e\"Elegantly written text provides a lively anthropological analysis . . . traces the rise and decline of the culture of curiosity exemplified by the gentleman amateur or dilettante.\"\u003cbr\u003e\u003cem\u003e—New Perspectives on the Eighteenth Century\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e236 pages\u003cbr\u003e8 1\/4 x 10 1\/4 inches\u003cbr\u003e103 color and 45 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-924-9\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\/Getty Research Institute\u003cbr\u003e\u003cbr\u003e2008\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017702994112,"sku":"9780892369249","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-924-9.jpeg?v=1598299487"},{"product_id":"late-thoughts-978-0892368136","title":"Late Thoughts: Reflections on Artists and Composers at Work","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEdited by Karen Painter and Thomas Crow\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eToday the West chronically associates artistic maturity with transcendence, degeneration, or irrelevance. This volume looks to the nonrepresentational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality.\u003c\/p\u003e\n\u003cp\u003eIn part one, Nancy J. Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Shiff explores the eternal \"change to stay the same\" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss's unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin. Complementing these eight retrospective essays is Ernest Fleischmann's conversation with Frank Gehry, an architect whose most visible projects provide extraordinary spaces for art and music.\u003c\/p\u003e\n\u003cp\u003eThomas Crow is the former director of the Getty Research Institute and professor of art history at the University of Southern California. Karen Painter is associate professor of music at Harvard University.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e256 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e19 color and 66 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-813-6\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003eSeries: Issues \u0026amp; Debates\u003cbr\u003e\u003cbr\u003e2006\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017940627648,"sku":"9780892368136","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-813-6.jpeg?v=1598978001"},{"product_id":"the-ruins-of-the-most-beautiful-monuments-of-greece-978-0892366699","title":"The Ruins of the Most Beautiful Monuments of Greece","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eJulien-David Le Roy\u003cbr\u003eIntroduction by Robin Middleton\u003cbr\u003eTranslation by David Britt\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJulien-David Le Roy's \u003ci\u003eLes ruines des plus beaux monuments de la Grece,\u003c\/i\u003e initially issued in 1758, first revealed to European eyes the wonders of Greek classical architecture. Overnight, Greece became the rage, much to the chagrin of Giovanni Battista Piranesi and other defenders of the genius of Rome. The impact of the volume's splendid engravings of Athens's ancient ruins on contemporary aesthetics was heightened—particularly in the much-expanded edition of 1770—by its two highly provocative theoretical essays. In one, Le Roy set forth a compelling linear history of the conceptual forms of architecture that began in Egypt, moved to Greece, then Rome, and finally modern Europe. In the other, seeking to express the experience of architectural form and its effects, Le Roy gave new voice to feeling.\u003c\/p\u003e\n\u003cp\u003eHere the second edition of \u003ci\u003eLes ruines\u003c\/i\u003e is published in English for the first time, framed by the sweeping exposition of both the intellectual milieu out of which Le Roy's work emerged and the controversies it generated.\u003c\/p\u003e\n\u003cp\u003eRobin Middleton is professor emeritus of art history at Columbia University. David Britt has translated many art historical texts, including Piranesi's \u003ci\u003eObservations on the Letter of Monsieur Mariette.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"A delight to read.\" \u003cbr\u003e\u003cem\u003e—Bryn Mawr Classical Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e576 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e101 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-669-9\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003eSeries: Texts \u0026amp; Documents\u003cbr\u003e\u003cbr\u003e2003\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018176426176,"sku":"9780892366699","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-669-9.jpeg?v=1601400501"},{"product_id":"houses-and-monuments-of-pompeii-978-0892366842","title":"Houses and Monuments of Pompeii: The Work of Fausto and Felice Niccolini","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003ePreface by Stefano de Caro\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEssays and commentaries by Roberto Cassanelli, Pier Luigi Ciapparelli, Enrico Colle, and Massimiliano David\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe discovery of and excavations at Pompeii in the second half of the eighteenth century not only provided historians with a trove of information about ancient Roman civilization but also fired artists' imaginations and inaugurated the vogue for the Pompeian style that so influenced the West in the nineteenth century.\u003c\/p\u003e\n\u003cp\u003eThis slipcased book reproduces, along with commentary, \u003ci\u003eLe case i monumenti di Pompeii\u003c\/i\u003e (1854) of Fausto and Felice Niccolini—the first work to present completely and systematically all the public and private buildings so far excavated in Pompeii. It features the wondrous watercolors the Niccolinis created to document Pompeii and is thus a beautiful and essential tool in understanding the excavated remains themselves and how the modern archaeologists perceived and recorded the ancient world.\u003c\/p\u003e\n\u003cp\u003eThese magnificently reproduced drawings of the excavations are accompanied by texts that explain the documents by the Niccolinis, as well as the evolution of the Pompeian style in Europe, the pictorial representation of Pompeii in the nineteenth century from engravings to photographs, and the evolving styles of archaeological documentation.\u003cbr\u003e\u003cbr\u003e\"Superb.\"\u003cbr\u003e\u003cem\u003e—Archaeology\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"The sumptuous publication not only prints some of the best of the Niccolini brothers' plates, but... explains the rich and dramatic impact of the Pompeiian discoveries on eighteenth- and nineteenth-century imaginative and artistic life.\"\u003cbr\u003e\u003cem\u003e—Architectural Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e224 pages\u003cbr\u003e10 1\/2 x 14 1\/4 inches, boxed\u003cbr\u003e270 color illustrations\u003cbr\u003eISBN 978-0-89236-684-2\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e2002 \u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Houses and Monuments of Pompeii","offer_id":215612810,"sku":"9780892366842","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-684-2.jpeg?v=1598636000"},{"product_id":"issues-in-the-conservation-of-paintings-978-0892367801","title":"Issues in the Conservation of Paintings, hardcover","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eEdited by David Bomford and Mark Leonard\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume on paintings conservation includes more than seventy texts ranging from the fifteenth century to the present day. Some are classic and highly influential writings; others, although little known when first published, in retrospect reflect important themes and issues in the history of the field. Many appear here in English for the first time, including translations of D. Vicente Polero y Toledo's 1855 essay \"Arte de la Restauración\" (The Art of Restoration) and Victor Bauer-Bolton's treatise from 1914, \"Sollen fehlende Stellen bei Gemälden ergänzt werden?\" (Should Missing Areas of Paintings Be Made Good?). The book is divided into six sections: An Historical Miscellany, History of the Profession, Study of Artists' Materials and Techniques, Structural Interventions, Philosophical and Practical Approaches to Cleaning and Restoration, and Cleaning Controversies.\u003c\/p\u003e\n\u003cp\u003eThis is the second volume to appear in the Getty Conservation Institute's Readings in Conservation series, which publishes texts considered fundamental to an understanding of the history, philosophies, and methodologies of conservation.\u003c\/p\u003e\n\u003cp\u003eDavid Bomford is the former acting director of the J. Paul Getty Museum and former senior restorer of paintings at the National Gallery, London. Mark Leonard is conservator of paintings at the J. Paul Getty Museum. \u003cbr\u003e\u003cbr\u003e\"It is hard to imagine how you could come up with a more useful one-volume book on painting conservation than this.\"\u003cbr\u003e\u003cem\u003e—Museum Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cscript src=\"\/\/books.google.com\/books\/previewlib.js\"\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_setLanguage('en');\n\/\/ ]]\u003e\u003c\/script\u003e \u003cscript\u003e\/\/ \u003c![CDATA[\nGBS_insertPreviewButtonPopup('ISBN:9780892367806');\n\/\/ ]]\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003cp\u003e520 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e8 color and 5 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-780-1\u003cbr\u003ehardcover\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Conservation Institute\u003cbr\u003eSeries: Readings in Conservation\u003cbr\u003e\u003cbr\u003e2005\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017916477632,"sku":"9780892367801","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-780-1.jpeg?v=1598898074"},{"product_id":"dossos-fate-978-0892365050","title":"Dosso's Fate: Painting and Court Culture in Renaissance Italy","description":"\u003cp\u003e\u003cb style=\"font-size: 0.875rem;\"\u003eEdited by Luisa Ciammitti, Steven F. Ostrow, and Salvatore Settis\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains an enigma and his art continues to be as elusive as it is compelling.\u003c\/p\u003e\n\u003cp\u003eIn \u003ci\u003eDosso's Fate,\u003c\/i\u003e leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting techniques. The result is an important and original contribution not only to the literature of Dosso Dossi but also to the study of cultural history in early modern Italy.\u003c\/p\u003e\n\u003cp\u003eThis volume evolved from two symposia organized by the Getty Research Institute in collaboration with the J. Paul Getty Museum, Soprintendenza per i Beni Artistici e Storici, Bologna, and Provincia Autonoma di Trento.\u003c\/p\u003e\n\u003cp\u003eLuisa Ciammitti is curator at the Pinacoteca Nazionale, Bologna. Steven F. Ostrow is associate professor of art history at the University of California, Riverside. He is the author of \u003ci\u003eArt and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore.\u003c\/i\u003e Salvatore Settis is former director of the Getty Research Institute and professor of classical art and architecture at the Scuola Normale Superiore in Pisa.\u003cbr\u003e\u003cbr\u003e\"Handsomely published.\"\u003cbr\u003e\u003cem\u003e—Smithsonian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e432 pages\u003cbr\u003e7 x 10 inches\u003cbr\u003e156 b\/w illustrations\u003cbr\u003eISBN 978-0-89236-505-0\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: Getty Research Institute\u003cbr\u003e\u003cbr\u003e1998\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44017704566976,"sku":"9780892365050","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-505-0.jpeg?v=1598300110"},{"product_id":"perspectives-on-education-reform-978-0892362967","title":"Perspectives on Education Reform: Arts Education as Catalyst","description":"\u003cul class=\"tabs\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eContributions by Richard Benson, Andre Jammes, Eugenia Janis, Nancy Keller, Beaumont Newhall, Larry Schaar, Graham Smith, and John Szarkowski.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePioneers of the first decades of photography are discussed in this collection of papers delivered at a symposium held at the J. Paul Getty Museum. This volume includes essays on early collectors of photographs as well as early patents. Also discussed are the connections between early photographs, the emergence of modernism, and the impact of techniques of photomechanical reproduction on modern perception.\u003c\/p\u003e\n\u003cp\u003e144 pages\u003cbr\u003e8 1\/2 x 10 1\/2 inches\u003cbr\u003e91 duotone illustrations\u003cbr\u003eISBN 978-0-89236-177-9\u003cbr\u003epaperback\u003cbr\u003e\u003cbr\u003eGetty Publications\u003cbr\u003eImprint: J. Paul Getty Museum\u003cbr\u003e\u003cbr\u003e1990\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018064195776,"sku":"9780892362967","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-296-7.jpeg?v=1600193262"},{"product_id":"observations-on-the-letter-of-monsieur-mariette-978-0892366361","title":"Observations on the Letter of Monsieur Mariette","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWith Opinions on Architecture, and a Preface to a New Treatise on the Introduction and Progress of the Fine Arts in Europe in Ancient Times\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGiovanni Battista Piranesi\u003cbr\u003e Introduction by John Wilton-Ely\u003cbr\u003e Translation by Caroline Beamish and David Britt\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePublished in 1765, Giovanni Battista Piranesi's \u003ci\u003eOsservazioni\u003c\/i\u003e is an impassioned defense of the superiority of Roman architectural invention over the beautiful and noble simplicity of ancient Greece. In this three-part polemical masterpiece, the famed engraver and designer not only praises the structural audacity of Etruscan architecture and contends that the Etruscans—not the Greeks—were the artistic mentors of the Romans but also argues for a Roman-inspired exuberance in design that draws freely on all forms and traditions of ancient art.\u003c\/p\u003e\n\u003cp\u003eAlthough Piranesi's essentially Baroque vision set him at odds with the austere aesthetics of Neoclassicism, his ideas were inspirational to such gifted eighteenth-century architects as Robert Adam, John Soane, Claude-Nicolas Ledoux, and Étienne-Louis Boullée. Today, Piranesi's lively plea for imaginative eclecticism remains topical, as practitioners and theorists continue to debate the relative merits of a rational and minimal architecture versus an architecture rich in ornament and historical references.\u003c\/p\u003e\n\u003cp\u003eJohn Wilton-Ely is professor emeritus in the history of art at the University of Hull, England, and the author of the definitive works on Piranesi including \u003ci\u003ePiranesi as Architect and Designer\u003c\/i\u003e and \u003ci\u003eGiovanni Battista Piranesi: The Complete Etchings.\u003c\/i\u003e Caroline Beamish's numerous published translations range from Michel Melot's \u003ci\u003eThe Impressionist Print\u003c\/i\u003e to Franco Cardini's \u003ci\u003eEurope and Islam.\u003c\/i\u003e David Britt has translated an array of books, including Jean-Nicolas-Louis Durand's \u003ci\u003ePrecis of the Lectures on Architecture\u003c\/i\u003e and Aby Warburg's \u003ca title=\"The Renewal of Pagan Antiquity\" href=\"http:\/\/shop.getty.edu\/products\/the-renewal-of-pagan-antiquity-978-0892365371\" target=\"_blank\"\u003e\u003ci\u003eThe Renewal of Pagan Antiquity\u003c\/i\u003e\u003c\/a\u003e (Getty Publications, 1999).\u003cbr\u003e\u003cbr\u003e\"An exceptionally interesting small volume that will be essential reading for those interested in 18th century debates on architectural decoration and its sources and for all who study Piranesi.\" \u003cbr\u003e\u003cem\u003e—Bryn Mawr Classical Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \"Attractive and fun.\" \u003cbr\u003e\u003cem\u003e—Choice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n192 pages\u003cbr\u003e 7 x 10 inches\u003cbr\u003e 43 b\/w illustrations\u003cbr\u003e ISBN 978-0-89236-636-1\u003cbr\u003e paperback\u003cbr\u003e \u003cbr\u003e Getty Publications\u003cbr\u003e Imprint: Getty Research Institute\u003cbr\u003e Series: Texts \u0026amp; Documents\u003cbr\u003e \u003cbr\u003e 2002 \u003cb\u003e\u003c\/b\u003e","brand":"GETTY TRUST PUBLICATIONS","offers":[{"title":"Default Title","offer_id":44018039587008,"sku":"9780892366361","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/products\/978-0-89236-636-1.jpeg?v=1600109823"},{"product_id":"sculpture-and-enlightenment-978-0892369591","title":"Sculpture and Enlightenment","description":"\n\u003cp\u003e\u003cb\u003eErika Naginski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis pioneering book chronicles the transformation of public art in eighteenth-century France. As royal and ecclesiastical authority waned under the rule of Louis XV, there emerged nascent democratic institutions, a new metaphysics, and a radical political consciousness―a paradigm shift that profoundly marked the forms that commemorative sculpture and architecture took. As a French Catholic heritage gave way to more civic-minded and secular views of posterity, how was the monument reinterpreted? 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The brilliant age of Louis XIV saw the creation of a group of unusually large prints―some of which measure a fantastic five feet by three feet when assembled―that reproduced works by the French king's remarkably inventive court painter, designer, and arts administrator, Charles Le Brun (1619–1690).\u003c\/p\u003e\n\u003cp\u003eThe two essays and the catalogue entries in this volume focus on eleven of these monumental reproductive engravings. The authors not only relate the fascinating story of the production of these prints but also explore their role in the glorification of Louis XIV and in forming critical opinion of Le Brun as an artist and as an advocate of history painting in the Grand Manner.\u003c\/p\u003e\n\u003cp\u003eThis volume accompanied the exhibition \u003ci\u003ePrinting the Grand Manner: Monumental Prints in the Age of Louis XIV \u003c\/i\u003eheld at the Getty Research Institute from May 18 to October 17, 2010.\u003c\/p\u003e\n\u003cp\u003eLouis Marchesano is curator of prints and drawings at the Getty Research Institute. 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Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting—proposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Colección Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaking Art Concrete \u003c\/em\u003epresents works by Lygia Clark, Willys de Castro, Judith Lauand, Raúl Lozza, Hélio Oiticica, and Rhod Rothfuss, among others, with spectacular new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists’ technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists’ propositions, making a compelling addition to the field of postwar Latin American art.\u003c\/p\u003e\n\u003cp\u003eThis volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center September 16, 2017 through February 11, 2018. \u003cem\u003eMaking Art Concrete \u003c\/em\u003eis part of Pacific Standard Time: LA\/LA.\u003cbr\u003e\u003cbr\u003ePia Gottschaller is a senior research specialist at the Getty Conservation Institute. Aleca Le Blanc is assistant professor of art history at the University of California, Riverside. Zanna Gilbert is a research specialist at the Getty Research Institute. 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To further evoke a child's perception of a world scaled for grown-ups, he framed Jeanne Kéfer's tiny body against the adult-sized door and tilted the floor ever so slightly. Jeanne is further isolated by the free, abstract brushwork in the reflective door window behind her. Typical for Khnopff, Jeanne is not warm and inviting but cut off in the shallow background, a fixed haunting gaze on her face. Khnopff became a popular society portrait painter in the 1880s, using elements that served him well as an avant-garde Symbolist painter: visual realism and a mood of silence, isolation, and reverie. He frequently posed his models leaning against a closed door, flattening the space and resulting in a meditative, hermetically sealed image. \u003cbr\u003e\u003cbr\u003eFernand Khnopff (Belgian, 1858 - 1921) \u003cbr\u003e\u003cem\u003eJeanne Kéfer\u003c\/em\u003e, 1885\u003cbr\u003eOil on canvas \u003cbr\u003e80 × 80 cm (31 1\/2 × 31 1\/2 in.) \u003cbr\u003eThe J. 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This catalogue accompanies the first major retrospective on this vital yet understudied figure and considers the whole range of his activities, including his work as a painter and printmaker. Lori Pauli introduces Rejlander with a comprehensive survey of his life and career. Three essays follow, from leading scholars in the field of 19th-century photography, with topics ranging from Rejlander’s engagement with Victorian painting, to his studio and working methods, to his artistic circle and work with Charles Darwin. 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Here Munch tried to capture the emotions called forth by the night rather than to record its picturesque qualities. The color blue conveys the mysticism and melancholy of the landscape, which seems full of premonitions. An abstract mound at the right represents a clump of trees; a white fence runs diagonally in front. The vaguely defined shape on the fence may be a shadow of two lovers, a recurring theme in Munch's work. He used an undulating line to depict the shoreline that continues into the trees at the right. Stars reflect in the water, and a flash of light in the trees shines brightly. Varying thicknesses of blue and green paint are blended together to form the impression of a night sky. 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Made exclusively for the Getty.\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e- Dimensions: 1 3\/4 inches L x 1\/2 inch W\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e- Materials: Enamel, 24K gold-plate, brass\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e- Made in Canada\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e- Item #: JPGTE-011\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eA magnificent opus sectile in the Getty Villa's \u003c\/span\u003e\u003ci\u003eTemple of Hercules\u003c\/i\u003e\u003cspan\u003e reproduces the first century pavement from the Villa dei Papiri at Herculaneum. Decorating a scenic pavilion overlooking the Bay of Naples, the original Roman floor was the first architectural feature discovered by workers excavating a well in 1750. Its geometric pattern of concentric circles of triangles is composed of yellow Giallo Antico and dark gray Africano marbles, with dark green porphyry and red Rosso antico arrows at the center.\u003c\/span\u003e\u003c\/p\u003e","brand":"Getty","offers":[{"title":"Default Title","offer_id":43610824999104,"sku":"JPGTE-011","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/Soona_JPGTE-011_Web_a.jpg?v=1682460215"},{"product_id":"nck-gp-mosaic-triangle-pnd","title":"Mosaic Floor Pendant Necklace","description":"\u003cp\u003eThis enamel necklace features a detail from an opus sectile in the Getty Villa's Temple of Hercules. Made exclusively for the Getty. \u003cbr\u003e\u003cbr\u003e- Chain measures 15 1\/2 inches \u003cbr\u003e- Pendant measures 1 inch L x 1\/2 inch W\u003cbr\u003e- Materials: Enamel, 24K gold-plate, brass, lobster clasp closure\u003cbr\u003e- Made in Canada\u003cbr\u003e- Item #: JPGTP-011\u003cbr\u003e\u003cbr\u003eA magnificent opus sectile in the Getty Villa's Temple of Hercules reproduces the first century pavement from the Villa dei Papiri at Herculaneum. Decorating a scenic pavilion overlooking the Bay of Naples, the original Roman floor was the first architectural feature discovered by workers excavating a well in 1750. 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This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe. \u003cbr\u003e\u003cbr\u003eThe exhibition \u003ci\u003eBeyond the Light: Identity and Place in 19th-Century Danish Art\u003c\/i\u003e will be on view at the J. Paul Getty Museum at the Getty Center from May 23 to August 20, 2023. \u003cbr\u003e\u003cbr\u003eFreyda Spira is Robert L. Solley Curator of Prints and Drawings at the Yale University Art Gallery. \u003cbr\u003e\u003cbr\u003eStephanie Schrader is curator of drawings at J. Paul Getty Museum, Los Angeles. \u003cbr\u003e\u003cbr\u003eThomas Lederballe is chief curator and senior researcher at the Statens Museum for Kunst, Copenhagen. \u003cbr\u003e\u003cbr\u003e- Freyda Spira, Stephanie Schrader, Thomas Lederballe (Editors)\u003cbr\u003e - 228 pages \u003cbr\u003e- 9 inches W x 10 inches L \u003cbr\u003e- Hardcover \u003cbr\u003e- Metropolitan Museum of Art\u003cbr\u003e - 2023 \u003cbr\u003e- Painting\u003cbr\u003e - Item #: 978-1588397331","brand":"METROPOLITAN MUSEUM OF ART","offers":[{"title":"Default Title","offer_id":43633369579712,"sku":"9781588397331","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/files\/978-1588397331_a.jpg?v=1683307929"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0130\/8502\/collections\/Newsletter_Graphic_1600_x_300_-_Rousseau.jpg?v=1539199951","url":"https:\/\/shop.getty.edu\/collections\/sale\/villa.oembed","provider":"Getty Museum Store","version":"1.0","type":"link"}